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Somerindyck House

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Somerindyck House, Bloomingdale Road (from Scenes of Old New York) MET DP818555
Somerindyck House, Bloomingdale Road (from Scenes of Old New York) MET DP818555

The Somerindyck House was a house in Manhattan, New York City, U.S.. It was located in the middle of Broadway, above West 75th Street. While visiting the United States, Louis Philippe I taught in the house; he later served as the King of France.Henry Farrer's 1870 etching of the house is in the collection of the Metropolitan Museum of Art.

Excerpt from the Wikipedia article Somerindyck House (License: CC BY-SA 3.0, Authors, Images).

Somerindyck House
West 75th Street, New York Manhattan

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N 40.7812 ° E -73.9815 °
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Astor Apartments

West 75th Street 235
10023 New York, Manhattan
New York, United States
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Somerindyck House, Bloomingdale Road (from Scenes of Old New York) MET DP818555
Somerindyck House, Bloomingdale Road (from Scenes of Old New York) MET DP818555
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Beacon Theatre (New York City)
Beacon Theatre (New York City)

The Beacon Theatre is an entertainment venue and former movie palace at 2124 Broadway, adjacent to the Hotel Beacon, on the Upper West Side of Manhattan in New York City. Opened in 1929, the Beacon Theatre was developed by Samuel "Roxy" Rothafel and built as a movie palace. It was designed by Walter W. Ahlschlager with decorations inspired by the Renaissance, Ancient Roman, Ancient Greek, and Rococo styles. The Beacon has 2,894 seats across three levels and is operated by Madison Square Garden Entertainment. The theater is designated as a New York City interior landmark and is listed on the National Register of Historic Places. The facade is relatively plain and is made of brick and stone, with a marquee above its entrance on Broadway. The outdoor ticket booth leads to a vestibule and a multi-story rotunda lobby under the hotel, with a mural by Danish artist Valdemar Kjoldgaard in the lobby. The auditorium is in an adjacent structure on the eastern part of the site, near 75th Street and Amsterdam Avenue. The auditorium's side walls have ornate arched doorways and murals, while the multicolored ceiling has a chandelier. The proscenium arch has Greek columns and is flanked by large statues. The orchestra pit has a Wurlitzer organ, one of three in Manhattan. The theater was originally proposed in January 1927 as the Roxy Midway Theatre. Roxy severed his involvement and Warner Bros. took over the theater, opening it on December 24, 1929. The Central Amusement Corporation took over the Beacon in 1932, and Brandt Theatres assumed operation in 1944, running it for three decades. The theater started presenting live entertainment in 1966, and Steven Singer and Barry Kerr renovated it into a rock venue in 1974. After Singer's bankruptcy, Kazuko Hillyer turned the theater into a performing arts center in 1976. Following a failed attempt to convert the Beacon into a nightclub and restaurant in 1986, the theater remained in use as a live music and entertainment venue. MSG Entertainment took over in 2006 and renovated the Beacon shortly afterward. Over the years, the Beacon has hosted numerous concerts; some acts have appeared for extended residencies, including the Allman Brothers Band. It has also hosted other types of live performances, including dance troupes and plays. The Beacon has additionally been used for broadcasts, tapings, films, and ceremonies such as the Tony Awards.

Continental Baths

The Continental Baths was a gay bathhouse in the basement of The Ansonia Hotel in New York City, which was operated from 1968-1976 by Steve Ostrow. It was advertised as reminiscent of "the glory of ancient Rome".It opened after Ostorow observed the crowds at Everard Baths and he wanted to improve on the Everard atmosphere of being "sleazy, secretive, unkempt, not to mention unfriendly." Ostorow said “from the first night, there were lines around the corner” Some patrons said they would have 150 sexual encounters in a single visit. Opened a year before the Stonewall riots the bath was raided by the police about 200 times, Ostorow said.While the baths utilized the Ansonia's lavish Gilded Age décor for a Roman style bath, it is probably best remembered as being an influential offbeat music venue. Ostrow (born September 16, 1932) was a singer for the New York City Opera. He installed a stage designed specifically for a DJ -- claimed to the first of its type in the world. Discs were spun by Frankie Knuckles and Larry Levan.He then began showcasing live acts which were the launching points for Bette Midler, Barry Manilow, Patti La Belle and Peter Allen. The act most associated with the bath was Midler who was accompanied by Manilow on the piano. Midler debuted her song Friends at the bath and later recorded an album entitled Bathhouse Betty. The performances were actually open to the public and not just bath patrons. The gay crowd dwindled because they didn't like the public in the bath and felt they were being gawked at. Ostorow cancelled the live performances in 1974 before closing the bath in 1976.It re-opened as the straight swingers venue Plato's Retreat in 1977.

