Victory of Sacred Love over Profane Love

The Bacchanal of Putti or Bacchanal of Putti with a Goat is a marble relief by Flemish sculptor François Duquesnoy. The commissioner of this relief is unknown.

The Palazzo Spada is a palace located on Piazza di Capo Ferro #13 in the rione Regola of Rome, Italy. Standing very close to the Palazzo Farnese, it has a garden facing towards the Tiber river. The palace accommodates a large art collection, the Galleria Spada. The collection was originally assembled by Cardinal Bernardino Spada in the 17th century, and by his brother Virgilio Spada, and added to by his grandnephew Cardinal Fabrizio Spada,

The Chiesa della Santissima Trinità dei Pellegrini (Church of the Most Holy Trinity of the Pilgrims) is a Roman Catholic church located on Via dei Pettinari #36 In the rione of Regola of central Rome, Italy. It stands a block away from the Palazzo Spada on Via Capo di Ferro, while a few blocks away on the Via dei Pettinari stands the Ponte Sisto.

Santa Maria della Quercia is a Roman Catholic church located on the piazza of the same name, one block southeast of the Palazzo Farnese in the Rione (district) of Regola of central Rome, Italy.

San Salvatore in Onda is a Roman Catholic church, located on via dei Pettinari #56-58, in rione Regola of Rome, Italy. The church is about a block southwest along the via from the church of Santissima Trinità dei Pellegrini.

Palazzo Barberini ai Giubbonari, also called Casa Grande Barberini, to distinguish it from the more famous palace in the Trevi district, is a historic palace in Rome. It was the family's first residence in the papal capital and, even after the construction of the palace at the Quattro Fontane, it remained the home of Taddeo, prince of Palestrina, until he fled to France. The palace remained the property of the Barberini family until the fourth decade of the eighteenth century, when they sold it to the Discalced Carmelites, who made it the seat of their General Curia; later passed to the Monte di Pietà, it is now owned by the municipality of Rome and home to educational institutions, including the Vittoria Colonna High School.

Regola is the 7th rione of Rome, Italy, identified by the initials R. VII, and belongs to the Municipio I. The name comes from Arenula (the name is recognizable in the modern Via Arenula), which was the name of the soft sand (rena in Italian) that the river Tiber left after the floods, and that built strands on the left bank. The inhabitants of the rione are called Regolanti. They were nicknamed mangiacode ('tail-eaters'), after the typical dish coda alla vaccinara, which was a specialty of the many vaccinari ('butchers') of the rione.The seal of the rione represents a rampant deer with a turquoise background.

Piazza Farnese is the main square of the Regola district of Rome, Italy.

The Fontane della Piazza Farnese are two identical decorative fountains located in the Piazza Farnese, in front of the Palazzo Farnese in Rome, Italy. They were placed in the Piazza in the 16th century. The granite stone basins of the fountains are believed to come from the ancient Roman Baths of Caracalla. The emblems on the upper part of the fountain are those of the Farnese family, and the builder of the Palazzo, Cardinal Alessandro Farnese, later Pope Paul III.

Palazzo Farnese ([paˈlattso farˈneːse]) or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta. At the end of the 16th century, the important fresco cycle of The Loves of the Gods in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Classicism. The famous Farnese sculpture collection, now in the National Archeological Museum of Naples, as well as other Farnese collections, now mostly in Capodimonte Museum in Naples, were accommodated in the palace.

Santi Giovanni e Petronio dei Bolognesi is a Roman Catholic church in central Rome, Italy. It is named after the Saints John the Evangelist and Petronius, who are patrons of the city of Bologna. This church was made the "national church" of the Bolognese in Rome in 1581, by order of Pope Gregory XIII. It is located in the Rione of Regola, on Via del Mascherone, across the street and just south of the Gardens behind the Palazzo Farnese. It is today the "regional church" of Emilia-Romagna. Mention of a parish church on the site was mentioned by 1186, and it was attached to the church of San Lorenzo in Damaso. At the Time it had a name of Sanctae Thomae de Yspanis (of Spain), and later San Tommaso dei Muratori, or della Catena, or dei Frati. The church was in disrepair, when Pope Gregory XIII Boncompagni, commissioned the Bolognese architect Ottaviano Mascherino to rebuild it as the national church of his countrymen. An adjacent oratory was built in 1601, but later razed. The facade was rebuilt in the late 17th century. The church property was once expropriated but returned to the church in 1940. Most of the artists originally decorating the church were Bolognese, but many of the paintings were removed and some are lost. The painting to the right of the altar about the Transit of St Joseph was painted by Francesco Gessi, while the painting of Santa Caterina da Bologna (now lost) was painted by Giovanni Giuseppe dal Sole. The main altarpiece with a Virgin, Baby Jesus, and Saints John the Evangelist and Petronio was painted by Domenichino; it is now in the Galleria Nazionale d'Arte Antica in Palazzo Barberini of Rome. The missing altarpieces are replaced by works from unattributed artists. The tomb of Alessandro Algardi was destroyed. The virtues frescoed on the pennants were by Pompeo Aldrovandini. It is a titular church. Its Cardinal-Priests have been: Giacomo Biffi (1985–2015) Baltazar Enrique Porras Cardozo (2016–present)

The Palazzo Orsini Pio Righetti (also Palazzo Pio) is a building in the Roman district of Parione. It was built around 1450 and lies on top of the ruins of the Temple of Venus Victrix of the Theatre of Pompey. In the 17th century the facade was redesigned. It overlooks other neighboring areas of Campo de' Fiori and Piazza del Biscione in Rome, Italy.