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Lonja de la Seda

1548 establishments in SpainBien de Interés Cultural landmarks in the Province of ValenciaBuildings and structures completed in 1548Buildings and structures in ValenciaGothic architecture in the Valencian Community
SilkTourist attractions in ValenciaWorld Heritage Sites in Spain
Llonja
Llonja

The Lonja de la Seda or Llotja de la Seda (Valencian pronunciation: [ˈʎɔdʒa ðe la ˈseða], English "Silk Exchange") is a late Valencian Gothic-style civil building in Valencia, Spain. It is a principal tourist attraction in the city.

Excerpt from the Wikipedia article Lonja de la Seda (License: CC BY-SA 3.0, Authors, Images).

Lonja de la Seda
Carrer de la Llotja, Valencia Ciutat Vella

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Geographical coordinates (GPS)

Latitude Longitude
N 39.474416666667 ° E -0.37844444444444 °
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Address

Llotja de la Seda

Carrer de la Llotja 2
46001 Valencia, Ciutat Vella
Valencian Community, Spain
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Phone number

call+34963525478

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Llonja
Llonja
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Nearby Places

Church of Santos Juanes, Valencia
Church of Santos Juanes, Valencia

The Church of Santos Juanes or Sant Joan del Mercat is a Catholic church located in the Mercat neighborhood of the city of Valencia, Spain. The church is also denominated the Real Parroquia de los Santos Juanes (Royal Parish of the St Johns) or San Juan del Mercado (Sant Joan del Mercat in Valencian or St John of the Market) due to its location adjacent to the city Central Market and facing the Llotja de la Seda building. By the mid-13th century, a church was built atop the site of a former mosque, initially in a Gothic style; however, fires in the 14th century necessitated reconstruction. A major fire in 1592 led to another reconstruction, commissioned by the Archbishop and Viceroy Juan de Ribera in an exuberant Baroque style completed in 1700. This was located in the Boatella neighborhood, then working class quarters, outside the town walls, that housed some of the Morisco population. The main facade of the church retains a walled-up oculus of a rose window from the older church. The square exterior of the apse, facing the piazza, houses a central niche decorated with a stucco statuary group of the Virgen del Rosario (Virgin of the Rosary) attributed to Jacopo Bertesi. The group display the Virgin and Child (his hand on the globe) ensconced in a burst of rays, angels, and cherubs. Other portals contain the symbols of John the Baptist (lamb) and John the Evangelist (eagle). The center is surmounted by a clock tower, and a roofline dominated by statues of the Juanes: including the Baptist, the Evangelist, and Saints Francesco Borgia and Luis Bertrán. This facade includes profuse complex iconography including a lamb atop a book with five seals. The interior has statues depicting the 12 tribes of Israel, also by Bertesi, and large ceiling frescoes depicting numerous themes of the Church Triumphant by Antonio Palomino. The church interiors, including the frescoes, suffered arson damage during the Spanish Civil War.

Palace of the Marqués de Dos Aguas
Palace of the Marqués de Dos Aguas

The Palace of the Marquis of Dos Aguas (Spanish: Palacio del Marqués de Dos Aguas, Valencian: Palau del Marqués de Dosaigües) is a Rococo nobility palace, historically important in the city, is located in one of the most central locations in the city of Valencia (Spain), stately mansion that was of the Marqueses of Dos Aguas, currently owned by the Spanish State, where houses the González Martí National Museum of Ceramics and Decorative Arts. A noble knight, Don Francisco Perellós, a descendant of the counts of Tolosa, married in the early 15th century to Joanna Perellós, only daughter of the wealthy Mosen Gines de Rabassa, the descendants of this marriage took the surname of Rabassa de Perellós. This family acquired by purchase the barony of Dosaigües in 1496, being elevated to marquisate by King Charles II of Spain in 1699. Historians say, that the house of the Marqueses of Dos Aguas was considered in Valencia for centuries, as a paragon of nobility and opulence and that, its fortune came from the year 1500, at which time a family of merchants, the Rabassa, is enriched, first with the commercial treatment and then with the leases of the rights of the Generalitat Valenciana, i.e. the contracts of indirect contributions. The Rabassa de Perellós family continued their business with the Generalitat, while occupying high positions in the political government of Valencia and accumulated skills and important heredities through intermarriage with other important Valencian noble families. The space in which it is located is believed that was probably originally the field intended to a Roman necropolis of the 1st and 3rd centuries, due to the findings in one of its courtyards on September 9, 1743.