Plaça Redona

The Lonja de la Seda or Llotja de la Seda (Valencian pronunciation: [ˈʎɔdʒa ðe la ˈseða], English "Silk Exchange") is a late Valencian Gothic-style civil building in Valencia, Spain. It is a principal tourist attraction in the city.

The National Museum of Ceramics and Decorative Arts "González Martí" (Spanish: Museo Nacional de Cerámica y de las Artes Suntuarias González Martí), located in Valencia, Spain, is a museum dedicated to ceramics (with special importance to Valencian ceramics), porcelains and other decorative arts such as textile art, traditional costumes and furniture. Housed in the Palace of the Marqués de Dos Aguas, it was founded on 7 February 1947, from the donation of Manuel González Martí's ceramics collection. Seven years later, once the restoration of the palace was completed, the museum opened to the public on 18 June 1954.

The Palace of the Marquis of Dos Aguas (Spanish: Palacio del Marqués de Dos Aguas, Valencian: Palau del Marqués de Dosaigües) is a Rococo nobility palace, historically important in the city, is located in one of the most central locations in the city of Valencia (Spain), stately mansion that was of the Marqueses of Dos Aguas, currently owned by the Spanish State, where houses the González Martí National Museum of Ceramics and Decorative Arts. A noble knight, Don Francisco Perellós, a descendant of the counts of Tolosa, married in the early 15th century to Joanna Perellós, only daughter of the wealthy Mosen Gines de Rabassa, the descendants of this marriage took the surname of Rabassa de Perellós. This family acquired by purchase the barony of Dosaigües in 1496, being elevated to marquisate by King Charles II of Spain in 1699. Historians say, that the house of the Marqueses of Dos Aguas was considered in Valencia for centuries, as a paragon of nobility and opulence and that, its fortune came from the year 1500, at which time a family of merchants, the Rabassa, is enriched, first with the commercial treatment and then with the leases of the rights of the Generalitat Valenciana, i.e. the contracts of indirect contributions. The Rabassa de Perellós family continued their business with the Generalitat, while occupying high positions in the political government of Valencia and accumulated skills and important heredities through intermarriage with other important Valencian noble families. The space in which it is located is believed that was probably originally the field intended to a Roman necropolis of the 1st and 3rd centuries, due to the findings in one of its courtyards on September 9, 1743.

Mercado Central or Mercat Central (English: Central Market) is a public market located across from the Llotja de la Seda and the church of the Juanes in central Valencia, Spain. It is one of the main works of the Valencian Art Nouveau.

The Archdiocese of Valencia (Latin, Valentina) is a Catholic ecclesiastical territory located in north-eastern Spain, in the province of Valencia, part of the autonomous community of Valencia. The archdiocese heads the ecclesiastical province of Valencia, with authority over the suffragan dioceses of Ibiza, Majorca, Minorca, Orihuela-Alicante and Segorbe-Castellón. The archbishops are seated in Valencia Cathedral. On 28 August 2014, Pope Francis appointed Cardinal Antonio Cañizares Llovera as the next archbishop of Valencia.

Valencia Cathedral, at greater length the Metropolitan Cathedral–Basilica of the Assumption of Our Lady of Valencia (Spanish: Iglesia Catedral-Basílica Metropolitana de la Asunción de Nuestra Señora de Valencia, Valencian: Església Catedral-Basílica Metropolitana de l'Assumpció de la Mare de Déu de València), also known as St Mary's Cathedral, is a Roman Catholic church in Valencia, Spain. The cathedral was consecrated in 1238 by the first bishop of Valencia after the Reconquista, Pere d'Albalat, Archbishop of Tarragona, and was dedicated to Saint Mary by order of James I the Conqueror. It was built over the site of the former Visigothic cathedral, which under the Moors had been turned into a mosque. Valencian Gothic is the predominant architectural style of the cathedral, although it also contains Romanesque, French Gothic, Renaissance, Baroque and Neoclassical elements. The cathedral contains numerous 15th-century paintings, some by local artists (such as Jacomart), others by artists from Rome engaged by the Valencian Pope Alexander VI who, when still a cardinal, made the request to elevate the Valencian See to the rank of metropolitan see, a category granted by Pope Innocent VIII in 1492. A purported Holy Chalice, believed by many to be the true Holy Grail, is kept in one of the cathedral's chapels.

The Casa de la Ciutat (in Spanish: Casa de la Ciudad) or what it now call the City Hall, was in the place where today the Gardens known as de la Audiencia or more commonly the gardens next to the Palau de la Generalitat. It was therefore the headquarters of the Municipal Council of Valencia.

San Nicolás de Bari and San Pedro Mártir is a Valencian Gothic style, Roman Catholic parish church located in Valencia (Spain).

The Real Colegio Seminario del Corpus Christi (Royal College and Seminary of Corpus Christi) is a former Roman Catholic school and seminary founded in 1583 in the Spanish city of Valencia. It is located in calle de la Nau in the old city, opposite La Nau, the former Universidad Literaria.

Valencia (Spanish: [baˈlenθja]), natively also València (Valencian: [vaˈlensi.a, -sja]), is a province of Spain, in the central part of the autonomous Valencian Community. Of the province's 2.6 million people (2021), one-third live in the capital, Valencia, which is also the capital of the autonomous community and the 3rd biggest city in Spain, with a metropolitan area of 2,522,383 people it is also one of the most populated cities of Southern Europe. There are 265 municipalities in the province.

The Modernisme Plaza of the City Hall of Valencia was the transformation of the square of the City Hall of Valencia by Javier Goerlich in 1931 (instead the former that was the called "Bajada de San Francisco"), now in its site is the current Plaza of the City Hall and its fountain. Dr. Daniel Benito Goerlich (nephew of architect Goerlich Lleó), Professor of Art History and Curator of Cultural Heritage of the University of Valencia, states that the reform of the 1930s "belongs to a very specific social context, and was destroyed a few years later in a completely different context, the repressive postwar, towards the "disaffected" to the political regime of the time."

Valencia City Hall (Spanish: Casa consistorial de Valencia; Catalan: Palau consistorial de València) is the seat of local government in Valencia, Spain. It was declared a Bien de Interés Cultural in 1962.The structure is made of two buildings which were constructed at different times: a school building and then the new façade. The building also includes the Municipal History Museum. The museum was opened in what was a chapel of the school building in 1927, and includes the Room of the Fueros, where Ramón Stolz Viciano painted eight medieval monarchs in 1956, starting with the city's conqueror James II of Aragon.From November 1936 to October 1937, the city hall shared its chamber with the Cortes Generales of the Second Spanish Republic, during the early stages of the Spanish Civil War. On 28 May 1937, it was bombed by the Italian Air Force in service of the Nationalist faction, causing 2 million Spanish pesetas in damage. During the war, to protect the children educated at the city hall, an underground bomb shelter was added with capacity for 700 people.