Notre-Dame-de-Lorette (Paris Métro)

The Grand Synagogue of Paris, generally known as Synagogue de la Victoire or Grande Synagogue de la Victoire, is situated at 44, Rue de la Victoire, in the 9th arrondissement. It also serves as the official seat of the chief rabbi of Paris.

The Laboratoire français de gemmologie (gemological laboratory of France) is the oldest gemological laboratory in the world, having been founded in 1929 by a customs official. It was run by the Paris Chamber of Commerce from 1933 to 2011, when it was attached to the Union Française de la Bijouterie, Joaillerie, Orfèvrerie, des Pierres et des Perles (BJOP). It operates completely independently as a source of expertise in gemology for clients' information and security, and has a partnership with the University of Nantes. Its director since 2011 has been Olivier Segura.

The Church of Notre-Dame-de-Lorette is a neoclassical church in the 9th arrondissement of Paris.

The Hôtel Thellusson was a luxurious hôtel particulier located in Paris, France, built in 1778 by Claude-Nicolas Ledoux for Marie-Jeanne Girardot de Vermenoux (1736–1781), the widow of Georges-Tobie de Thellusson, a Genevan banker.The house was situated at 30 rue de Provence, in an English garden between the rue de Provence and the rue de la Victoire. It opened on the rue de Provence with a large gate in the shape of a triumphal arch, in the "Medici style", at the end of the rue Laffitte, which at the time was called the rue d'Artois. The house was visible from the street at the end of a its drive. There was also a circular central courtyard, with a rock in the centre and a colonnade around the outside. After her death in 1781, Mme Thelusson's eldest son, John Isaac de Thellusson Sorcy (1764–1828) completed the house. As they were Swiss nationals, the Thellusson family kept ownership of the hotel during the Revolution, but they returned to it only in 1797. After the Thermidorian Reaction, there was a "victims' ball" in the hotel, for people who had had a close relative guillotined during the Revolution. John Isaac sold the hotel in 1802 to the Prince Joachim Murat, who exchanged it in 1807 with Napoleon Bonaparte for the Hôtel de l'Élysée, which was renamed the Élysée Palace, as well as one million francs. Napoleon offered the house to Tsar Alexander Ist as the Russian Embassy in France. The tsar stayed there in 1818, and Carlo Andrea Pozzo di Borgo, adviser of the tsar, organized prestigious balls and receptions in the hotel. The house was destroyed in 1826 when the rue Laffitte was extended to the rue de la Victoire.

The Salle des Concerts Herz, usually referred to simply as the Salle Herz, was a former concert hall in Paris, located at 48, rue de la Victoire. It was built in 1838 by the French pianist-composer Henri Herz.The hall was used for public performances. Hector Berlioz conducted the premières of two of his compositions there – the overture Le Carnaval romain on 3 February 1844 and L'enfance du Christ on 10 December 1854. Offenbach's 'tableau villageois' Le trésor à Mathurin was performed there 'in concert' on 7 May 1853, and Offenbach himself performed there as a cellist. The first public performance of the saxophone took place there on 3 February 1844.Non-musical events were also held in the hall. An anti-slavery conference was held there on 27 August 1867 by the British and Foreign Anti-Slavery Society.The Salle Herz was still being used to mount concerts by Jules Danbé in 1874 but was subsequently demolished.

The Square d'Orléans (also known as the cité des Trois-Frères), is a residential square in the 9th arrondissement of Paris, at 80, rue Taitbout. The square was designed by the English architect Edward Cresy, and built in 1829 on land that had originally belonged to the family of the musician Daniel Auber. The original entry to the square was at 36, rue Saint-Lazare. The name 'Square d'Orléans' was probably a tribute to Louis Philippe of the Orléans family, who became King of France in 1830. ('Trois-Frères', the alternative name for the square, is the name of a former part of rue Taitbout). The facades of the interior courtyard are decorated by porches with Ionic half-pillars, in a style that is analogous to that of the terraces of Regent's Park, London, (e.g. Cumberland Terrace), designed by John Nash in the 1820s.The Square became a fashionable residence in which many celebrities of the July monarchy period took apartments, including Frédéric Chopin, George Sand, Marie Taglioni, Alexandre Dumas and Charles-Valentin Alkan.

The rue de Provence is a street located in the 8th and 9th Arrondissements of Paris. It begins at the rue du Faubourg Montmartre and ends at the rue de Rome . Only the short part of the street between rue du Havre and rue de Rome is in the 8th arrondissement. Where the road is now, there used to be a little river called "ruisseau de Menilmontant" (Menilmontant brook). With the Parisian population increasing, this little river became the two-metre wide Grand Egout (great sewer) in the 17th century. Letters patent on December 15 1770 allowed the banker Jean-Joseph de Laborde to create the Rue de Provence; which would cover the "Grand Egout". The width of the road was set at 30 feet, confirmed by two ministry decisions on March 20 1813 and May 21 1823. While "Provence" is the name of a region in the south-east of France, the street is actually named in honor of Louis-Stanislas-Xavier, comte de Provence, king of France from 1814 to 1824 under the name of Louis XVIII. In 1884, the rue de Provence absorbed the rue Saint-Nicolas-d'Antin, which extended it further west.

