place

Chalton Street Market

18th-century establishments in EnglandRetail markets in LondonSt Pancras, LondonTourist attractions in the London Borough of CamdenUse British English from June 2015
Chalton Street, Somers Town geograph.org.uk 1395502
Chalton Street, Somers Town geograph.org.uk 1395502

Chalton Street Market is a street market in Camden, North London.

Excerpt from the Wikipedia article Chalton Street Market (License: CC BY-SA 3.0, Authors, Images).

Chalton Street Market
Chalton Street, London Somers Town (London Borough of Camden)

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N 51.528705 ° E -0.129149 °
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Chalton Street Market

Chalton Street
NW1 1ET London, Somers Town (London Borough of Camden)
England, United Kingdom
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Phone number
The London Borough of Camden

call+442079742475

Website
camden.gov.uk

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Chalton Street, Somers Town geograph.org.uk 1395502
Chalton Street, Somers Town geograph.org.uk 1395502
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Ossulston Estate
Ossulston Estate

The Ossulston Estate is a multi-storey council estate built by the London County Council on Chalton Street in Somers Town between 1927 and 1931. It was unusual at the time both in its inner-city location and in its modernist design, and all the original parts of the estate are now Grade II listed buildings. The estate was built to rehouse those poor who were not being served by the LCC's new suburban estates, and was significantly denser to suit the urban site. It was located on the site of the Somers Town slum, between Euston and St Pancras stations. The original proposal made in 1925 was for 9-storey blocks on the American model, which would have required lifts, and with more expensive flats for private tenants on the highest floors. This was rejected and the height reduced to a maximum of 7 storeys, with fewer lifts and no private flats. The provision of central heating was also eliminated, but the buildings were unusual in providing electricity from the start, and Levita House had the first central heating system installed by the LCC. The design, by G. Topham Forrest, chief architect of the LCC, and his assistants R. Minton Taylor and E.H. Parkes, was influenced by Viennese modernist public housing such as Karl Marx-Hof, which Forrest had visited. The estate consists of blocks grouped around three courtyards, and small greens, reached by archways from Ossulston and Chalton Streets; some of the original plantings survive. The buildings have some neo-Georgian features in the treatment of roofs and windows, but are modernist in being of steel-frame construction with unornamented roughcast walls, the facades instead enlivened by spatial features such as the archways in front of the balconies which lead to the individual flats. Chamberlain House, three blocks of flats, was built in 1927–29; Levita House, south of it and named for Cecil Levita, who was chairman of the LCC's Housing Committee in the 1920s, was built in 1930–31 and consists of the 7-storey section and wings enclosing a grand courtyard which was originally intended to lead to the premium flats. Walker House was begun in 1929–30, but the other side of the courtyard was completed in 1936–37 with more traditional brick 6-storey buildings. The total number of flats was 310. Chamberlain House, Levita House, the southern part of Walker House and the associated shops and The Cock Tavern public house are all Grade II listed buildings.In 2004–07, Levita House was extensively refurbished by Sprunt Architects, which included creating larger flats, external refurbishment of the fabric and transformation of the courtyard areas.

Newton (Paolozzi)
Newton (Paolozzi)

Newton, sometimes known as Newton after Blake, is a 1995 work by the sculptor Eduardo Paolozzi. The large bronze sculpture is displayed on a high plinth in the piazza outside the British Library in London. The sculpture is based on William Blake's 1795 print of Newton: Personification of Man Limited by Reason, which depicts a naked Isaac Newton sitting on ledge beside a mossy rock face while measuring with a pair of compasses or dividers. The print was intended by Blake to criticise Newton's profane knowledge, usurping the sacred knowledge and power of the creator Urizen, with the scientist turning away from nature to focus on his books. Paolozzi had admired Blake since viewing a large print of Newton at the Tate Gallery in the 1940s. He was also a friend of Colin St John Wilson, the architect of the British Library, since they both participated in the This is Tomorrow exhibition at the Whitechapel Gallery in 1956. Wilson intended to site a seated sculpture at the junction of the two main axes in the piazza of his library. Paolozzi was then working on a sculpture of Newton, and he was commissioned to create the sculpture for the library. The new library was constructed from 1982 to 1999, and the sculpture was installed in 1995. The sculpture includes Paolozzi's self-portrait as the naked Newton, measuring the universe with his dividers. The eyes were copied from Michelangelo's David. It can be interpreted as symbolising a confluence of the two cultures, the arts and the sciences, and illustrating how Newton changed our view of the world to one determined by mathematical laws. The sculpture makes the body resemble a mechanical object, joined with bolts at the shoulders, elbows, knees and ankles. The sculptures shows the visible seams of Paolozzi's technique of dividing his model and reassembling the pieces, for example on the head. The final full-size sculpture stands 12 feet (3.7 m) high, and is mounted on a high plinth. The bronze was cast by the Morris Singer foundry; it was funded by the Foundation for Sport and the Arts. It was included in the Grade I listing of the library, granted in 2015. A maquette was donated by the artist to the Isaac Newton Institute for Mathematical Sciences at the University of Cambridge. A bronze model cast in 1988 "from the model made to show the Library committee", has been held by the Tate Gallery since 1995.A similar sculpture from 1989, Master of the Universe, is at the Scottish National Gallery Of Modern Art in Edinburgh, with another example in Hong Kong.