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Worth Valley (dale)

Aire catchmentGeography of the City of BradfordUse British English from May 2022Valleys of West YorkshireValleys of Yorkshire
Hainworth view over Worth Valley geograph.org.uk 1272810
Hainworth view over Worth Valley geograph.org.uk 1272810

The Worth Valley is a geographic area in West Yorkshire, England, that extends eastwards from Crow Hill and Oxenhope Moor, providing drainage for the River Worth for nearly 10 miles (16 km) to the River Aire. It is a side valley to Airedale, with the River Worth being a major tributary of the River Aire. The Worth Valley was important for its contribution to the textiles industry of the West Riding of Yorkshire and was furnished with several reservoirs to allow mills to operate within the valley. Most of the reservoirs are still in use into the modern day. The valley has seen a shift in its industry from worsted, wool, and before that mining and quarrying, into a tourist location. The association with the Brontë family, and the Keighley and Worth Valley Railway, has drawn many visitors to the area, particularly from Japan. Connected with these attractions has been the film and TV industry which have recorded shots, programmes, and entire films in the area.

Excerpt from the Wikipedia article Worth Valley (dale) (License: CC BY-SA 3.0, Authors, Images).

Worth Valley (dale)
Church Street, Bradford Haworth and Stanbury

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Geographical coordinates (GPS)

Latitude Longitude
N 53.831 ° E -1.956 °
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Address

St Michael's and All Angels' Church

Church Street
BD22 8DU Bradford, Haworth and Stanbury
England, United Kingdom
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Hainworth view over Worth Valley geograph.org.uk 1272810
Hainworth view over Worth Valley geograph.org.uk 1272810
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Haworth Pottery
Haworth Pottery

The Haworth Pottery was established by Anne Shaw in 1971 in Haworth, West Yorkshire, England. The pottery was initially supported by a loan from the Council for Small Industries in Rural Areas. Shaw trained under Beresford Peeling of Harnham Mill Pottery at Southampton College of Art (now Southampton Solent University) on the professional potters' course. The pottery was housed in a Grade II listed building, a stone, three-storey former handloom-weaver's residence at 25 & 27 Main Street. The pottery had a glaze-room, a workshop with a large kiln and wheel and upper and lower showrooms. Shaw produced hand-thrown domestic stoneware of a type pioneered by Bernard Leach in an Arts & Crafts tradition. The pottery differed, in its hand-made techniques and the type of clay used, from industrial pottery produced locally in the 19th century. The pots produced were high-fired—the second (glaze) firing taken to 1300 °C. Shaw also created ceramic sculptures and received a Yorkshire Arts Association award. Most studio-potteries were located in the South-West, Cornwall and The Cotswolds, close to affluent middle class patronage. Haworth Pottery, therefore, represented a pioneering expansion of the Arts and Crafts Movement northwards, nearer to major industrial settlements. It introduced people familiar only with highly decorated industrial, commercial pottery to an alternative, hand-thrown pre-industrial mode of production with an emphasis on form, texture and glazes, where each pot had individuality. Most of the pottery's output was sold directly to the public from the Haworth showroom or its gallery on The Square, at Grassington, North Yorkshire, with the remainder wholesale to other outlets, including Heal's and galleries. Shaw received commissions from Leeds and Bradford churches, she exhibited at the Crafts Council's Crafts Advisory Committee Gallery in Leeds, the Mid-Pennine Arts Association Gallery in Blackburn, the National Media Museum gallery, Bradford Library Art Gallery, Southampton College of Art, York Arts Centre and, as an honorary member of the Yorkshire Guild of Craftsmen at St Martin's in Micklegate, York. Her work was included in an exhibition of Yorkshire Contemporary Arts & Crafts sponsored by the Hammonds Sauce Company and the British Tourist Board which toured the US. The pottery closed in 1988.