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Ahmet Kaya Kurdish Cultural Centre

10th arrondissement of Paris2001 establishments in FranceBuildings and structures in the 10th arrondissement of ParisCultural organizations based in FranceFrench building and structure stubs
French organization stubsKurdish culture in FranceKurdistan stubsOrganizations based in Paris

The Ahmet Kaya Kurdish Cultural Centre (French: Centre culturel kurde Ahmet-Kaya; Kurdish, Kurmanji: Navenda çanda Kurd a Ahmet Kaya) is a Kurdish cultural center located in on Rue d'Enghien in the 10th arrondissement of Paris, France. Established in Paris on 10 May 2001, the Ahmet Kaya Kurdish Cultural Centre promotes Kurdish culture, language, and the integration of Kurds in France.

Excerpt from the Wikipedia article Ahmet Kaya Kurdish Cultural Centre (License: CC BY-SA 3.0, Authors).

Ahmet Kaya Kurdish Cultural Centre
Rue d'Enghien, Paris 10th Arrondissement (Paris)

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N 48.872 ° E 2.3518 °
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Centre culturel kurde Ahmet-Kaya

Rue d'Enghien
75010 Paris, 10th Arrondissement (Paris)
Ile-de-France, France
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Concert Mayol
Concert Mayol

The name Concert Mayol refers to a former cabaret situated at 10 rue de l'Échiquier in the 10th arrondissement of Paris. Opened on the site of the former convent of the Filles-Dieu by MM. Valentin Fournier under the name Concert parisien, this café-chantant was an important venue to perform in for the artists of that period: Paulus in 1882 (direction Musleck) then, from 1894 under the direction of Dorfeuil, Yvette Guilbert, Dranem, Max Dearly, etc. It is the place where Félix Mayol made his Parisian debut 1 May 1895. The entrance was then at 37 rue du Faubourg-Saint-Denis. Once he had become famous, Mayol acquired the establishment in 1909 and gave it the name Concert Mayol. Having moved the main entrance rue de l'Échiquier, he produced shows of which he was the star and in turn launched young artists including Valentin Sardou, Maurice Chevalier and Raimu. In 1914 he gave away the management to Oscar Dufrenne who dedicated the venue to music-hall in setting up, in collaboration with Henri Varna, extravaganza shows. Gina Palerme, Marie Dubas, Lucienne Boyer, Émile Audiffred, Gaby Montbreuse, Fernandel, Parisys and many other French artists performed in that venue. In 1933 Saint-Granier succeeded him and, after renovation, created an operetta that enjoyed great success. In 1934, André Denis and Paul Lefebvre specialized in "nude" reviews. After World War II, it did not find its audience back and vegetated in presenting strip-tease shows until it definitively closed down in 1976.