Palazzo Nani

The Palazzo Manfrin Venier, once known as the Palazzo Priuli a Cannaregio or Palazzo Priuli Manfrin, is a Baroque-style palace located facing the Cannaregio Canal in the sestiere of Cannaregio of Venice, Italy. It stands to the left of the Palazzo Savorgnan.

Palazzo Savorgnan is a palace in Venice, Italy, located in the Cannaregio district and overlooking Canale di Cannaregio, to the right of Palazzo Priuli Manfrin.

The Spanish Synagogue is one of the two functioning synagogues in the Venetian Ghetto of Venice, northern Italy. It is open for services from Passover until the end of the High Holiday season. The Spanish Synagogue was founded by Jews expelled from the Iberian peninsula in the 1490s who reached Venice, usually via Amsterdam, Livorno or Ferrara, in the 1550s. The four-story yellow stone building was constructed in 1580 and was restored in 1635. It is a clandestine synagogue, which was tolerated on the condition that it be concealed within a building that gives no appearance being a house of worship form the exterior, although the interior is elaborately decorated. The synagogue's ornate interior contains three large chandeliers and a dozen smaller ones, as well as a huge sculpted wooden ceiling.

Palazzo Bonfadini Vivante is a palace in Venice, Italy located in the Cannaregio district and overlooking the Cannaregio canal. The neighboring buildings are Palazzo Savorgnan and Palazzo Testa.

The Ponte delle Guglie is one of two bridges in Venice, Italy, to span the Cannaregio Canal. It lies near the western end of the canal, by the Venezia Santa Lucia railway station. An earlier wooden bridge was built in 1285. It was replaced by the current stone and brick bridge in 1580. It was restored in 1641 and 1677, and was totally rebuilt in 1823 at which time spires were added. Further restoration took place in 1987 with the addition of metal handrails, stone steps, and access for the disabled. The spires lie at each end of the bridge. A carved balustrade runs on either side of the walkway, and gargoyles decorate its arch. It is the only bridge in Venice adorned with spires from whence it takes its name ("Bridge of Spires"). For those arriving on foot from Piazzale Roma or the Venezia Santa Lucia railway station, the bridge leads into the area of the Venetian Ghetto and the Strada Nova that leads to Piazza San Marco. The bridge itself is located just before the point where the Cannaregio Canal flows into the Grand Canal, just inside the bend that leads to the Rialto Bridge.

Palazzo Labia is a baroque palace in Venice, Italy. Built in the 17th–18th century, it is one of the last great palazzi of Venice. Little known outside of Italy, it is most notable for the remarkable frescoed ballroom painted 1746–47 by Giovanni Battista Tiepolo, with decorative works in trompe-l'œil by Gerolamo Mengozzi-Colonna. In a city often likened to a cardboard film set, the Palazzo is unusual by having not only a formal front along the Grand Canal, but also a visible and formal facade at its rear, and decorated side as well, along the Cannaregio Canal. In Venice, such design is very rare. The palazzo was designed by the architect Andrea Cominelli (by Alessandro Tremignon according to others). The principal facade is on the Cannaregio Canal while a lesser three bayed facade faces the Grand Canal. A later facade probably designed by Giorgio Massari is approached from the Campo San Geremia.

Palazzo Testa is a small Gothic palace in Venice, Italy, located in the Cannaregio district and overlooking the Canale di Cannaregio.

Palazzo di Spagna a San Geremia, also known as Palazzo Frigerio is a palace located on the street Lista di Spagna street #168, once a canal (Rio dei Sabbioni) but undergoing landfill in 1844, about midway down the street between the train station and the piazza of the church of San Geremia in the sestiere of Cannaregio, in Venice, Italy. In past centuries, this area of Venice became known for housing foreign embassies, which the secret-obsessed Republic of Venice wished to keep distant from its government buildings.The palace was sequentially owned by the Frigerio or Frizerio family. Andrea Frigerio was Cancellier Grande in 1575. The family were rich merchants who owned a thread store in the Drapperia of the Rialto district with a sign of Albero d'Oro. By October 1613, Giovanni Battista Antonio Friziero sells the palace to Francesco Maria Renier Zeno family, a Procurator of St Mark in 1647. The Zeno family gave the palace its late baroque facade. His heirs rented the building to the Spanish Government. In the 19th century the palace passed on to Count Giuseppe Monteallegre. Now the building is part of a Hotel. The gardens at the rear are part of one of the few green parks in Venice.

The Venetian Ghetto was the area of Venice in which Jews were forced to live by the government of the Venetian Republic. The English word ghetto is derived from the Jewish ghetto in Venice. The Venetian Ghetto was instituted on 29 March 1516 by decree of Doge Leonardo Loredan and the Venetian Senate. It was not the first time that Jews in Venice were compelled to live in a segregated area of the city. In 1555, Venice had 160,208 inhabitants, including 923 Jews, who were mainly merchants.In 1797 the French Army of Italy, commanded by the 28-year-old General Napoleon Bonaparte, occupied Venice, forced the Venetian Republic to dissolve itself on 12 May 1797, and ended the ghetto's separation from the city on 11 July the same year. In the 19th century, the ghetto was renamed the Contrada dell'unione.

San Geremia is a church in Venice, northern Italy, located in the sestiere of Cannaregio. The apse of the church faces the Grand Canal (Venice), between the Palazzo Labia and the Palazzo Flangini. The edifice is popular as the seat of the cult of Saint Lucy of Syracuse, whose remains are housed inside.

The Italian Synagogue (Italian: Scuola Italiana) is one of five synagogues in the Venetian Ghetto of Venice.

The Canton Synagogue (Italian: Scuola Canton) is one of five synagogues in the Jewish Ghetto of Venice, Italy. Established only four years after the nearby Scuola Grande Tedesca (1528), it is the second oldest Venetian synagogue. Its origins are uncertain: it might have been constructed as a prayer room for a group of Provençal Jews soon after their arrival in Venice, or as a private synagogue for a prominent local family. Repeatedly remodeled throughout its history, its interior is predominantly decorated in the Baroque and Rococo styles. The synagogue was most recently restored in 2016-2017 by the World Monuments Fund. It is open to the public through the Jewish Museum of Venice.