Notre-Dame-des-Champs, Paris

The Boulevard du Montparnasse is a two-way boulevard in Montparnasse, in the 6th, 14th and 15th arrondissements in Paris.

La Coupole is a famous brasserie in Montparnasse in Paris. It was founded in 1927 during the Roaring Twenties when Montparnasse housed a large artistic and literary community – expatriates and members of the Lost Generation. They decorated the place in the contemporary art deco style and were regular patrons.

The Collège Stanislas de Paris (French pronunciation: ​[lə kɔlɛʒ stanislas də paʁi]), colloquially known as Stan, is a highly selective private Catholic school in Paris, situated on "Rue Notre-Dame-des-Champs" in the 6th arrondissement. It has more than 3,000 students, from preschool to classes préparatoires (classes to prepare students for entrance to the elite Grandes écoles such as Ecole Polytechnique, Centrale Paris, ESSEC Business school or HEC Paris), and is the largest private school in France. Stanislas is considered one of the most prestigious and elite French schools. The school was ranked 1st in 2019 for high school.

Notre-Dame-des-Champs (French pronunciation: ​[notʁə dam de ʃɑ̃]) is a station on line 12 of the Paris Métro in the 6th arrondissement.

The Dingo American Bar and Restaurant at 10 rue Delambre in the Montparnasse Quarter of Paris, France opened its doors in 1923. Most commonly called the Dingo Bar, it was one of the few drinking establishments at the time that was open all night. It became the favorite haunt of the many English-speaking artists and writers who gathered in Paris during the 1920s and 1930s.As recorded by Ernest Hemingway in his book A Moveable Feast, he first met F. Scott Fitzgerald at the Dingo Bar in late April 1925, two weeks after the publication of Fitzgerald's The Great Gatsby. Others who frequented the Dingo Bar included Pablo Picasso, Aleister Crowley, Nancy Cunard and Isadora Duncan would come over from her apartment across the street. James "Jimmie" Charters, a former English lightweight boxer from Liverpool was the highly popular barman at the Dingo and was responsible for much of its success. Charters' "This Must Be the Place; Memoirs of Montparnasse" was published in 1934, edited by Morrill Cody with an introduction by Ernest Hemingway, republished 1937, then 1989. The premises that was home to the Dingo Bar remains, but today is occupied by L'Auberge de Venise, an Italian restaurant.

Boulevard Raspail is a boulevard of Paris, in France. Its orientation is north–south, and joins boulevard Saint-Germain with place Denfert-Rochereau whilst traversing 7th, 6th and 14th arrondissements. The boulevard intersects major roadways: rue de Sèvres, rue de Rennes and boulevard du Montparnasse. Its former name was boulevard d'Enfer, of which the passage d'Enfer is a vestigial relic.

Vavin (French pronunciation: ​[vavɛ̃]) is a station of the Paris Métro on line 4 on the border of the 6th arrondissement and 14th arrondissement.

Institut supérieur d’électronique de Paris (ISEP) is a French grande école located in Paris. It specializes in electronics, telecommunication and computer science. ISEP cultivates engineers in the key areas of IT world: Computer science & Cybersecurity – Electronics & Robotics – Telecommunications & Internet of Things (IoT) – Imaging & Health – Artificial Intelligence The school was founded in 1955 on the place where Édouard Branly, physics professor at the Catholic University of Paris, discovered the coherer in 1890. The school has two campuses, one in paris in the 6ème - located in the heart of Paris, next to the “Quartier Latin”, one in an outskirt named Issy les Moulineaux.

The Café de la Rotonde (French pronunciation: ​[kafe də la ʁɔtɔ̃d]) is a famous café in the Montparnasse Quarter of Paris, France. In its official website, La Rotonde defines itself as a "brasserie" and a restaurant. Located on the Carrefour Vavin, at the corner of Boulevard du Montparnasse and Boulevard Raspail, it was founded by Victor Libion in 1911. Along with Le Dome and La Coupole it was renowned as an intellectual gathering place for notable artists and writers during the interwar period.

Le Dôme Café (French pronunciation: ​[lə dom]) or Café du Dôme is a restaurant in Montparnasse, Paris. From the beginning of the 1900s, it was renowned as an intellectual gathering place. It was widely known as "the Anglo-American café." Opening in 1898, it was the first such café in Montparnasse. It "created and disseminated gossip, and provided message exchanges and an 'over the table' market that dealt in artistic and literary futures." It was frequented by the famous (and soon to be famous) painters, sculptors, writers, poets, models, art connoisseurs and dealers. Le Dôme later became the gathering place of the American literary colony and became a focal point for artists residing in Paris's Left Bank. A poor artist used to be able to get a Saucisse de Toulouse and a plate of mashed potatoes for $1. Today, it is a top fish restaurant (the Michelin Guide once gave it one star), with a comfortably old-fashioned decor. The food writer Patricia Wells said, "I could dine at Le Dôme once a week, feasting on platters of briny oysters and their incomparable sole meunière."

The lycée Carcado-Saisseval is a Catholic private school in Paris It is located at 121 boulevard Raspail (6th arrondissement of Paris).

From 1916 to 1920, the Salle Huyghens located at 6 rue Huyghens in the 14th arrondissement of Paris, was the name given to the studio of painter Émile Lejeune (1885–1964) (former stables), which the latter put at the disposal of musicians, poets and painters friends to use as a theater and exhibition hall.The venue was occupied by the members of Les Six: (Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud, Francis Poulenc and Germaine Tailleferre). It also gave young painters the opportunity to exhibit their first works: Georges Braque, Juan Gris, Amedeo Modigliani, and Pablo Picasso. Some evenings also included declamations by fashionable poets, such as Jean Cocteau or Blaise Cendrars. The performances, called "Lyre et palettes" after the name of a collective named "Société lyre et palettes" created in 1916, were financed by Pierre Bertin, Blaise Cendrars, and Félix Delgrange. They welcomed a diverse public, very chic and very bohemian, like the Montparnasse district at its peak. Delgrange had abandoned the cello to devote himself entirely to the cause of the nascent art. He also organized concerts in the Salle Huyghens. The benches without backs were uncomfortable, the atmosphere was unbreathable because of smoke from the stove, but any high society of Paris, both the artists and the new music lovers, played elbows to be there.