Museum of the Jewellery Quarter

Smith and Pepper was a jewellery manufacturing firm in Birmingham, England, which traded between 1899 and 1981. The factory is now the Museum of the Jewellery Quarter.

Jewellery Quarter station is a combined railway station and tram stop, situated in the Jewellery Quarter of Birmingham, England. The station is served by West Midlands Trains (who operate the station), Chiltern Railways, and West Midlands Metro. The station is set at the mouth of Hockley No 2 Tunnel below the elevation of its road-level access point on Vyse Street; stairs and a lift are provided.

Hockley is a central inner-city district in the city of Birmingham, England. It lies about one mile (1.5 kilometres) northwest of the city centre, and is served by the Jewellery Quarter station. Birmingham's Jewellery Quarter continues to thrive in Hockley, and much of the original architecture and small artisan workshops have survived intact. Hockley is the location of the Museum of the Jewellery Quarter and Birmingham Mint. Vittoria Street in Hockley is home to Birmingham Institute of Art and Design's Jewellery School, and The Big Peg arts & crafts workshop cluster is nearby. Housing in the area is generally characterised by well-built Victorian villas and terraces. The Hockley Flyover murals at the "Hockley flyover" road interchange are an exemplary example of brutalist late-modernist concrete architecture and are grade II listed.

Hockley Tunnels are two tunnels used by the railway and tram in Hockley, Birmingham, England. Tunnel No. 1 is 136 yards (124 m) long and Tunnel No. 2 is 160 yards (150 m) long.

The Jewellery Quarter is an area of central Birmingham, England, in the north-western area of Birmingham City Centre, with a population of 19,000 in a 1.07-square-kilometre (264-acre) area.The Jewellery Quarter is Europe's largest concentration of businesses involved in the jewellery trade, which produces 40% of all the jewellery made in the UK. It is also home to the world's largest Assay Office, which hallmarks around 12 million items a year. Historically the Jewellery Quarter has been the birthplace of many pioneering advancements in industrial technology. At its peak in the early 1900s the Jewellery Quarter employed over 30,000 people, however due to foreign competition and lack of demand, the industry declined throughout the 20th century. The area was then transformed into an urban village and hub for creative businesses, whilst maintaining its urban fabric. Its historical importance led to numerous conservation schemes and it is an Anchor Point of the European Route of Industrial Heritage.

Key Hill Cemetery, (OS grid reference SP059882), originally called Birmingham General Cemetery, is a cemetery in Hockley (the Jewellery Quarter), Birmingham, England. It opened in 1836 as a nondenominational cemetery (in practice nonconformist), and is the oldest cemetery, not being in a churchyard, in Birmingham. The principal entrance is on Icknield Street to the west, with a secondary entrance on Key Hill to the north. The cemetery contains the graves of many prominent members of Birmingham society in the late 19th century, to the extent that in 1915 E. H. Manning felt able to dub it "the Westminster Abbey of the Midlands".It is the older of two cemeteries in Hockley, the other being Warstone Lane Cemetery, opened in 1847, which was originally reserved for members of the established Church of England. The cemetery is no longer available for new burials.

Warstone Lane Cemetery, (grid reference SP059877), also called Brookfields Cemetery, Church of England Cemetery, or Mint Cemetery (from the adjacent Birmingham Mint), is a cemetery dating from 1847 in Birmingham, England. It is one of two cemeteries in the city's Jewellery Quarter, in Hockley (the other being Key Hill Cemetery). It is no longer open to new burials. A major feature is the two tiers of catacombs, whose unhealthy vapours led to the Birmingham Cemeteries Act which required that non-interred coffins should be sealed with lead or pitch.

The Chamberlain Clock is an Edwardian, cast-iron, clock tower in the Jewellery Quarter of Birmingham, England. It was erected in 1903 to mark Joseph Chamberlain's tour of South Africa between 26 December 1902 and 25 February 1903, after the end of the Second Boer War. The clock was unveiled during Chamberlain's lifetime, in January 1904 by Mary Crowninshield Endicott, Joseph Chamberlain's third wife.Standing at the junction of Vyse and Frederick Streets with Warstone Lane, it is now a local landmark and symbol of the Quarter. Chamberlain had been a resident on Frederick Street and had also helped jewellers through his campaign work to abolish Plate Duties – a tax affecting jewellery tradesmen of the time. The timepiece was originally powered by a clockwork winding handle. It was later adapted to electricity but fell into disrepair and lost its chime. It was fully restored in 1989.On the 22 August 2020, the Chamberlain Clock was being removed for restoration work by Smith of Derby. It was restored to its site on 20 March 2021.

The Blue Orange Theatre is an independent theatre located in the Jewellery Quarter in the centre of Birmingham, England. It was founded by the local producer and director Mark Webster and opened in April 2011, aiming to showcase new drama and writing from the city.The main auditorium is a 107-seat theatre, with the site also including a bar and a rehearsal studio. The theatre acts as a producing theatre staging work by its own company, as well as hosting performances from visiting theatre companies.

The former Ashford & Sons factory in Birmingham, England is a Grade II* listed building in Arts & Crafts style.The factory, at 16-18 Great Hampton Street in the city's Jewellery Quarter, in the Hockley district, was designed by local architect Arthur McKewan and completed in 1912.It was given Grade II* listed status in 1982, protecting it from unauthorised development or deletion. The list entry describes it as: A particularly sensitive formal elevation to a jewellery works, containing Birmingham Arts and Crafts with Edwardian Baroque details all executed to a very high standard. In June 2016, plans to convert the then-empty building into 64 one-bedroom, 77 two-bedroom and six three-bedroom residential apartments were announced.

The Hockley Flyover murals are a series of concrete sculptures by William Mitchell in Hockley, Birmingham, England, constructed in 1968. Since 2022 they have been grade II listed. The murals are at the pedestrian concourse leading to an underpass below the B4100 road, "surrounded by" the A41 road, and also known as Hockley Circus underpass.The work comprises three 3-metre (9.8 ft) high panels cast in pigmented concrete in deep relief, incorporating motifs including "sunbursts, donuts, triangular wedges and shards" and Aztec-like symbols. Mitchell said "that the treatment of the external face of the underpass provided climbing opportunities for the adventurous", and a group of student rock-climbers have plotted bouldering routes on the murals.Mitchell's work has been described as having "a vigorous organic quality, spreading like coralline encrustations along the walls". When the murals were listed, the regional director for Historic England said "The murals at Hockley Circus are among the best examples of William Mitchell's work and showcase his playful and lively style to great effect. They have fulfilled their aim to elevate an otherwise utilitarian structure and encourage interaction with the urban environment.".Mitchell said of his work: "Hockley flyover was one of the greatest things that ever happened in this country because it was the first of its kind and certainly of its scale."

St Saviour's Church, Villa Street, Hockley is a former Church of England parish church in Birmingham.