Hotel Beacon

The Beacon Theatre is an entertainment venue and former movie palace at 2124 Broadway, adjacent to the Hotel Beacon, on the Upper West Side of Manhattan in New York City. Opened in 1929, the Beacon Theatre was developed by Samuel "Roxy" Rothafel and built as a movie palace. It was designed by Walter W. Ahlschlager with decorations inspired by the Renaissance, Ancient Roman, Ancient Greek, and Rococo styles. The Beacon has 2,894 seats across three levels and is operated by Madison Square Garden Entertainment. The theater is designated as a New York City interior landmark and is listed on the National Register of Historic Places. The facade is relatively plain and is made of brick and stone, with a marquee above its entrance on Broadway. The outdoor ticket booth leads to a vestibule and a multi-story rotunda lobby under the hotel, with a mural by Danish artist Valdemar Kjoldgaard in the lobby. The auditorium is in an adjacent structure on the eastern part of the site, near 75th Street and Amsterdam Avenue. The auditorium's side walls have ornate arched doorways and murals, while the multicolored ceiling has a chandelier. The proscenium arch has Greek columns and is flanked by large statues. The orchestra pit has a Wurlitzer organ, one of three in Manhattan. The theater was originally proposed in January 1927 as the Roxy Midway Theatre. Roxy severed his involvement and Warner Bros. took over the theater, opening it on December 24, 1929. The Central Amusement Corporation took over the Beacon in 1932, and Brandt Theatres assumed operation in 1944, running it for three decades. The theater started presenting live entertainment in 1966, and Steven Singer and Barry Kerr renovated it into a rock venue in 1974. After Singer's bankruptcy, Kazuko Hillyer turned the theater into a performing arts center in 1976. Following a failed attempt to convert the Beacon into a nightclub and restaurant in 1986, the theater remained in use as a live music and entertainment venue. MSG Entertainment took over in 2006 and renovated the Beacon shortly afterward. Over the years, the Beacon has hosted numerous concerts; some acts have appeared for extended residencies, including the Allman Brothers Band. It has also hosted other types of live performances, including dance troupes and plays. The Beacon has additionally been used for broadcasts, tapings, films, and ceremonies such as the Tony Awards.

The original Decor for Satie's "Socrate" was designed by mobile artist Alexander Calder for a touring performance of Erik Satie’s symphonic drama Socrate in 1936. It was a mobile set considered by Virgil Thomson as one of the masterpieces of twentieth-century theatre design. It consisted of three elements: a red disc, interlocking steel hoops, and a vertical rectangle, black on one side and white on the other, against a blue backdrop. Destroyed in a fire in 1936, the decor was recreated by Walter Hatke in 1976 for a performance in New York.

Fairway Market is an American grocery chain, founded in 1933 by Nathan Glickberg. It is currently one of the store banners owned by the Wakefern Food Corporation, a company famous for its flagship supermarket cooperative network, ShopRite.The flagship store, which stands at Broadway and West 74th Street, on the Upper West Side of Manhattan, is one of five surviving stores, as of 2020, that are currently operated by Wakefern cooperative member, Village Super Markets.

The Somerindyck House was a house in Manhattan, New York City, U.S.. It was located in the middle of Broadway, above West 75th Street. While visiting the United States, Louis Philippe I taught in the house; he later served as the King of France.Henry Farrer's 1870 etching of the house is in the collection of the Metropolitan Museum of Art.

The Apple Bank Building, also known as the Central Savings Bank Building and 2100 Broadway, is a bank building and residential condominium at 2100–2114 Broadway on the Upper West Side of Manhattan in New York City. Constructed as a branch of the Central Savings Bank (now Apple Bank for Savings) from 1926 to 1928, it occupies a trapezoidal city block bounded by 73rd Street to the south, Amsterdam Avenue to the east, 74th Street to the north, and Broadway to the west. The Apple Bank Building was designed by York and Sawyer and patterned after an Italian Renaissance-style palazzo. The exterior consists of a base of rusticated stone blocks. Above the first floor, there are double-height arches on all four sides with ornamental ironwork by Samuel Yellin. The fifth and sixth stories are treated like a loggia, with windows separated by pilasters, while the roof is made of Spanish tile. Inside, entrances on 73rd Street, Broadway, and 74th Street lead to ornamental vestibules. The rectangular banking room next to Amsterdam Avenue has sandstone walls, a marble floor, large niches, and a coffered, barrel-vaulted ceiling. A mezzanine overlooks the banking room to the west. The building's basement, formerly a bank vault, serves as a gym. The upper stories contain 29 apartments. The Central Savings Bank Building opened on December 8, 1928, as an uptown branch of the bank, which at the time was headquartered in Union Square, Manhattan. The upper floors were originally rented out as offices, while the bank occupied the ground floor. The building's facade was made a New York City designated landmark in 1975, and the building was added to the National Register of Historic Places in 1983. The Central Savings Bank merged with the Harlem Savings Bank (later the Apple Bank for Savings) in 1981, and the building continued to operate as a neighborhood bank branch. The banking room was designated as a New York City landmark in 1993. The upper-story offices were converted into apartments from 2004 to 2007. Contrary to other large bank buildings in New York City, the Apple Bank Building still contains a bank branch.