Hotel Belleclaire
Hotel Belleclaire

The Hotel Belleclaire (also the Belleclaire Hotel) is a hotel at 2175 Broadway, on the corner with West 77th Street, on the Upper West Side of Manhattan in New York City. Constructed between 1901 and 1903 as one of several apartment hotels along Broadway on the Upper West Side, the Belleclaire was one of the first large buildings designed by architect Emery Roth. Its design incorporates elements of the Art Nouveau and Secession styles. The hotel is a New York City designated landmark. The hotel building is 10 stories tall. Its facade is largely made of red brick with ornamentation made of limestone, metal, and terracotta. The limestone base is two stories high and contains a main entrance on Broadway; above the base, the building contains light courts facing north and south. The hotel's exterior includes a curved corner facing both Broadway and 77th Street, as well as a two-story mansard roof with arches. The hotel originally contained several ground-floor amenity areas for guests, each designed in a different style, although most of these spaces were demolished in the mid-20th century. The upper floors originally were divided into apartments with one to three rooms each. These apartments have been rearranged over the years into 254 guestrooms. The hotel was developed by Albert Saxe, who had previously hired Roth to design another building on the Upper West Side. The hotel formally opened on January 12, 1903, and was originally an upscale apartment hotel, with several operators during its first two decades. The Belleclaire's ground-story rooms were replaced with shops in the 1920s, and the hotel had lost its high-class reputation by the 1930s. Following a series of modifications in the mid-20th century, the building started to physically deteriorate due to a lack of maintenance, and the Belleclaire became a single room occupancy hotel. Amid an increase in tourism to New York City, Shimmie Horn began operating the hotel in 1999 and renovated it into a boutique hotel. As of 2014, the hotel is operated by Triumph Hotels.

Apple Bank Building
Apple Bank Building

The Apple Bank Building, also known as the Central Savings Bank Building and 2100 Broadway, is a bank building and residential condominium at 2100–2114 Broadway on the Upper West Side of Manhattan in New York City. Constructed as a branch of the Central Savings Bank (now Apple Bank for Savings) from 1926 to 1928, it occupies a trapezoidal city block bounded by 73rd Street to the south, Amsterdam Avenue to the east, 74th Street to the north, and Broadway to the west. The Apple Bank Building was designed by York and Sawyer and patterned after an Italian Renaissance-style palazzo. The exterior consists of a base of rusticated stone blocks. Above the first floor, there are double-height arches on all four sides with ornamental ironwork by Samuel Yellin. The fifth and sixth stories are treated like a loggia, with windows separated by pilasters, while the roof is made of Spanish tile. Inside, entrances on 73rd Street, Broadway, and 74th Street lead to ornamental vestibules. The rectangular banking room next to Amsterdam Avenue has sandstone walls, a marble floor, large niches, and a coffered, barrel-vaulted ceiling. A mezzanine overlooks the banking room to the west. The building's basement, formerly a bank vault, serves as a gym. The upper stories contain 29 apartments. The Central Savings Bank Building opened on December 8, 1928, as an uptown branch of the bank, which at the time was headquartered in Union Square, Manhattan. The upper floors were originally rented out as offices, while the bank occupied the ground floor. The building's facade was made a New York City designated landmark in 1975, and the building was added to the National Register of Historic Places in 1983. The Central Savings Bank merged with the Harlem Savings Bank (later the Apple Bank for Savings) in 1981, and the building continued to operate as a neighborhood bank branch. The banking room was designated as a New York City landmark in 1993. The upper-story offices were converted into apartments from 2004 to 2007. Contrary to other large bank buildings in New York City, the Apple Bank Building still contains a bank branch.

Rutgers Presbyterian Church
Rutgers Presbyterian Church

Rutgers Presbyterian Church is a Presbyterian house of worship in New York City. The church's origins date to 1798 in Lower Manhattan. The first church building was erected on a plot of ground donated by Colonel Henry Rutgers at the corner of what would become Henry and Rutgers Streets. The church building was paid for by contributions from the members. The original charter contained 107 names, and the first church building was dedicated on May 13, 1798. According to the Rutgers Church's official Website, "By 1830… Rutgers had become the largest Presbyterian church in the denomination, with 1,157 members. The old frame church was replaced in 1843 with a large stone structure (still standing and in use as the Roman Catholic Church of St. Teresa)." Church records indicate that this building is a hitherto unrecognized work by the important New York architect Minard Lafever, designed at a time when Lafever was transitioning from an architect who specialized in the Greek Revival to one who employed the Gothic Revival for his churches. The congregation subsequently moved into the Lenox Chapel (29th and Madison) in 1863. They razed it in 1873 and built a new church at that location. Fifteen years later, the congregation sold this property and used the proceeds to build a chapel (1888) and church (1890) at the corner of 73rd Street and Broadway—near the Ansonia Hotel.The church has grown in its understanding and focus. Its congregants are not strictly required to have a traditional based belief in God, the church has hung a Black Lives Matter banner, and gender fluid buttons are available for its members.Today's Rutgers Church was opened in 1926 and is located at 236 West 73rd Street in New York's Upper West Side.