Monument to Cuba (Madrid)

The Monument to General Martínez Campos is an instance of public art in Madrid, Spain. Designed by Mariano Benlliure, it consists of an sculptural ensemble presided by a equestrian statue of General Arsenio Martínez Campos, who played a key role in bringing the Bourbon Restoration by leading the coup d'etat of Sagunto in 1874. It lies on the centre of the Plaza de Guatemala, in El Retiro.

The Monument to Alfonso XII (Spanish: Monumento a Alfonso XII) is located in Buen Retiro Park (El Retiro), Madrid, Spain. The monument is situated on the east edge of an artificial lake near the center of the park. In 1902, a national contest was held to design a monument for King Alfonso XII at the initiative of the Queen Mother Maria Christina of Austria. The winner was the architect José Grases Riera, whose design consisted of a grand colonnade alongside a pond in El Retiro, with several sculptures surrounding an equestrian statue of the king, with everything constructed in bronze and marble. Grases Riera died in 1919 with work still in progress. The architect Teodoro Anasagasti took control of the project without modifying the original design. More than twenty sculptors worked on the project. The monument, financed by a popular collection, was inaugurated on June 6, 1922. It was the first of many commemorative statues (by artists such as Mariano Benlliure, Josep Clarà, and Mateo Inurria) that were added to parks in Spain over the last century. The monument is 30 meters high, 86 meters long, and 58 meters wide. At its center is the equestrian statue of King Alfonso XII, cast in bronze, which was created by Benlliure in 1904. In the central base of the monument are the statues "La Paz" ("Peace") by Miquel Blay, "La Libertad" ("Freedom") by Aniceto Marinas and "El Progreso" ("Progress") by Miguel Ángel Trilles. In the pedestal, there are three bronze reliefs. Stairs descend from the central monument toward the lake, with four stone lions carved by Agapit Vallmitjana i Abarca and Pedro Estany. Under the pedestals, in bronze, are four mermaids sculpted by Antonio Parera Saurina, Rafael Atché, Antonio Coll y Pi, and Antoni Alsina. There are also two lions in each of the lateral access paths to the semicircle; these were carved by Francisco Javier Escudero Lozano, Antonio Bofill, Eusebi Arnau, and Campmany. At each side of the central access way to the colonnade are "El Ejército" ("The Army") by José Montserrat and "La Marina" ("The Navy") by Mateo Inurrria. In the inside of the monument, facing the lake, are the bronze sculptures "Las Ciencias" ("Sciences") by Manel Fuxà, "La Agricultura" ("Agriculture") by José Alcoverro, "Las Artes" ("The Arts") by Joaquín Bilbao, and "La Industria" ("Industry") by Josep Clarà. The ornamentation of the friezes and the central base was done by Pedro Estany.

Palacio de Velázquez, or Velázquez Palace (sometimes referred to as Palacio de Exposiciones) is an exhibition hall located in Buen Retiro Park, Madrid, Spain. Originally known as the Palacio de la Minería, it was built in 1881-3 for the Exposición Nacional de Minería by architect Ricardo Velázquez Bosco (and named after him), engineer Alberto Palacio, and ceramist Daniel Zuloaga. It functions as an arts and crafts gallery and is listed as a Bien de Interés Cultural. The building's interior is viewable on Google Street View and it is part of the Google Art Project.

The Ermita de San Pelayo y San Isidoro (English: Hermitage of Saint Pelagius and Saint Isidore) is a ruined Romanesque church, originally in the city of Ávila, Spain. It was built outside the city walls, in front to the Gate of Malaventura in the south side of the Walls. In Ávila, there remains an area known as the Atrium of San Isidro. After the Spanish confiscation, it was moved to Madrid, where it had different locations. Its remains finally found accommodation in the Buen Retiro Park in central Madrid.

Ibiza is a station on Line 9 of the Madrid Metro. It is located in fare Zone A.

The Valencia Tower (Spanish: Torre de Valencia) is a residential building in Madrid, Spain. It is the most known as well as most controversial project by Javier Carvajal.

The Aguirre Schools (Spanish: Escuelas Aguirre) is a notable Neo-Mudéjar style building in Madrid Spain. Located at Calle de Alcalá, 62, it is named after Lucas Aguirre, a Spanish philanthropist who left funds for the construction of schools. As the building has housed the Casa Árabe e Instituto Internacional de Estudios Árabes y del Mundo Musulmán since 2006, it is also currently known as the Casa Árabe ("Arabic House"). This Neo-Mudéjar style building was designed by Emilio Rodríguez Ayuso and built from 1881-1886. The same architect later added an enclosure (1887) and garden (1896–98). Subsequently architect Luis Bellido González performed alterations in 1908–1909 and 1929, with a third set of alterations and basement extension made by Antonio Flórez Urdapilleta and Bernardo Giner de los Ríos in 1932–1933.

The Buen Retiro Park (Spanish: Parque del Buen Retiro, literally "Park of the Pleasant Retreat"), Retiro Park or simply El Retiro is one of the largest parks of the city of Madrid, Spain. The park belonged to the Spanish Monarchy until the late 19th century, when it became a public park. In 2021, Buen Retiro Park became part of a combined UNESCO World Heritage Site with Paseo del Prado.

Buen Retiro Palace (Spanish: Palacio del Buen Retiro) in Madrid was a large palace complex designed by the architect Alonso Carbonell (c. 1590–1660) and built on the orders of Philip IV of Spain as a secondary residence and place of recreation (hence its name). It was built in what was then the eastern limits of the city of Madrid. Today, what little remains of its buildings and gardens forms the Retiro Park.

Espartero or the monument to General Espartero (Spanish: Monumento al General Espartero), is an instance of public art in Madrid, Spain. A work by Pablo Gibert, it is dedicated to General Baldomero Espartero, "the Peacemaker".

The Palacio de Cristal ("Glass Palace") is a conservatory located in Madrid's Buen Retiro Park. The Palacio de Cristal, in the shape of a Greek cross, is made almost entirely of glass set in an iron framework on a brick base, which is decorated with ceramics. Its cupola makes the structure over 22 metres high. When it was erected, glass and iron construction on a large scale was already to be seen in Madrid at Delicias station (1880), the work of a French architect; however, the curved architecture of the Palacio de Cristal is more comparable to the techniques pioneered by the British architects Joseph Paxton (who was responsible for London's Crystal Palace) and Decimus Burton (who was responsible for the Palm House at Kew Gardens). The Palacio de Cristal was, alongside the Pabellón Central, one of the main venues of the 1887 Philippines Exposition.The cast-iron frame was manufactured in Bilbao. The structure was designed in a way that would allow it to be re-erected on another site (as happened to the equivalent building in London). However, the building has remained on the original site, next to a lake, and has been restored to its original appearance. It is no longer used as a greenhouse, and is currently used for art exhibits.

Campo de O'Donnell was a multi-use stadium in Madrid, Spain. The stadium should not be confused with Campo de O'Donnell (Atlético Madrid), which shared the same name and was situated 200 metres (700 ft) away on the same boulevard. It was initially a field (campo) in the area of O'Donnell, next to the main boulevard called Calle de O'Donnell. It became the home stadium of Real Madrid in 1912. The capacity of the stadium was 5,000 spectators. In 1923, Real Madrid moved on to Campo de Ciudad Lineal, and Campo de O'Donnell was closed. Campo de O'Donnell hosted four Copa del Rey finals, in 1908, 1909, 1913 and 1918.