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Sculptures Bachelard

1986 sculpturesInstallation art worksModernist sculptureOutdoor sculptures in France
Sculpture viseur 6 Rond
Sculpture viseur 6 Rond

Sculptures Bachelard is an In Situ work by French artist Jean-Max Albert installed in 1986 in the Parc de la Villette, Paris, France. It is named after the author of The Poetics of Space, Gaston Bachelard. It consists of a set of 8 sculptures arranged around the perimeter of the Jardin de la Treille.

Excerpt from the Wikipedia article Sculptures Bachelard (License: CC BY-SA 3.0, Authors, Images).

Sculptures Bachelard
Allée du Cercle, Paris 19th Arrondissement (Paris)

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N 48.89272222 ° E 2.39061111 °
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Allée du Cercle

Allée du Cercle
75019 Paris, 19th Arrondissement (Paris)
Ile-de-France, France
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Sculpture viseur 6 Rond
Sculpture viseur 6 Rond
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Pavillon de Paris

The Pavillon de Paris (French pronunciation: [pavijɔ̃ d(ə) paʁi]) was a large concert space in Paris, France, located near the Porte de Pantin Métro stop, on the northern edge of the city. With a seating capacity of approximately 10,000 spectators, the Pavillon was the city's largest indoor music arena throughout its brief operating history from September 1975 until 1980. The Pavillon was opened as a music venue at the initiative of KCP (Koski-Cauchoix Productions), who had previously struggled to present rock concerts in smaller, less suitable venues, most notably the Palais des Sports de Paris.Many famous rock and pop bands performed at the Pavillon when their tours visited Paris, including Genesis, The Who, ABBA, AC/DC, Pink Floyd, Supertramp, Kansas, Bob Marley, Queen, The Rolling Stones, Ringo Starr, Aretha Franklin, Neil Young, Earth, Wind & Fire, David Bowie, Iggy Pop, Bob Seger, Bruce Springsteen and the perennial French rocker, Johnny Hallyday.The industrial-looking building that housed the concert space was previously used by a slaughterhouse and meat-packing business, and the surrounding La Villette area was well known as a traditional meat-packing district. As a result, the Pavillon de Paris was also known colloquially as Les Abattoirs (The Slaughterhouse), and some of the acts who recorded live performances at the Pavillon chose to refer to the venue as the "Abattoirs". For example, the French film-maker Freddy Hausser made a film of The Rolling Stones performing at the Pavillon that is titled Les Stones aux abattoirs (The Stones at the Slaughterhouse). In 1980, the Pavillon de Paris was closed, and for the next three years, most touring rock bands appeared at the Hippodrome de Pantin in the nearby Parc de la Villette. In 1983, the Hippodrome was itself replaced by Le Zénith de Paris.

Cité des Sciences et de l'Industrie
Cité des Sciences et de l'Industrie

The Cité des Sciences et de l'Industrie ("City of Science and Industry", abbreviated la CSI) or simply CSI is the biggest science museum in Europe. Located in the Parc de la Villette in Paris, France, it is one of the three dozen French Cultural Centers of Science, Technology and Industry (CCSTI), promoting science and science culture. About five million people visit the Cité each year. Attractions include a planetarium, a submarine (the Argonaute), an IMAX theatre (La Géode) and special areas for children and teenagers. The CSI is classified as a public establishment of an industrial and commercial character, an establishment specialising in the fostering of scientific and technical culture. Created on the initiative of President Giscard d'Estaing, the goal of the Cité is to spread scientific and technical knowledge among the public, particularly for youth, and to promote public interest in science, research and industry. The most notable features of the "bioclimatic facade" facing the park are Les Serres – three greenhouse spaces each 32 metres high, 32 metres wide and 8 metres deep. The facades of Les Serres were the first structural glass walls to be constructed without framing or supporting fins. Between 30 May, and 1 June 2008, the museum hosted the 3rd International Salon for Peace Initiatives. In 2009, the Cité des Sciences and the Palais de la Découverte were brought together in a common establishment, named Universcience, with EPIC status.