Harleian Library

The Harold Pinter Archive in the British Library is the literary archive of Harold Pinter, which Pinter had first placed "on permanent loan" in the British Library in September 1993 and which became a permanent acquisition in December 2007.

The Lawrence Durrell Collection is a special collection of books and periodicals by, about or associated with the novelist and poet Lawrence Durrell, donated to the British Library by Alan G. Thomas.

The Lady Eccles Oscar Wilde Collection is a special collection of materials by, about and associated with the novelist and playwright Oscar Wilde, donated to the British Library by Lady Eccles.

The Dexter Collection of Dickensiana is a special collection of materials by, about and associated with the novelist Charles Dickens, donated to the British Library by John Furber Dexter.

The British Library Sound Archive, formerly the British Institute of Recorded Sound; also known as the National Sound Archive (NSA), in London, England is among the largest collections of recorded sound in the world, including music, spoken word and ambient recordings. It holds more than six million recordings, including over a million discs and 200,000 tapes. These include commercial record releases (chiefly from the UK), radio broadcasts (many from the BBC Sound Archive), and privately made recordings.

The Asia, Pacific and Africa Collections previously called the Oriental and India Office Collections (OIOC) form a significant part of the holdings of the British Library in London, England.

In 1757, the actor David Garrick commissioned the sculptor Louis-François Roubiliac to make a full-size marble statue of William Shakespeare for Garrick's octagonal Temple to Shakespeare, erected near his villa beside the River Thames at Hampton, to the west of London. The sculpture cost 300 guineas and was installed at Garrick's temple in 1758; it remained there until it was bequeathed to the British Museum along with Garrick's books in 1779. The sculpture was transferred to the new British Library in 2005, where it is displayed on a new travertine plinth beside the main staircase in the main entrance hall. The sculpture depicts Shakespeare standing, leaning with his right arm on a lectern covered with a fringed cloth. His right foot is forward and body leaning to the right, with his hips thrust out awkwardly to the left. His right hand is holding a quill pen while the left hand is raised to his chin with the index finger extended along the jawline, as if in thought. The subject is balding but bearded, with ringlets of hair at his temples. Rather than Tudor costume, he is wearing anachronous 17th century "Van Dyke" dress, including a shirt with an elaborate lace collar and cuffs; a long jacket with many buttons, but unbuttoned over the lower body; short trousers with fringed legs; stockings and heeled shoes; all draped in a billowing cloak. The art historian Margaret Whinney describes Roubiliac's bust as having "Van-Dyckian elegance" and notes that "he has greatly ennobled the head".

The Ossulston Estate is a multi-storey council estate built by the London County Council on Chalton Street in Somers Town between 1927 and 1931. It was unusual at the time both in its inner-city location and in its modernist design, and all the original parts of the estate are now Grade II listed buildings. The estate was built to rehouse those poor who were not being served by the LCC's new suburban estates, and was significantly denser to suit the urban site. It was located on the site of the Somers Town slum, between Euston and St Pancras stations. The original proposal made in 1925 was for 9-storey blocks on the American model, which would have required lifts, and with more expensive flats for private tenants on the highest floors. This was rejected and the height reduced to a maximum of 7 storeys, with fewer lifts and no private flats. The provision of central heating was also eliminated, but the buildings were unusual in providing electricity from the start, and Levita House had the first central heating system installed by the LCC. The design, by G. Topham Forrest, chief architect of the LCC, and his assistants R. Minton Taylor and E.H. Parkes, was influenced by Viennese modernist public housing such as Karl Marx-Hof, which Forrest had visited. The estate consists of blocks grouped around three courtyards, and small greens, reached by archways from Ossulston and Chalton Streets; some of the original plantings survive. The buildings have some neo-Georgian features in the treatment of roofs and windows, but are modernist in being of steel-frame construction with unornamented roughcast walls, the facades instead enlivened by spatial features such as the archways in front of the balconies which lead to the individual flats. Chamberlain House, three blocks of flats, was built in 1927–29; Levita House, south of it and named for Cecil Levita, who was chairman of the LCC's Housing Committee in the 1920s, was built in 1930–31 and consists of the 7-storey section and wings enclosing a grand courtyard which was originally intended to lead to the premium flats. Walker House was begun in 1929–30, but the other side of the courtyard was completed in 1936–37 with more traditional brick 6-storey buildings. The total number of flats was 310. Chamberlain House, Levita House, the southern part of Walker House and the associated shops and The Cock Tavern public house are all Grade II listed buildings.In 2004–07, Levita House was extensively refurbished by Sprunt Architects, which included creating larger flats, external refurbishment of the fabric and transformation of the courtyard areas.

