Monument to Galdós (Madrid)

Buen Retiro Palace (Spanish: Palacio del Buen Retiro) in Madrid was a large palace complex designed by the architect Alonso Carbonell (c. 1590–1660) and built on the orders of Philip IV of Spain as a secondary residence and place of recreation (hence its name). It was built in what was then the eastern limits of the city of Madrid. Today, what little remains of its buildings and gardens forms the Retiro Park.

The Palacio de Cristal ("Glass Palace") is a conservatory located in Madrid's Buen Retiro Park. The Palacio de Cristal, in the shape of a Greek cross, is made almost entirely of glass set in an iron framework on a brick base, which is decorated with ceramics. Its cupola makes the structure over 22 metres high. When it was erected, glass and iron construction on a large scale was already to be seen in Madrid at Delicias station (1880), the work of a French architect; however, the curved architecture of the Palacio de Cristal is more comparable to the techniques pioneered by the British architects Joseph Paxton (who was responsible for London's Crystal Palace) and Decimus Burton (who was responsible for the Palm House at Kew Gardens). The Palacio de Cristal was, alongside the Pabellón Central, one of the main venues of the 1887 Philippines Exposition.The cast-iron frame was manufactured in Bilbao. The structure was designed in a way that would allow it to be re-erected on another site (as happened to the equivalent building in London). However, the building has remained on the original site, next to a lake, and has been restored to its original appearance. It is no longer used as a greenhouse, and is currently used for art exhibits.

The Fuente del Ángel Caído (Fountain of the Fallen Angel or Monument of the Fallen Angel) is a fountain located in the Buen Retiro Park in Madrid, Spain. The statue that crowns the monument is the masterpiece of Ricardo Bellver who realized it in plaster in 1877 while a 3rd year pensioner in Rome, inspired by verses from Paradise Lost of John Milton (Canto I). He submitted it to the 1877 edition of the Exposiciones Nacionales de Bellas Artes where it received the first prize. The state acquired the work and presented it to the 1878 Exposition Universelle. Since only works in marble and bronze were accepted, the statue was cast in bronze at this occasion and the plaster original destroyed. The statue returned to Spain in what was then the Museo Nacional de Pintura y Escultura (also known as the Museo de la Trinidad, now part of the Museo del Prado). The director of the museum, Benito Soriano Murillo, proposed its relocation in the open space so that the public could freely enjoy this peculiar and unusual creation. The statue was passed to the city hall that placed it on the spot of its present location which was formerly occupied by the Real Fábrica de Porcelanas de la China before its destruction during the French invasion in 1813, at the intersection of the paseo de Cuba, the paseo de Uruguay and the paseo del Duque de Fernán Nuñez in the Retiro park. The duque de Fernán Nuñez (probably Manuel Falcó y d´Adda y Valcárcel, the husband of the III Duquesa de Fernán Núñez) sponsored the monument. The architect Francisco Jareño was charged to design the pedestal, that is octagonal with figures of devils on each side gripping fishes, lizards and snakes, and placed at the center of a fountain of 10 meters diameter, itself surrounded by a parterre. The inauguration was made by the Queen consort of Spain Maria Christina of Austria in 1885. The monument is 7 meters high (the statue itself is 2.65 meters) and lies at the center of a roundabout named after the statue, that also gives its name to an entrance of the park. While the work, turned over by a student, initially received its share of criticisms, it was mainly highly received by the critics and is now an attraction of the Spanish capital. It is renowned for its dramatic appeal, the tension in the expression and its ambiguity in treating a polemical subject that caused turmoil regarding its possible interpretation as a satanic tribute. It has the reputation to be the only prominent sculpture dedicated to the devil. It is, however, correct that it happens to stand at 666 meters above sea level. There is a polyester resin replica of Bellver's work at the Museum of the Real Academia de Bellas Artes de San Fernando in Madrid where details can be better appreciated.

Palacio de Velázquez, or Velázquez Palace (sometimes referred to as Palacio de Exposiciones) is an exhibition hall located in Buen Retiro Park, Madrid, Spain. Originally known as the Palacio de la Minería, it was built in 1881-3 for the Exposición Nacional de Minería by architect Ricardo Velázquez Bosco (and named after him), engineer Alberto Palacio, and ceramist Daniel Zuloaga. It functions as an arts and crafts gallery and is listed as a Bien de Interés Cultural. The building's interior is viewable on Google Street View and it is part of the Google Art Project.