The Continental Baths was a gay bathhouse in the basement of The Ansonia Hotel in New York City, which was operated from 1968-1976 by Steve Ostrow. It was advertised as reminiscent of "the glory of ancient Rome".It opened after Ostorow observed the crowds at Everard Baths and he wanted to improve on the Everard atmosphere of being "sleazy, secretive, unkempt, not to mention unfriendly." Ostorow said “from the first night, there were lines around the corner” Some patrons said they would have 150 sexual encounters in a single visit. Opened a year before the Stonewall riots the bath was raided by the police about 200 times, Ostorow said.While the baths utilized the Ansonia's lavish Gilded Age décor for a Roman style bath, it is probably best remembered as being an influential offbeat music venue. Ostrow (born September 16, 1932) was a singer for the New York City Opera. He installed a stage designed specifically for a DJ -- claimed to the first of its type in the world. Discs were spun by Frankie Knuckles and Larry Levan.He then began showcasing live acts which were the launching points for Bette Midler, Barry Manilow, Patti La Belle and Peter Allen. The act most associated with the bath was Midler who was accompanied by Manilow on the piano. Midler debuted her song Friends at the bath and later recorded an album entitled Bathhouse Betty. The performances were actually open to the public and not just bath patrons. The gay crowd dwindled because they didn't like the public in the bath and felt they were being gawked at. Ostorow cancelled the live performances in 1974 before closing the bath in 1976.It re-opened as the straight swingers venue Plato's Retreat in 1977.

Plato's Retreat was a swingers' club catering to heterosexual couples and bisexual women. From 1977 until 1985 it operated in two locations in Manhattan, New York City, United States. The first was the former location of the Continental Baths, a gay sex club that was briefly in fashion with the chic and culturally adventurous, such as Bette Midler.

The Astor building at 235 West 75th Street is a grey-brick building that fronts on Broadway between 75th and 76th Streets on the Upper West Side in New York City. William Waldorf Astor hired the ubiquitous New York City architects Clinton and Russell to design the two southern towers of The Astor in 1901. In 1914, William Waldorf Astor hired another Gilded Age architecture firm, Peabody, Wilson & Brown, to design a third tower for The Astor. The third tower, completed within a year, is structurally and aesthetically similar to both original towers. , Legacy All three wings are connected at the base and have gray brick facades above a limestone base. The buildings are also distinguished by limestone quoins. The “newer tower” is four stories taller as it accommodates larger penthouse-style apartments for the wealthy residents who were becoming increasingly attracted to the Upper West Side. This attraction was based on its close proximity to Central Park, the first subway line, and bustling Broadway, which served as the primary corridor connecting uptown to Wall Street. In 1977, Herbert Mandel took over the property for rental apartments and in 2014 HFZ Capital, which is headed by Ziel Feldman, brought the property for conversion to condominium apartments.

The Ansonia is a building on the Upper West Side of Manhattan in New York City, located at 2109 Broadway, between 73rd and 74th Streets. It was originally built as a residential hotel by William Earle Dodge Stokes, the Phelps-Dodge copper heir and shareholder in the Ansonia Clock Company, and it was named after his grandfather, the industrialist Anson Greene Phelps. In 1897, Stokes commissioned French architect Paul Emile Duboy to design the grandest hotel in Manhattan.

