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Phillips West, Minneapolis

Neighborhoods in Minneapolis
MinneapolisPhillipsWestNeighborhood
MinneapolisPhillipsWestNeighborhood

Phillips West is a neighborhood within the Phillips community in Minneapolis. Its boundaries are East 22nd Street to the north, Chicago Avenue to the east, East Lake Street to the south, and Interstate 35W to the west. The Phillips community has only been subdivided into smaller neighborhoods within the last couple years; the boundaries of Phillips West were officially designated on April 29, 2005. As this change has been fairly recent, most residents still refer to the area as just "Phillips". The Phillips West Neighborhood Organization (PWNO) holds monthly community meetings (on the 1st Thursday of each month) and PWNO board meetings (on the 4th Monday of each month). The PWNO also plans and hosts the annual Phillips West Winter Social and National Night Out events and participates in the Phillips West and Phillips Clean Sweep events.

Excerpt from the Wikipedia article Phillips West, Minneapolis (License: CC BY-SA 3.0, Authors, Images).

Phillips West, Minneapolis
Oakland Avenue South, Minneapolis

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Latitude Longitude
N 44.954166666667 ° E -93.266666666667 °
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Oakland Avenue South 2636
55407 Minneapolis
Minnesota, United States
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Bardwell–Ferrant House
Bardwell–Ferrant House

The Bardwell–Ferrant House is a house in the Phillips West neighborhood of Minneapolis, Minnesota, United States. It was built in 1883 at 1800 Park Avenue for its first owner, Charles Bardwell, and its original plan was in the Queen Anne style. In 1890 its second owner, Emil Ferrant, had the house remodeled in the Moorish Revival style that was popular at the time. Norwegian-born architect Carl F. Struck added two onion domed towers, a wraparound porch with spindlework columns, ogee arches, and deep-toned stained glass windows. The house was later moved to its present location at 2500 Portland Ave. S. in 1898 to make way for a bank building.The house was listed on the National Register of Historic Places in 1984. It was nominated based on it being a locally significant example of the late 19th-century interest in exotic revival architecture. Architect Carl Struck was the only Norwegian-born architect who practiced this style in Minneapolis. Struck was also responsible for designing Dania Hall in 1885, which was listed on the National Register in 1974 but destroyed by fire in 2000. There were few buildings originally built in the Moorish Revival style; the usual practice was to apply these forms to structures built in simpler styles. The Bardwell-Ferrant house is an unusually picturesque representative of this practice, making it locally significant.In 1986 partners Mary Lou Maxwell and Jean Steward bought the house and renovated it, subdividing it into four apartments. At the time, the house was structurally sound, but significant mechanical work was required, including new heating, electrical, and plumbing systems. Thieves had also stolen some of the stained glass windows and tile from the fireplace mantels. After the renovation, three of the four apartments had two stories, and all were outfitted with new appliances. Much of the siding on the exterior was replaced, and it was repainted in a mauve color (the Victorian term for this color was "ashes of roses"). The trim was painted in a cream color, and the pressed metal trim on the towers was painted with other colors to complement the stained glass windows.The home was sold again in 2001 and later fell into foreclosure. In 2011 a new owner purchased the home with an eye toward restoring the house to a single family home. During the period of foreclosure the home suffered from vandalism and damage including structural issues, several fireplace mantels that had been pried away from the walls, damage to several of the stained glass windows and theft of some of the home's copper pipe and wiring.