The Théâtre Saint-Georges is a theatre in the French capital Paris, located on the Rue Saint-Georges from which it takes its name. Designed by the architect Charles Siclis, it was constructed on the site of a former mansion and opened in 1929. Originally it was managed by Camille Choisy, before he handed it over to Benoît-Léon Deutsch who successfully staged Boulevard comedies during the 1930s including Georges Berr and Louis Verneuil's The Train for Venice.

Rue Laffitte is a street in the 9th arrondissement of Paris, located near the Metro stations Richelieu - Drouot and Notre-Dame-de-Lorette. This street was created in 1771 between the Boulevard des Italiens and the Rue de Provence. Its original name was Rue d'Artois, in honour of the Comte d'Artois, brother of the king Louis XVI, later king of France with the name of Charles X. But in 1792, during the French Revolution, the prince had emigrated outside France and the street was renamed Rue Cerutti. Giuseppe Cerutti was an Italian writer living in a mansion in the street at the junction with the Boulevard des Italiens. He was a former Jesuit, became Republican and was elected to the French National Assembly. He wrote the eulogy of Mirabeau. He died the same year (1791) and the street was renamed in his honour.Louis Napoleon, the future Napoleon III, was born at number 15 on 20 April 1808.After the Bourbon Restoration, the street's name was changed back to Rue d'Artois. In 1826, the street was lengthened to the street of Rue Notre-Dame-de-Lorette, in the field of Hôtel Thellusson, which was destroyed. The French financier and politician Jacques Laffitte (1767–1844) had his mansion at number 27. On 30 July 1830, with Adolphe Thiers and La Fayette, he took part in the Revolution of 1830: they offered the crown to the future king Louis-Philippe of France, because King Charles X had allowed soldiers to shoot civilians and because they feared that a republic would lead to disorder and foreign wars. In December 1830, Laffitte was President of the French Council of Ministers and the street was renamed after him. Laffitte shares with Victor Hugo the honour of having lived in a street bearing his name. Dowager queen Kishwar Sultana of erstwhile princely state of Oudh, in Northern India, stayed at Hotel Papy in 1858 on this street after she returned from London, when Queen Victoria refused her plea to restore her son Wajid Ali Shah to the throne of Oudh. Oudh had been annexed earlier by British East India Company. In fact she died at the hotel and is buried at Pere LaChaise cemetery in Paris.At the beginning of the street at the junction with the Boulevard des Italiens or the Boulevard Haussmann, there is an interesting view of the Sacré-Coeur de Montmartre, which seems to be on top of the church of Notre-Dame de Lorette. In fact, it is much more distant.

The rue de la Victoire is a street in the 9th arrondissement of Paris. The former name of the street was "rue Chantereine", which means "singing frogs", after the many frogs in the area as the quarter was swampy. The street took the name "rue de la Victoire" in 1797 after the success of Napoleon's campaign in Italy. In 1816, during the Bourbon Restoration, the street changed its name, but the name was restored in 1833.

The 9th arrondissement of Paris (IXe arrondissement) is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as neuvième ([nœvjɛm]). The arrondissement, called Opéra, is located on the right bank of the River Seine. It contains many places of cultural, historical, and architectural interest, including the Palais Garnier, home to the Paris Opera, Boulevard Haussmann, and its large department stores Galeries Lafayette and Printemps. The arrondissement has many theaters including Folies Bergères, Théatre Mogador and Théatre de Paris. Along with the 2nd and 8th arrondissements, it hosts one of the business centers of Paris, located around the Opéra.

Saint-Georges (French pronunciation: ​[sɛ̃ ʒɔʁʒ]) is a station on Line 12 of the Paris Métro in the 9th arrondissement. The station opened on 8 April 1911 as part of the extension of the Nord-Sud company's line A from Notre-Dame-de-Lorette to Pigalle. On 27 March 1931 line A became line 12 of the Métro. The station is named after the Rue Saint-Georges, which became a street in 1734 and leads to the Place Saint-Georges, created in 1824. It was the centre of an estate created by the speculator Dosne, father-in-law of the politician Adolphe Thiers. It was renovated during the early 2000s in imitation of the style adopted by the Nord-Sud Company, the original architects of the station. In fact, the current decorative style only vaguely resembles the original: the station name is no longer shown on large ceramic tablets (as at Solférino and Abbesses) and does not follow the original colour-coding: the edge of the ceramic name tablets should be brown to designate a non-interchange station, rather than green.