Verdi Square is a 0.1-acre (400 m2) park on a trapezoidal traffic island on the Upper West Side of Manhattan in New York City. Named for Italian opera composer Giuseppe Verdi, the park is bounded by 72nd Street and Sherman Square on the south, 73rd Street on the north, Broadway on the west, and Amsterdam Avenue on the east. Verdi Square's irregular shape arises from Broadway's diagonal path relative to the Manhattan street grid, as outlined in the Commissioners' Plan of 1811. About half of the park is built on the former northbound lanes of Broadway, which was closed in 2003 during a renovation of the New York City Subway's adjacent 72nd Street station. Verdi Square is designated as a New York City scenic landmark and is operated by the New York City Department of Parks and Recreation. The eastern half of Verdi Square contains the Verdi Monument, sculpted in 1906 by Pasquale Civiletti. The monument contains a dark-granite pedestal with four statues of characters from Verdi's operas; another statue of Verdi stands atop the pedestal. Surrounding the monument is the original park, a triangular site with plantings. The western half of the park contains a station house that serves as an entrance to the 72nd Street station. Designed by Richard Dattner & Partners and Gruzen Samton, the station house contains artwork that references one of Verdi's operas. Each September, the park hosts a series of free concerts called Verdi Square Festival of the Arts. The portion of Broadway around modern-day Verdi Square opened in 1703 and was added to the Commissioners' Plan of 1811 in the late 19th century. The New York City government acquired the site of Verdi Square in 1887. The site was originally the northern part of Sherman Square, under which the subway station was built in 1904. The Verdi Monument was installed in 1906 following a fundraising effort led by newspaper founder Carlo Barsotti, and the site around the monument was named for Verdi in 1921. The park gradually fell into disrepair and was frequented by drug dealers and homeless people in the late 20th century; as a result, Verdi Square was nicknamed "Needle Park" in the 1970s. The monument was restored in the late 1980s, and the park was significantly expanded in the early 2000s when the new subway entrance was constructed.

The Giuseppe Verdi Monument is a sculpture honoring composer Giuseppe Verdi in Verdi Square Park (between 72nd and 73rd Streets, Amsterdam Avenue, and Broadway) in Manhattan, New York City. The statue was created by Italian sculptor Pasquale Civiletti.The monument measures 25.75 feet (7.85 m) tall and up to 18 feet (5.5 m) across. The pedestal is made of dark granite steps, topped by a cylinder, and measures 15 feet (4.6 m) tall. Statues of four characters from Verdi's operas are on the pedestal: Aida, Otello, Leonora of La forza del destino, and Falstaff. These statues respectively face north, east, south, and west. The character statues are made of white Carrara marble, with large marble lyres placed between them. The western side of the pedestal contains an etching with Civiletti's name. A time capsule is embedded in the Verdi monument's base. The main statue of Verdi, placed atop the pedestal, is also made of white Carrara marble.The monument was dedicated on Columbus Day, October 12, 1906, by the Verdi Monument Committee chaired by Carlo Barsotti (1850–1927), an Italian–American who hoped to inspire young Italian Americans. He was the founding editor of the Il Progresso Italo-Americano Italian-American newspaper, and used its pages to raise funds for this and several other memorials including the Columbus Circle monument, an 1888 monument to Giuseppe Garibaldi in Washington Square Park, a monument to Giovanni da Verrazzano (1909) and the 1921 monument to Dante Alighieri in Dante Park.A permanent maintenance endowment for the monument has been established by Bertolli USA. The monument is listed on the National Register of Historic Places.

Rutgers Presbyterian Church is a Presbyterian house of worship in New York City. The church's origins date to 1798 in Lower Manhattan. The first church building was erected on a plot of ground donated by Colonel Henry Rutgers at the corner of what would become Henry and Rutgers Streets. The church building was paid for by contributions from the members. The original charter contained 107 names, and the first church building was dedicated on May 13, 1798. According to the Rutgers Church's official Website, "By 1830… Rutgers had become the largest Presbyterian church in the denomination, with 1,157 members. The old frame church was replaced in 1843 with a large stone structure (still standing and in use as the Roman Catholic Church of St. Teresa)." Church records indicate that this building is a hitherto unrecognized work by the important New York architect Minard Lafever, designed at a time when Lafever was transitioning from an architect who specialized in the Greek Revival to one who employed the Gothic Revival for his churches. The congregation subsequently moved into the Lenox Chapel (29th and Madison) in 1863. They razed it in 1873 and built a new church at that location. Fifteen years later, the congregation sold this property and used the proceeds to build a chapel (1888) and church (1890) at the corner of 73rd Street and Broadway—near the Ansonia Hotel.The church has grown in its understanding and focus. Its congregants are not strictly required to have a traditional based belief in God, the church has hung a Black Lives Matter banner, and gender fluid buttons are available for its members.Today's Rutgers Church was opened in 1926 and is located at 236 West 73rd Street in New York's Upper West Side.