place

Thomas Hockley House

Frank Furness buildingsHistoric district contributing properties in PhiladelphiaHouses completed in 1875Houses in PhiladelphiaHouses on the National Register of Historic Places in Philadelphia
National Register of Historic Places in PhiladelphiaRittenhouse Square, PhiladelphiaVictorian architecture in Pennsylvania
HockleyHouse
HockleyHouse

The Thomas Hockley House (1875) is a Victorian city house in Philadelphia, Pennsylvania, designed by architect Frank Furness. Located west of Rittenhouse Square, it is a contributing property in the Walnut–Chancellor Historic District.

Excerpt from the Wikipedia article Thomas Hockley House (License: CC BY-SA 3.0, Authors, Images).

Thomas Hockley House
Chancellor Street, Philadelphia Center City

Geographical coordinates (GPS) Address External links Nearby Places
placeShow on map

Wikipedia: Thomas Hockley HouseContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 39.95 ° E -75.175833333333 °
placeShow on map

Address

Thomas Hockley House

Chancellor Street
19103 Philadelphia, Center City
Pennsylvania, United States
mapOpen on Google Maps

linkWikiData (Q47005654)
linkOpenStreetMap (341092961)

HockleyHouse
HockleyHouse
Share experience

Nearby Places

Church of the New Jerusalem (Philadelphia)
Church of the New Jerusalem (Philadelphia)

The Church of the New Jerusalem was a former nineteenth-century Swedenborgian church located in downtown Philadelphia, Pennsylvania at 22nd and Chestnut Streets.The church was erected in 1881 to designs by Theophilus Parsons Chandler. When the congregation diminished, the church closed in the mid-1980s, and the structure was reused in 1989 as office space. The National Trust for Historic Preservation profiled the structure as a good example of adaptive reuse: "The congregation worked closely with the buyer of the property, the Preservation Fund, and the Philadelphia Historical Commission to devise a design that would be sensitive to the historic fabric." The project "added two floors for office space and enclosed the interior space facing the chancel with a floor to- ceiling glass wall. Updated HVAC, electrical systems, and emergency equipment installed." "In an area of many churches, the successful conversion to office space was a welcome sight for many of the neighbors who had feared an abandoned church building." The 1990 conversion by Mark B. Thompson Associates into 24,000 square feet (2,200 m2) of executive office space with room for expansion for Graduate Health System Corporate Headquarters, and later occupied by the advertising agency The Weightman Group, which is also gone. "Two balconies were added in four of the six bays, leaving the altar area an unchanged space for reception. A glass curtain wall was inserted in the interior to define the space and keep noise down. Additionally, a large spiral staircase and an elevator were placed to give access to all levels."

Church of the Holy Trinity, Philadelphia
Church of the Holy Trinity, Philadelphia

Church of the Holy Trinity is an Episcopal church on Rittenhouse Square in Philadelphia. The first service in the church building, designed by Scottish architect John Notman, was held on March 27, 1859. The corner tower was added in 1867 and was designed by George W. Hewitt of the firm of Fraser, Furness & Hewitt. It is designed in the simpler "low church" style, rather than the fancier "high church" or Anglo-Catholic style of Notman's nearby St. Marks Episcopal Church.The church's rector from 1862 to 1869 was Phillips Brooks, who was also the author of the lyrics to the familiar Christmas carol "O Little Town of Bethlehem". Renowned (and sometimes reviled) for his ebullient homilies and his staunch opposition to slavery, Brooks delivered a eulogy to Abraham Lincoln in the church on April 23, 1865, following the U.S. President's assassination on April 14. This sermon was reprinted and widely read. After the end of the American Civil War, Brooks took a sabbatical from the church to travel to Europe, Israel and Palestine. His visit to Bethlehem inspired him to write a poem for his Sunday School students, and for the church's 1868 Christmas season he had church organist Louis Redner set the poem to music. The result was “O Little Town of Bethlehem." In 1869, Brooks became rector of Trinity Church, Boston, where he oversaw the design, decoration and construction of Trinity's new Back Bay facility from 1872 to 1877 following the original church's destruction in Boston's Great Fire of 1872. The church's rector from 1899 to his death in 1932 was rev. Floyd W. Tomkins. Philadelphia's Church of the Holy Trinity is also known for its numerous stained-glass windows, including five by Louis Comfort Tiffany and one by Luc-Olivier Merson. The church was listed on the National Register of Historic Places in 1973. Today, the Church of the Holy Trinity's mission is, "In the name of Christ to deepen our faith, to enlarge our community and to act on our beliefs." Sunday services are at 8:30 and 11 am; with a special service for children and families called "Joyful Noise" at 9:45 on the first Sunday of the month. CHT is a welcoming and affirming community where all are welcome.

