Palazzo Barbaro Wolkoff

Palazzo Salviati is a palace on the Grand Canal in the Dorsoduro district (or sestieri) in Venice, northern Italy. It is situated between the Palazzo Barbaro Wolkoff and Palazzo Orio Semitecolo Benzon.

The Palazzo Dario is a palace located between the Palazzo Barbaro Wolkoff and the narrow Rio delle Torreselle on the Grand Canal in the sestiere of Dorsoduro, of the city of Venice, Italy. The palace was built in the Venetian Gothic style and was renovated in Renaissance style.

The Palazzo Barbarigo Minotto (also called Palazzo Minotto Barbarigo) is a 15th-century palace on the Grand Canal in Venice, northern Italy, next to the much larger Palazzo Corner. Built in the Venetian Gothic style, it was originally two palaces, Palazzo Barbarigo and Palazzo Minotto, later joined together. The Barbarigo palace was owned by the Barbarigo family for several centuries and was the birthplace of Gregorio Barbarigo, who once refused the Papal Crown. It was later owned by the Minotto and Martinengo families. Three staterooms face the Grand Canal and another three face Rio Zaguri. In the first half of the 18th century frescoes and paintings by Giovanni Battista Tiepolo, Francesco Fontebasso and Carpoforo Tencalla were commissioned by Pietro Barbarigo. Its chapel has Louis XIV Style elm flooring inlaid with olive-root marquetry. The palace's doors, are in the same style, banded in walnut with bronze handles shaped as vine leaves. The floors of the staterooms are a blend of terrazzo paving and Venetian "pastellone" paving.

Palazzo Corner della Ca' Granda, also called Ca' Corner della Ca' Granda or simply Palazzo Corner or Palazzo Cornaro, is a Renaissance-style palace located between the Casina delle Rose and the Rio di San Maurizio (Venice), across the Grand Canal from the Palazzo Venier dei Leoni (Peggy Guggenheim Collection), in the city of Venice, Italy. It is the current seat of the province of Venice and of the city's prefect.

The Palazzo Pisani Gritti is a Venetian Gothic palazzo located on the north side of the Grand Canal, opposite the Church of the Salute, between the Campo del Traghetto and the Rio de l'Alboro, in the Sestieri of San Marco, Venice, Italy. It was the residence of Doge Andrea Gritti in the 16th century. It is now the Gritti Palace Hotel.

The Palazzo Genovese is a Gothic Revival-style palace located a few meters west of the Church of the Salute along the Grand Canal, the posterior facade abuts the church of San Gregorio in the Sestieri of Dorsoduro, Venice, Italy.

The Peggy Guggenheim Collection is an art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is one of the most visited attractions in Venice. The collection is housed in the Palazzo Venier dei Leoni, an 18th-century palace, which was the home of the American heiress Peggy Guggenheim for three decades. She began displaying her private collection of modern artworks to the public seasonally in 1951. After her death in 1979, it passed to the Solomon R. Guggenheim Foundation, which opened the collection year-round from 1980. The collection includes works of prominent Italian futurists and American modernists working in such genres as Cubism, Surrealism and abstract expressionism. It also includes sculptural works. In 2017, Karole Vail, a granddaughter of Peggy Guggenheim, was appointed Director of the collection, succeeding Philip Rylands, who led the museum for 37 years.

San Gregorio is a former church in Venice, northern Italy, located in the sestiere (district/neighborhood; literally "sixth") of Dorsoduro. It is not far from Santa Maria della Salute basilica, behind the Palazzo Genovese. It was founded in the 9th century and, in the 13th century, it became a Benedictine abbey. In the mid-15th century it was rebuilt to the current appearance under design by Antonio da Cremona. In 1775, after a long period of crisis, the monastery was closed and in 1807, after the Napoleonic occupation of Italy, also the parish church was suppressed. Deconsecrated, it was converted into a mint laboratory and then an art restoration center. It is now closed and not used. It has a Gothic exterior with an ogival portal, elongated mullioned windows with ogival top and apse.

The Chiesa di Santa Maria del Giglio is a church in Venice, Italy. The church, whose name translates into St. Mary of the Lily referring to the flower classically depicted as being presented by the Angel Gabriel during the Annunciation), is more commonly known as Santa Maria Zobenigo after the Jubanico family who founded it in the 9th century. The edifice is situated on the Campo Santa Maria Zobenigo, west of the Piazza San Marco. It was rebuilt by Giuseppe Sardi for Admiral Antonio Barbaro between 1678 and 1681 and has one of the finest Venetian Baroque facades in all of Venice. The church is now part of the parish of San Moisè.

The Palazzo Ferro Fini is a historical building in Venice, Italy. It was originally two buildings, the Palazzo Morosini Ferro and the Palazzo Flangini Fini, which were combined into one in the 1860s to create the luxury Hotel New York. The hotel was occupied by troops in World War II (1939–45). By 1970 the hotel was in decay, and the building was purchased by the Veneto region, which undertook extensive renovations and made it the seat of the regional council.

Palazzo Barbarigo is a palace situated facing the Grand Canal of Venice, Italy. It is not to be confused with the Palazzo Barbarigo Minotto and Palazzo Barbarigo della Terrazza, both also on the Grand Canal, and other palazzi, and several villas, once owned by the Barbarigo family. According to an investigation by the Anti-Corruption Foundation (Russia), the property, together with a part of adjacent palazzo, belongs to Russian conductor Valery Gergiev. It is a small part of the vast inheritance of the philanthropist Yoko Nagae Ceschina, who died in 2015.

Santa Maria della Salute (English: Saint Mary of Health), commonly known simply as the Salute, is a Roman Catholic church and minor basilica located at Punta della Dogana in the Dorsoduro sestiere of the city of Venice, Italy. It stands on the narrow finger of Punta della Dogana, between the Grand Canal and the Giudecca Canal, at the Bacino di San Marco, making the church visible when entering the Piazza San Marco from the water. The Salute is part of the parish of the Gesuati and is the most recent of the so-called plague churches. In 1630, Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city's deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health. The church was designed in the then fashionable Baroque style by Baldassare Longhena, who studied under the architect Vincenzo Scamozzi. Construction began in 1631. Most of the objects of art housed in the church bear references to the Black Death. The dome of the Salute was an important addition to the Venice skyline and soon became emblematic of the city, appearing in artworks both by locals, such as Canaletto and Francesco Guardi, and visitors, such as J. M. W. Turner and John Singer Sargent.