Olympic Theatre, New York

The Anthony Street Theatre was an early New York City theatre which operated intermittently from 1812 to 1821. It opened as the Olympic Theatre in May 1812 and had multiple names during its brief existence.

Tetsu is a modern Japanese restaurant conceived by Michelin-starred chef Masa Takayama, Tetsu serves a Robatayaki-based menu with an emphasis upon grilled fare. The first location opened in the Aria Resort & Casino on the Las Vegas Strip in 2012, replacing Chef Takayama's Shaboo, which had occupied the space since 2009. In November 2017 a second branch opened in the Tribeca neighborhood of New York City. The New York location features a casual ground floor space for a la carte dining, and a separate cellar space named Basement which will serve fixed-price omakase meals.In February 2018, it was announced that original Las Vegas location of Tetsu would be closing on April 2 of that year.

The Kitchen, Montross & Wilcox Store at 85 Leonard Street between Broadway and Church Street in the TriBeCa neighborhood of Manhattan, New York City was built in 1861 in the Italianate style for a company which dealt in dry goods. The cast iron for the building's facade came from James Bogardus's ironworks, one of the few surviving buildings for which that is the case. The building's columns are referred to as "sperm-candle style" from their resemblance to candles made from spermaceti. The design [of the building] combines classically-inspired elements with the non-classical emphasis on lightness, openness, and verticality which characterizes cast-iron architecture. The building was designated a New York City landmark in 1974, and was added to the National Register of Historic Places in 1980. It is located within the Tribeca East Historic District.

Atera is a restaurant in the Tribeca neighborhood of New York City.

Clocktower Productions is a non-profit art institution working in the visual arts, performance, music, and radio. It was founded in 1972 as The Clocktower Gallery by Alanna Heiss, the Founder and former Director of MoMA PS1 (formerly P.S.1 Contemporary Art Center) under the aegis of the Institute for Art and Urban Resources. From 1972 until 2013, the institution operated out of a City-owned McKim, Mead & White building in Lower Manhattan, the former New York Life Insurance Company Building at 346 Broadway (with a secondary address of 108 Leonard Street) between Catherine Lane and Leonard Street, in Tribeca. In 2013, the City of New York sold the building to a private developer, and the organization relocated its operations through program partnerships with other arts institutions around the city, including Pioneer Works in Red Hook, Knockdown Center in Queens, and Times Square Arts, among others.

Art International Radio was an online, non-profit cultural Internet radio station that was also home to the Clocktower Gallery an historic New York City alternative exhibition space. Art International Radio was directed by Alanna Heiss, the founder and former Director of P.S.1 Contemporary Art Center in Long Island City, Queens. In December 2013, after 40 years of operation from its historic 1894 McKim, Mead & White building in Lower Manhattan, the Clocktower announced its final exhibition and plans for relocation through a year of creative collaborations with partner organizations all over New York City.

The Textile Building is a 14-story building at 66 Leonard Street and 239–245 Church Street in the Tribeca neighborhood of Manhattan, New York City.

359 Broadway is a building on the west side of Broadway between Leonard and Franklin Streets in the Tribeca neighborhood of Manhattan, New York City. It was built in 1852 and was designed by the firm of Field & Correja in the Italianate style.The top three floors of the building were used by pioneering photographer Mathew Brady as a portrait studio from 1853 to 1859, where he photographed many famous Americans. On the south side of the building a faded painted sign for Mathew Brady's Studio could once be seen by pedestrians on Broadway, but this was painted over before 1990. The building was purchased by brothers Mark Tennenbaum and Emil Tanner and their brother-in-law Leo Beller in 1943. The partners operated a textile wholesale business from which they retired in the early 1970s, and the building was subsequently sold. The building was made a New York City designated landmark in 1990, an action which was confirmed in 1992 after a long battle between the city and its owner. Justice Karla Moskowitz of the New York State Supreme Court decided in April that it was "clear that the building was considered from the first on architectural as well as historical grounds." The New York City Landmarks Preservation Commission had argued for the building's preservation, both because of its famous tenant – Brady – and the fact that each of the building's five floors had received a distinctive window treatment, thus indicating that it was an architecturally significant structure and not merely a utilitarian structure.

New York Feminist Art Institute (NYFAI) was founded in 1979 (to 1990) by women artists, educators and professionals. NYFAI offered workshops and classes, held performances and exhibitions and special events that contributed to the political and cultural import of the women's movement at the time. The women's art school focused on self-development and discovery as well as art. Nancy Azara introduced "visual diaries" to artists to draw and paint images that arose from consciousness-raising classes and their personal lives. In the first half of the 1980s the school was named the Women's Center for Learning and it expanded its artistic and academic programs. Ceres Gallery was opened in 1985 after the school moved to TriBeCa and, like the school, it catered to women artists. NYFAI participated in protests to increase women's art shown at the Museum of Modern Art, The Whitney Museum of American Art and other museums. It held exhibitions and workshops and provided rental and studio space for women artists. Unable to secure sufficient funding to continue its operations, NYFAI closed in 1990. Ceres Gallery moved to SoHo and then to Chelsea and remained a gallery for women's art. However, a group continues to meet called (RE)PRESENT, a series of intergenerational dialogues at a NYC gallery to encourage discussion across generations about contemporary issues for women in the arts. It is open to all.

319 Broadway, also known as the Metropolitan Life Insurance Company Home Office, is a five-story office building on the corner of Broadway and Thomas Street in the Tribeca neighborhood of Manhattan, New York City. It is a cast-iron building in the Italianate architecture style, built in 1869–70 and designed by D. & J. Jardine. It is the lone survivor of a pair of buildings at 317 and 319 which were known as the "Thomas Twins". The cast iron for these mirror-twin buildings was provided by Daniel D. Badger's Architectural Iron Works. The building was designated a New York City landmark on August 29, 1989.

33 Thomas Street (formerly the AT&T Long Lines Building) is a 550-foot-tall (170 m) windowless skyscraper in Tribeca, Lower Manhattan, New York City. It stands on the east side of Church Street, between Thomas Street and Worth Street. The building is an example of the Brutalist architectural style. It is a telephone exchange or wire center building which contained three major 4ESS switches used for interexchange (long distance) telephony, as well as a number of other switches used for competitive local exchange carrier services. However, it is not used for incumbent local exchange carrier services, and is not a central office. The CLLI code for this facility is NYCMNYBW. The building has also been described as the likely location of a National Security Agency (NSA) mass surveillance hub codenamed TITANPOINTE.

The Appleton Building occupied the front of a small block which was bounded by Broadway, Leonard Street, and Catharine Alley in New York City. It stood at 346 and 348 Broadway, was four stories tall, and was constructed entirely of brown stone. It was a familiar landmark in a quickly changing Broadway of the mid-19th century. It was one of Broadway's oldest buildings.