Warburton House
Warburton House

Warburton House, also known as the Warburton Hotel and The Lucy Eaton Smith Residence, is a historic hotel located in the Rittenhouse Square East neighborhood of Philadelphia, Pennsylvania. It was designed by noted New York architect Arthur Loomis Harmon (1878–1958) and built in 1926. It is an 11-story, "U"-shaped, steel frame and brick building with cast stone and granite trim in an Italian Renaissance Revival style. It has a stepped back form and rooftop loggia. It was originally built as a residential hotel for professional women. From 1952 to 2001, it was owned by the Dominican House of Retreats and Catholic Guild and known as The Lucy Eaton Smith Residence. It was added to the National Register of Historic Places in 2002.In 1924 the Emergency Aid of Pennsylvania (EAP, a WWI relief organization) celebrated its tenth anniversary by planning a women's building as a memorial to the organization where it would also establish permanent headquarters. The hotel would be open to all women. Mary Brown Warburton, then president of the EAP, hired New York architect Arthur Loomis Harmon to design a multi-story hotel building in the heart of Philadelphia's growing downtown. The site of the hotel was selected on the northeast comer of South 20th and Sansom Streets where several earlier nineteenth century rowhouses were recently demolished. When completed, the Italian Renaissance Revival styled hotel had a full service restaurant, snack bar, ballroom and roof top band alcove. There were 150 guestrooms situated on the upper nine floors of the building. In February of 1927, the Warburton House opened and the EAP moved its headquarters into the building. A cast stone lintel was incorporated into the Sansom Street elevation proclaiming the building the Emergency Aid Building. The building was known as and advertised as the Warburton House in honor of Mary Brown Warburton. The hotel became a bustling place. Women from every state and territory as well as many foreign countries signed the guest register. During that time, the organization greatiy expanded its services. It distributed food, clothing, and healthcare accessories for indigent famihes and offered vocation training and sewing classes to children disabled by polio. Additional spaces were rented throughout the Warburton House providing rent money to the organization and offering services to the hotel guests. The 1930 City Directory of Philadelphia lists five small businesses along South 20th Street in addition to the EAP: a tailor, Bertha Page, a milliner, a florist, and an optician. It is not known where in the building these retail spaces were but presumably they occupied the South 20th Street storefront ground floor level.' In May of 1943, EAP moved its headquarters and sold the building. It continued to operate as a hotel under several ownership changes until 1952 when it was sold to the Dominican House of Retreats and Catholic Guild for $485,000. The Dominican Sisters renamed the establishment the Lucy Eaton Smith Residence in honor of the founder of the Dominican Congregation of St. Catherine de' Ricci. The sisters purchased the building for use as a residence ministry, offering long-term accommodations for single women. By August of 1952, the hotel was full of 150 residents including businesswomen, nurses, teachers, musicians and students. The Lucy Eaton Smith Residence, as the Dominican Sisters now called the building, was altered to suit the new owners' needs. The ballroom was transformed into a chapel with the addition of an altar and pews. The former full-service restaurant was no longer used although the space was left intact complete with banquettes. The snack bar did remain in operation for a few more years, with the Sisters serving breakfast to the residents. It too was eventually closed. In 1957, Bemard W. Roney, AIA was hired to complete some alterations to the public spaces to the building. The lobby and its entrance vestibule were altered. Roney also made more renovations to the historic ballroom. The double doors that opened out on the gallery overlooking the hotel lobby were removed and replaced with single doors. These 1957 changes were kept to a minimum and little if any alterations were completed to the upper floors of the hotel. Other than changes of furnishings, little alteration had been completed to the hotel rooms. Very little modenization to the building's systems or building fabric had been completed during the Sister's ownership other than the replacement of the two passenger elevators, installed circa 1986. The Dominican Congregation sold the Lucy Eaton Smith Residence in 2001, as the aging Sisters were unable to operate a large facility. The property was acquired by Project H.O.M.E. as a Rehabilitation Investment Tax Credit project and its 150 rooms were converted into 144 redesigned affordable apartments now known as Kate's Place.