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Albemarle Street

Art galleries in LondonArt gallery districtsMayfairRoyal InstitutionStreets in the City of Westminster
Albemarle Street (S)
Albemarle Street (S)

Albemarle Street is a street in Mayfair in central London, off Piccadilly. It has historic associations with Lord Byron, whose publisher John Murray was based here, and Oscar Wilde, a member of the Albemarle Club, where an insult he received led to his suing for libel and to his eventual imprisonment. It is also known for its art galleries and the Brown's Hotel is located at 33 Albemarle Street.

Excerpt from the Wikipedia article Albemarle Street (License: CC BY-SA 3.0, Authors, Images).

Albemarle Street
Albemarle Street, City of Westminster Mayfair

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N 51.5091 ° E -0.1421 °
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Brown's Hotel

Albemarle Street 30
W1S 4BP City of Westminster, Mayfair
England, United Kingdom
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roccofortehotels.com

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Albemarle Street (S)
Albemarle Street (S)
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Bath Club
Bath Club

The Bath Club was a sports-themed London gentlemen's club in the 20th century. It was established in 1894 at 34 Dover Street. Its swimming pool was a noted feature, and it is thought that the swimming pool of the fictional Drones Club (also on Dover Street) was based on this. It is also where Princess Margaret and Queen Elizabeth II learned to swim. It was one of the few gentleman's clubs that admitted women. Sir Henry "Chips" Channon was a member. Mark Twain stayed here when he visited London. Guglielmo Marconi stayed here as well when he visited London.On the evening of March 17, 1899 the Bath Club was the venue of a popular exhibition of historical fencing styles by Captain Alfred Hutton and of Japanese jujutsu by Edward William Barton-Wright, thus becoming one of the very first places where Asian martial arts had been exhibited in the Western world. In 1924 a sporting member of the club, Gerald Robarts, travelled to the United States and unexpectedly won the American Squash Racquets Singles Championship.The club building was hit by bombs during the Blitz in 1941, and the club never wholly recovered. After the bombing, it was housed by the struggling Conservative Club at 74 St James's Street, which eventually agreed to a full merger in 1950 under the name of the Bath Club, retaining the Conservative Club's St James's Street club house until 1959. It subsequently moved to 43 Brook Street, and it finally closed in 1981. The Bath Club was a very elegant club just down the street from Claridge's. Unusually for London clubs It had a ladies' section with an elegant drawing room for afternoon tea. At the ground floor level there was a large dining room with paintings very like Canaletto's on the walls. Upstairs there was a lounge area with backgammon and card tables and separately a bar. Off the lounge area was a full sized snooker table. A consortium of members acquired control of the club and then proceeded to sell the lease. The other members could do nothing to stop it. The club was closed in 1981 with members being offered the opportunity to join either the Naval and Military Club or the Carlton Club. The club was famous for its annual mixed backgammon Tournaments the last of which was held in May 1980. The club also had its own squash courts, unusual for a central London location and the Bath Club Cup was an annual fixture for London squash players. The Flyfishers Club shared part of the Bath Club premises during the last few years of the club's life

Horse and Rider (Frink)
Horse and Rider (Frink)

Horse and Rider (FCR 242) is a 1974 bronze equestrian sculpture by Elisabeth Frink. The work was commissioned for a site in Mayfair; another cast is in Winchester. It was described by Frink as "an ageless symbol of man and horse". One of Frink's earliest sculptures from 1950 was also titled Horse and Rider, and she returned to this subject over decades. A series of Frink prints from the early 1970s held by the Tate Gallery depict a horse and rider. Frink lived in southern France in 1967 to 1970, near the Camargue. She was inspired to create more works portraying horses; an example of a similar horse sculpture from the early 1970s is at the Cass Sculpture Foundation. The work was commissioned in 1974 by Trafalgar House for its development at the southern end of Dover Street, London, near the junction with Piccadilly, opposite The Ritz. It was modelled in plaster at Frink's studio in Southwark then cast in bronze in 1975 at Meridian Bronze Foundry in Peckham. It measures 244 centimetres (96 in) high. Frink also cast a small version 34.3 centimetres (13.5 in), in an edition of nine in 1974. The sculpture depicts a man riding on a horse, naked and barefoot, without tack – no saddle, bridle, or other riding equipment. The man's right hand rests on the horse's stylised mane, with his left hand resting on the horse's left flank. The horse is standing still on four legs, ready to walk, on a rough bronze base. The figures of man and horse are slightly stylised, with lightly defined musculature; the horse has a short mane and tail. Both have their heads turned to their left, as if looking at something. The work was installed in Mayfair in 1975, mounted on a granite plinth. It is part of an edition of three; another cast is in Winchester. The example in London became a Grade II listed building in September 2015. In June 2018 the sculpture was moved to the Town Square on Bond Street to mark the new entrance to the Royal Academy of Arts.