Palazzo Adoldo

Palazzo Foscari Contarini is a Renaissance style palace in Venice Italy, in the sestiere of Santa Croce (N.A. 713-714), facing the Grand Canal, near the Ponte degli Scalzi and Palazzo Adoldo.

San Simeone Piccolo (also called San Simeone e Giuda) is a church in the sestiere of Santa Croce in Venice, northern Italy. From across the Grand Canal it faces the railroad terminal serving as entrypoint for most visitors to the city.

The Ponte degli Scalzi (or Ponte dei Scalsi, in Venetian; literally, "bridge of the barefoot [monks]"), is one of only four bridges in Venice to span the Grand Canal. The bridge connects the sestieri of Santa Croce and Cannaregio. On the north side, Cannaregio, are the Chiesa degli Scalzi (Church of the Barefoot or Discalced Monks) and the Santa Lucia (Ferrovia) railway station. The south side is the sestiere of Santa Croce. Designed by Eugenio Miozzi, it was completed in 1934, replacing an Austrian iron bridge. It is a stone arch bridge.Ponte degli Scalzi is located close to the site of construction of the fourth bridge over the Grand Canal, popularly known as Ponte di Calatrava although it was formally inaugurated as the Ponte della Costituzione. Construction was delayed in part due to controversy over its modern style, but the basic span was finally in place on August 11, 2007, and the bridge was opened for public use on September 11, 2008. This bridge is closer to the bus station than the Scalzi bridge.

Santa Lucia was a church in Venice, northern Italy, which was demolished in 1861.

Venezia Santa Lucia (Italian: Stazione di Venezia Santa Lucia) (IATA: XVQ) is the central station of Venice in the north-east of Italy. It is a terminus and located at the northern edge of Venice's historic city (Italian: Centro storico). The station is one of Venice's two most important railway stations; the other one is Venezia Mestre, a mainline junction station on Venice's mainland district of Mestre. Both Santa-Lucia and Mestre stations are managed by Grandi Stazioni and they are connected to each other by Ponte della Libertà (English: Liberty Bridge).

San Simeone Profeta, also known as San Simeone Grande is a church in the sestiere of Santa Croce in Venice, Italy. The adjective Grande distinguishes this church from the San Simeone Piccolo, which was smaller in size until its 18th-century reconstruction. The near palaces are Palazzo Gradenigo and Palazzo Soranzo Cappello.

Giardino Papadopoli is a terraced garden filled with shade trees in the Venetian sestiere of Santa Croce, between the Venezia Santa Lucia train station and Piazzale Roma. Its area is about 8,800 sq. m. The gardens occupy the lands of the demolished monastery of Santa Croce. The first park was laid out in 1834 by Francesco Bagnara for the owners of the Palazzo Foresti Papadopoli. In 1863, Niccolò and Angelo Papadopoli commissioned Marco Quignon to expand and modify the gardens. A third of its area was destroyed in 1933 when the Rio Novo canal was constructed.

The Chiesa di San Nicolò da Tolentino, commonly known as the Tolentini, is a church in the sestiere of Santa Croce in Venice, northern Italy. It lies in a Campo of the same name and along the Rio dei Tolentini, near the Giardino Papadopoli.

San Geremia is a church in Venice, northern Italy, located in the sestiere of Cannaregio. The apse of the church faces the Grand Canal (Venice), between the Palazzo Labia and the Palazzo Flangini. The edifice is popular as the seat of the cult of Saint Lucy of Syracuse, whose remains are housed inside.

Palazzo Labia is a baroque palace in Venice, Italy. Built in the 17th–18th century, it is one of the last great palazzi of Venice. Little known outside of Italy, it is most notable for the remarkable frescoed ballroom painted 1746–47 by Giovanni Battista Tiepolo, with decorative works in trompe-l'œil by Gerolamo Mengozzi-Colonna. In a city often likened to a cardboard film set, the Palazzo is unusual by having not only a formal front along the Grand Canal, but also a visible and formal facade at its rear, and decorated side as well, along the Cannaregio Canal. In Venice, such design is very rare. The palazzo was designed by the architect Andrea Cominelli (by Alessandro Tremignon according to others). The principal facade is on the Cannaregio Canal while a lesser three bayed facade faces the Grand Canal. A later facade probably designed by Giorgio Massari is approached from the Campo San Geremia.

The Ponte della Costituzione (English: Constitution Bridge) is the fourth bridge over the Grand Canal in Venice, Italy. It was designed by Santiago Calatrava, and was moved into place in 2007 (connecting Stazione di Santa Lucia to Piazzale Roma), amid protest by politicians and the general public. The bridge was installed in 2008 and opened to the public on the night of September 11, 2008. The bridge was known as Quarto Ponte sul Canal Grande before the official name was adopted to celebrate the 60th anniversary of the Italian constitution in 2008. Tourists and locals in Venice now refer to it as the Calatrava Bridge (Italian: Ponte di Calatrava).

Palazzo di Spagna a San Geremia, also known as Palazzo Frigerio is a palace located on the street Lista di Spagna street #168, once a canal (Rio dei Sabbioni) but undergoing landfill in 1844, about midway down the street between the train station and the piazza of the church of San Geremia in the sestiere of Cannaregio, in Venice, Italy. In past centuries, this area of Venice became known for housing foreign embassies, which the secret-obsessed Republic of Venice wished to keep distant from its government buildings.The palace was sequentially owned by the Frigerio or Frizerio family. Andrea Frigerio was Cancellier Grande in 1575. The family were rich merchants who owned a thread store in the Drapperia of the Rialto district with a sign of Albero d'Oro. By October 1613, Giovanni Battista Antonio Friziero sells the palace to Francesco Maria Renier Zeno family, a Procurator of St Mark in 1647. The Zeno family gave the palace its late baroque facade. His heirs rented the building to the Spanish Government. In the 19th century the palace passed on to Count Giuseppe Monteallegre. Now the building is part of a Hotel. The gardens at the rear are part of one of the few green parks in Venice.