The Buen Retiro Park (Spanish: Parque del Buen Retiro, literally "Park of the Pleasant Retreat"), Retiro Park or simply El Retiro is one of the largest parks of the city of Madrid, Spain. The park belonged to the Spanish Monarchy until the late 19th century, when it became a public park. In 2021, Buen Retiro Park became part of a combined UNESCO World Heritage Site with Paseo del Prado.

Retiro is a district located at the southeast of the city centre of Madrid, Spain. Its area is of 5.38 square kilometres (2.08 sq mi), the number of houses is 46,512 and the population, as of 2005, was of 126,058.

The Monument to General Martínez Campos is an instance of public art in Madrid, Spain. Designed by Mariano Benlliure, it consists of an sculptural ensemble presided by a equestrian statue of General Arsenio Martínez Campos, who played a key role in bringing the Bourbon Restoration by leading the coup d'etat of Sagunto in 1874. It lies on the centre of the Plaza de Guatemala, in El Retiro.

The Monument to Cuba is an instance of public art in Madrid, Spain, consisting of a fountain over which an sculptural group topped by an allegory of Cuba emerges from. It is located at El Retiro Park.

The Monument to Alfonso XII (Spanish: Monumento a Alfonso XII) is located in Buen Retiro Park (El Retiro), Madrid, Spain. The monument is situated on the east edge of an artificial lake near the center of the park. In 1902, a national contest was held to design a monument for King Alfonso XII at the initiative of the Queen Mother Maria Christina of Austria. The winner was the architect José Grases Riera, whose design consisted of a grand colonnade alongside a pond in El Retiro, with several sculptures surrounding an equestrian statue of the king, with everything constructed in bronze and marble. Grases Riera died in 1919 with work still in progress. The architect Teodoro Anasagasti took control of the project without modifying the original design. More than twenty sculptors worked on the project. The monument, financed by a popular collection, was inaugurated on June 6, 1922. It was the first of many commemorative statues (by artists such as Mariano Benlliure, Josep Clarà, and Mateo Inurria) that were added to parks in Spain over the last century. The monument is 30 meters high, 86 meters long, and 58 meters wide. At its center is the equestrian statue of King Alfonso XII, cast in bronze, which was created by Benlliure in 1904. In the central base of the monument are the statues "La Paz" ("Peace") by Miquel Blay, "La Libertad" ("Freedom") by Aniceto Marinas and "El Progreso" ("Progress") by Miguel Ángel Trilles. In the pedestal, there are three bronze reliefs. Stairs descend from the central monument toward the lake, with four stone lions carved by Agapit Vallmitjana i Abarca and Pedro Estany. Under the pedestals, in bronze, are four mermaids sculpted by Antonio Parera Saurina, Rafael Atché, Antonio Coll y Pi, and Antoni Alsina. There are also two lions in each of the lateral access paths to the semicircle; these were carved by Francisco Javier Escudero Lozano, Antonio Bofill, Eusebi Arnau, and Campmany. At each side of the central access way to the colonnade are "El Ejército" ("The Army") by José Montserrat and "La Marina" ("The Navy") by Mateo Inurrria. In the inside of the monument, facing the lake, are the bronze sculptures "Las Ciencias" ("Sciences") by Manel Fuxà, "La Agricultura" ("Agriculture") by José Alcoverro, "Las Artes" ("The Arts") by Joaquín Bilbao, and "La Industria" ("Industry") by Josep Clarà. The ornamentation of the friezes and the central base was done by Pedro Estany.

Niño Jesús is an administrative neighborhood (barrio) of Madrid belonging to the district of Retiro. It is 0.643202 km² in size.

The Royal Tapestry Factory (Spanish: Real Fábrica de Tapices de Santa Bárbara) is a manufacturing plant located in Madrid, Spain, which was founded in 1720.

Ibiza is a station on Line 9 of the Madrid Metro. It is located in fare Zone A.