Newton, sometimes known as Newton after Blake, is a 1995 work by the sculptor Eduardo Paolozzi. The large bronze sculpture is displayed on a high plinth in the piazza outside the British Library in London. The sculpture is based on William Blake's 1795 print of Newton: Personification of Man Limited by Reason, which depicts a naked Isaac Newton sitting on ledge beside a mossy rock face while measuring with a pair of compasses or dividers. The print was intended by Blake to criticise Newton's profane knowledge, usurping the sacred knowledge and power of the creator Urizen, with the scientist turning away from nature to focus on his books. Paolozzi had admired Blake since viewing a large print of Newton at the Tate Gallery in the 1940s. He was also a friend of Colin St John Wilson, the architect of the British Library, since they both participated in the This is Tomorrow exhibition at the Whitechapel Gallery in 1956. Wilson intended to site a seated sculpture at the junction of the two main axes in the piazza of his library. Paolozzi was then working on a sculpture of Newton, and he was commissioned to create the sculpture for the library. The new library was constructed from 1982 to 1999, and the sculpture was installed in 1995. The sculpture includes Paolozzi's self-portrait as the naked Newton, measuring the universe with his dividers. The eyes were copied from Michelangelo's David. It can be interpreted as symbolising a confluence of the two cultures, the arts and the sciences, and illustrating how Newton changed our view of the world to one determined by mathematical laws. The sculpture makes the body resemble a mechanical object, joined with bolts at the shoulders, elbows, knees and ankles. The sculptures shows the visible seams of Paolozzi's technique of dividing his model and reassembling the pieces, for example on the head. The final full-size sculpture stands 12 feet (3.7 m) high, and is mounted on a high plinth. The bronze was cast by the Morris Singer foundry; it was funded by the Foundation for Sport and the Arts. It was included in the Grade I listing of the library, granted in 2015. A maquette was donated by the artist to the Isaac Newton Institute for Mathematical Sciences at the University of Cambridge. A bronze model cast in 1988 "from the model made to show the Library committee", has been held by the Tate Gallery since 1995.A similar sculpture from 1989, Master of the Universe, is at the Scottish National Gallery Of Modern Art in Edinburgh, with another example in Hong Kong.

The India Office Records are a very large collection of documents relating to the administration of India from 1600 to 1947, the period spanning Company and British rule in India. The archive is held in London by the British Library and is publicly accessible. It is complemented further by the India Papers collection at the National Library of Scotland in Edinburgh. The records come from four main sources: the English and later British East India Company (1600–1858), the Board of Control (1784–1858), the India Office (1858–1947), and the Burma Office (1937–48). The collection also includes records from many smaller related institutions. Overall, the collection is made up of approximately 175,000 items, including official publications and records, manuscripts, photographs, printed maps and private papers. These items take up approximately nine miles of shelving units.

The Alan Turing Institute is the United Kingdom's national institute for data science and artificial intelligence, founded in 2015. It is named after Alan Turing, the British mathematician and computing pioneer.

West Africa: Word, Symbol, Song was a major four-month exhibition at the British Library in London — the first of its kind in the UK to explore in detail the cultural history of the region, through literature, artefacts, art, music and performance — which ran from 16 October 2015 to 16 February 2016. It has been described as "undoubtedly the most ambitious exhibition to date at the British Library".