Zinsmaster Baking Company Building
Zinsmaster Baking Company Building

The Zinsmaster Baking Company building is an industrial building in the Phillips neighborhood of Minneapolis, located just south of the Midtown Greenway (formerly a Milwaukee Road line). It was built in 1928, and in 1987 the building was converted into apartments. It was listed on the National Register of Historic Places in the areas of industry and commerce as an example of the rise of commercial bakeries. It also holds significance in the area of community planning and development because of the rezoning debate between industries and residents in Minneapolis. Some sections of the building are three stories tall, while others are two stories tall. The first and second floors were used for baking, wrapping, and shipping, as well as offices. These two floors were converted to apartments in 1987. The third floor is mostly unaltered from its use as a bakery, housing two large rooms that were used for storing ingredients and mixing those ingredients together and for fermentation, as well as a few other smaller rooms used for locker rooms and lunchrooms for staff. The basement is largely unfinished and was used for flour storage and cold storage. Store-bought bread was largely unknown until the turn of the 20th century. In 1890, 90 percent of bread was baked by women at home. Between 1890 and 1930, industrially-produced bread began to rise due to increased demand for commercial products brought on by the changing role of women in the household. Women of the middle and upper classes had the time and money to bake their own bread, whereas poor families relied on poor-quality bread produced in unsanitary factories. Some factories added plaster of Paris, borax, or chalk to extend the flour, and other factories often sold underweight loaves. In 1912, the National Association of Master Bakers (now the American Bakers Association) enacted a sanitary code to improve product quality, and new technologies such as automatic wrapping machines ensured bread protected from contamination. Moreover, when America entered World War I, civilians were asked to use less wheat because of rationing, using a mix of 75 percent wheat flour and 25 percent from flours of other grains. Homemakers were often inexperienced in mixing flours, resulting in ruined loaves and wasted wheat. The U.S. Food Administration encouraged consumers to eat industrially produced bread, where experienced bakers could use precise methods to bake breads with an efficient use of wheat flour. Other technologies, such as conveyor ovens, high-capacity mixers, dough shapers, and mechanical proofers streamlined the production process and reduced human interaction, improving cleanliness. Finally, the invention of the bread-slicing machine in 1928 and the advent of truck-based delivery led to larger sales, and by 1930, industrial bakeries were baking 80 percent of the nation's commercially-available bread. Harry W. Zinsmaster and R.F. Smith opened the Zinsmaster-Smith Bread Company in 1913 in Duluth, Minnesota. A brochure from that time period ensured that "absolute cleanliness will be the watchword in every department." They also offered tours of their factories to show the public that they were clean, as well as showing off technical advancements. The company opened bakeries in St. Paul, Minnesota in 1919, Hibbing, Minnesota in 1922, and Superior, Wisconsin in 1925. When the bread slicer was introduced, Zinsmaster was the first company using it in northern Minnesota. In the mid-1920s, the company began planning a fifth plant to be located in Minneapolis, selecting a site along the Milwaukee Road corridor along with many other industries. The problem was that the Zinsmaster site faced Park Avenue, a residential street with many wealthy residents. The company submitted a zoning change request in September 1927, promising to set the building back 50 feet (15 m) from Park Avenue and providing a landscape buffer. Homeowners initially had few objections, but later in that month, a group of residents went to the Minneapolis City Council to protest the rezoning. They were concerned that the company would be noisy and smelly and would degrade the aesthetics of Park Avenue. Zinsmaster asserted that part of the site was already zoned for light industry, and that a bakery would be a better use of the site than "some really objectionable industry". Other similar zoning arguments around that time were giving Minneapolis a reputation of being hostile to industrial development. On October 14, 1927, the Minneapolis City Council voted to rezone the site to light industrial. The Planning Commission requested a review of the architectural and landscaping plans for the new factory to ensure that the building complemented the neighborhood. Zinsmaster hired Charles W. DeJarnette of Des Moines to design the new factory, which ended up being significantly more ornate than their other factories and reflecting the fine architecture of Park Avenue. They also wanted the building to serve as a flagship factory for the company and to serve as "a good advertisement for a quality product". Construction on the new factory started as soon as the Planning Commission approved the plans, and the factory opened on April 10, 1929. Zinsmaster continued to invest in improvements as new technology developed. At first, their bread was wrapped in waxed paper, but by the 1930s, waterproof cellophane wrappers became available. The company partnered with the Minnesota Mining and Manufacturing Company (now 3M) and used Scotch Tape to seal the packages. In 1949, the company gained the ability to order flour in 3,000 pounds (1,400 kg) to 3,500 pounds (1,600 kg) bins, which was more efficient than the 100 pounds (45 kg) sacks previously employed. Harry Zinsmaster stepped down from his position as president of the company in 1959, but remained chair of the board until his death in 1977. In December 1977, the Metz Baking Company of Iowa purchased the company and took over the factory. Metz attempted to expand the factory, but met with fierce opposition from the neighborhood. Unable to expand, Metz closed the factory in 1980. In 1987, the first and second floors were converted into apartments.

Children's Theatre Company
Children's Theatre Company

The Children's Theatre Company (formerly known as The Moppet Players from 1961 to 1965) is a regional theater established in 1965 in Minneapolis, Minnesota, specializing in plays for families, young audiences and the very young. The theater is the largest theater for multigenerational audiences in the United States and is the recipient of 2003 Tony Award for Outstanding Regional Theatre. The founding is credited to John Clark Donahue and Beth Linnerson. Many productions are adaptations from children's literature including Pippi Longstocking, The 500 Hats of Bartholomew Cubbins, Cinderella, How The Grinch Stole Christmas, A Year with Frog and Toad and Alice in Wonderland that have been in the company's repertoire for many seasons. Among their early premiere productions was Richard Dworsky's musical version of The Marvelous Land of Oz, which was one of several productions to be issued on video in the early 1980s. The casts themselves are a mix of adult and young adult performers.The programs began operating from space donated in a restaurant before moving to an abandoned fire station donated when the troupe affiliated itself with the social service agency Pillsbury-Waite Settlement House. It is now located next to the Minneapolis Institute of Arts. It previously operated as an accredited school, The Children's Theatre Company and School, first as an "after school" component of the Twin Cities' Urban Arts program and, by the early 1980s, as its own accredited grade school and high school. Students were taught regular academic curricula for the first half of the day and then studied performance arts for the second half. The theater was founded by John Clark Donahue along with John Burton Davidson, Shirley Diercks, Martha Pierce Boesing and Beth Leinerson. Jon Cranny served as the theater's second artistic director from 1984 until 1997, when Peter C. Brosius became the theater's third artistic director alongside the theater's managing directors: Theresa Eyring (1999–2007), Gabriella Callichio (2007–11), Tim Jennings (2011–15) and Kimberly Motes (16-present). The theater's production of A Year with Frog and Toad, which completed a run at the Cort Theatre on Broadway in June 2003. In 1998, under Brosius' leadership, the theater established Threshold, a new play laboratory which has created world premiere productions by Nilo Cruz, Jeffrey Hatcher, Kia Corthrun, and Naomi Iizuka. Along with new play development, Brosius has helped launch new education programs, including the internationally renowned Neighborhood Bridges program. Architect Michael Graves designed the expansion for the theater in 2001. In 2003, the theater received the Tony Award for excellence in regional theater. The November 2, 2004, edition of Time magazine named the company as the top theater for children in the U.S.