Nile God Statue, Naples

The Palazzo del Panormita is a Renaissance style palace in central Naples. It rises alongside the narrow via Nilo, near via Spaccanapoli, where it is called San Biagio dei Librai, diagonally from Santa Maria Assunta dei Pignatelli, adjacent to the Piazza del Nilo with the Nile God statue. It is south of Palazzo d’Afflitto and the Palazzo Spinelli di Laurino. The palace was initially commissioned prior to 1450 by Antonio Beccadelli, (1394–1471), called Il Panormita (poetic form meaning "The Palermitan"), who was a prominent Italian poet, canon lawyer, scholar, diplomat, and chronicler. It has since gone through many owners, including Giacomo Capece Galeota, a regent in the Tribunal of the Vicariate. The initial architect was Giovanni Fillippo De Adinolfo, followed by Giovanni Francesco Mormando and Giovanni Francesco Di Palma who completed the work in the 16th century. The base of the structure has rough piperno rock. The piano nobile has the largest windows, while the third floor has arched windows. In the 1700s, a fourth story was added.

Santa Maria Assunta dei Pignatelli is a deconsecrated Roman Catholic church located at the end of Via Nilo (where it intersects Piazzeta Nilo, and runs into via Giovanni Paladino) in Naples, region of Campania, Italy. In the small piazza in front of the church is an ancient Roman statue of the Nile God.

The church of Santi Marco e Andrea a Nilo is a former Roman Catholic church, located on via Paladino #50 in central Naples, Italy. It is less than a block east of the Santa Maria Assunta dei Pignatelli church.

The Tomb of Cardinal Rainaldo Brancacci (or Brancaccio) is a sculptural work in the church of Sant'Angelo a Nilo in Naples, southern Italy, executed by Donatello and Michelozzo around 1426-1428. Built in marble, partly gilt and polychrome, it has a height of 11.60 meters and a width of 4.60.

Sant'Angelo a Nilo is a Roman Catholic church located on the Decumano Inferiore (Spaccanapoli street) in Naples, Italy. It stands diagonally across from San Domenico Maggiore in Naples. It is known for containing the monumental Renaissance-style tomb of Cardinal Rainaldo Brancacci (Italian: Sepolcro del Cardinale Brancacci) by Donatello and Michelozzo, one of the major sculptural works in the city.

San Nicola a Nilo is a Baroque-style Roman Catholic church on Via San Biagio dei Librai #10, in the center of Naples, province of Campania, Italy. It stands across from the Palazzo Diomede Carafa.

Santa Maria Donnaromita is a former church located on via Paladino in Naples. A church at the site was first founded by nuns putatively fleeing in 1025 from iconoclasm in Constantinople, and thus initially gave the monastery the title: Monasterium Monialum Santa Mariae de Percejo de Constantinopoli ordini Cisterciensium regulae San Bernardi. In time this became the church of Santa Mariae dominarum de Romania de Neapolitanum ordinis Cisterciensis.By 14th century a church on the present plan was built, and refurbished in the 16th century by Giovanni Francesco di Palma along with construction of the convent and cloisters by Giovanni Vincenzo Della Monica. Further reconstructions in the 16th and 17th centuries gave the complex its Baroque imprint. In the 19th century, the church was suppressed and became an engineering school. It was damaged during the Second World War. The interior ceiling (1587-1590) was decorated by Giovanni Andrea Magliuolo and painted by Teodoro d'Errico; on the counterfacade is an Epiphany (1728), while the cupola was frescoed by Luca Giordano. In the apse are the remains of the main altar sculpted by the brothers Bartolomeo and Pietro Ghetti; The pavement was designed by Donato Massa. In the chapel, Duke Theodore's remains are housed in a reused ancient Roman sarcophagus.

The Palazzo Diomede Carafa, also known as Palazzo Santangelo, or Santagelo Carafa, is a monumental Renaissance palace on Via San Biagio dei Librai #119–121 in central Naples, region of Campania, Italy. Across the street from the facade is the church of San Nicola a Nilo; on the Eastern flank, across a vicolo of the same name, is the church of Santi Filippo e Giacomo.

The Palazzo D'Afflitto is a palace located in the San Giuseppe neighbourhood of Naples, Italy, adjacent to the Palazzo Capomazza di Campolattaro. It used to belong to the princely family d'Afflitto. In the third floor is the recently restored Church of the Real Monte Manso di Scala, built atop the famed Cappella Sansevero. The palace was built in the 15th century but underwent numerous reconstructions.

Palazzo di Sangro, also known as either Palazzo de Sangro di Sansevero or Palazzo Sansevero, is a late-Renaissance-style aristocratic palace facing the church of San Domenico Maggiore, separated by the via named after the church, in the city center of Naples, Italy. Part of the palace facade faces the piazza in front of the church, which is also bordered to the south by the Palazzo di Sangro di Casacalenda.

Santi Filippo e Giacomo is a Renaissance style, Roman Catholic church in Naples, Italy, located on Via San Biagio dei Librai, near the churches of San Biagio Maggiore and Santa Luciella. In 1593, the church was commissioned by local merchants and tradesman in the zone. The church we see today is the product of a 1758 reconstruction by Gennaro Papa. The concave/convex facade recalls the style of Borromini; and the top level niches hold statues of Religion and Faith by Giuseppe Picano, while the lower level has statues of St Phillip and St James by Giuseppe Sanmartino. The pavement was designed by Giuseppe Massa, and the holy water fonts by Domenico Antonio Vaccaro. The frescoes in the choir, nave and walls were completed by Jacopo Cestaro. He also painted the Evangelists on the cupola and St Phillip and Jacob in the presbytery.

The Veiled Christ (Italian: Cristo velato) is a 1753 marble sculpture by Giuseppe Sanmartino exhibited in the Cappella Sansevero, Naples, Italy. Veiled Christ is considered one of the world's most remarkable sculptures, and legendarily thought to have been created by alchemy. Sculptor Antonio Canova, who tried to acquire the work, declared that he would willingly give up ten years of his life to produce a similar masterpiece.