2017 Turin stampede

Piazza San Carlo ("St. Charles Square"), previously known as Piazza Reale, Piazza d'Armi, and Place Napoléon, is one of the main city squares in Turin, Italy. It was laid out in the 16th and 17th century and is an example of Baroque style. The 1838 Equestrian monument of Emmanuel Philibert by Carlo Marochetti is located at the center of the square, which is surrounded by porticos designed by Carlo di Castellamonte around 1638. The twin churches of Santa Cristina and San Carlo Borromeo close the southern edge of the square.

The Equestrian monument of Emmanuel Philibert (Italian: Monumento equestre a Emanuele Filiberto di Savoia), commonly known as Caval ëd bronz (pronounced [kaˈvɑl əd ˈbrʊŋz], traditionally spelled Caval 'd brons; Piedmontese for 'bronze horse') rises in the center of Piazza San Carlo in central Turin, in the Piedmont region of Italy.

Santa Cristina is a Baroque style, Roman Catholic church located in Turin, region of Piedmont, Italy. It mirrors the adjacent church of San Carlo and faces the Piazza San Carlo. The arrangement recalls the twin churches (chiese gemelle) of Santa Maria dei Miracoli (1681) and Santa Maria in Montesanto (1679) facing the Piazza del Popolo in Rome.

San Carlo Borromeo or San Carlo is a Baroque style, Roman Catholic church located in Turin, region of Piedmont, Italy. It mirrors the adjacent church of Santa Cristina and faces the Piazza San Carlo. The arrangement recalls the twin churches (chiese gemelle) of Santa Maria dei Miracoli (1681) and Santa Maria in Montesanto (1679) facing the Piazza del Popolo in Rome.

Torre XX Settembre, in Turin, is one of the earliest examples of Modernist skyscraper in Italy. The building was designed in 1939 by Gino Salvestrini and Gabriello Gabrielli di Quercita. Because of the outbreak of the Second World War, however, works started only in 1947 and were completed in 1951. The high-rise building, also called Torre Santa Teresa or Grattacielo Santa Teresa, is located at the corner between via Santa Teresa and via XX Settembre, in central Turin. It owes its name to the day that marks the capture of Rome (20 September 1870), an event that was much celebrated by the Fascist Regime, during which time the building was originally designed. Its volume is clearly visible from Piazza San Carlo and was conceived as a Modernist counterpoint to the Baroque square. The building is composed of a 14-floor vertical structure and a 5-floor horizontal structure. Both structures are entirely covered by white limestone tesserae, with the exception of the two lowest floors where green marble and metal walls can be seen. Its western façade borders the small square in front of the church of Santa Teresa. The dimensional proportion between the windows and the built mass reflects the architectural theories of Italian rationalism, while decoration of interior common spaces can be considered a late example of Art Deco style.

The Church of Saint Teresa of Ávila (Italian: Chiesa di Santa Teresa d'Avila) is a Baroque-style church located on Via Santa Teresa, near Piazza San Carlo in Turin, Italy.

The Museo Egizio (Italian for Egyptian Museum) is an archaeological museum in Turin, Piedmont, Italy, specializing in Egyptian archaeology and anthropology. It houses one of the largest collections of Egyptian antiquities, with more than 30,000 artifacts, and is considered the second most important Egyptology collection in the world, after the Egyptian Museum of Cairo. In 2019, it received 853,320 visitors, making it one of the most visited museums in Italy.

San Filippo Neri is a late-Baroque style, Roman Catholic church located in Turin, region of Piedmont, Italy. The church is located on Via Maria Vittoria 5; the left flank of the nave faces the Turin Academy of Sciences. The church is still used for services. 69 metres (226 ft) long and 37 metres (121 ft) wide, it is the largest church in the city of Turin.

The Caffè Fiorio is a historic café in Turin, northern Italy, located at Via Po 8. Founded in 1780, Fiorio became a fashionable meeting place for the artistic, intellectual and political classes of the capital of the Kingdom of Sardinia. Frequented by Urbano Rattazzi, Massimo D'Azeglio, Giovanni Prati, Camillo Benso Conte di Cavour (who founded the Whist Club here), Giacinto Provana di Collegno, Cesare Balbo and Friedrich Nietzsche, it became known as "the café of the Machiavellis and of the pigtails."

The Teatro Carignano (Carignano Theatre) is a theatre in Turin and one of the oldest and most important theatres in Italy. Designed by Benedetto Alfieri, it is located opposite the Palazzo Carignano. Building commenced in 1752 and the theatre was inaugurated the following year with a performance of Baldassare Galuppi's opera, Calamità de' cuori. Much of the theatre was destroyed in a fire in 1786, but it was rebuilt in a few months using Alfieri's original plans. Since then it has undergone several renovations. Although today it is primarily used for performances of plays, in the past it was an important opera house. The theatre is owned by the City of Turin but administered by the theatre company, Teatro Stabile di Torino, and is one of the company's principal performing venues.

The Church of the Visitation (Italian: Chiesa della Visitazione) is a 17th-century Roman Catholic church, attached to a monastery, located on Via XX Settembre #23 in central Turin, region of Piedmont, Italy.

Torre Littoria, or Grattacielo Reale Mutua, is the first high-rise building in Turin, and one of the most renowned rationalist buildings in Italy. It is located in the city centre, on Via Giovanni Battista Viotti, near Piazza Castello. Torre Littoria was built in 1933–34, with the intent of hosting, among other offices, the national headquarters of the National Fascist Party; in fact it never did, with the party's headquarters located first in Milan and then in Rome. Instead it became wholly owned by Reale Mutua Assicurazioni (Royal Mutual Insurance), an insurance company that already financed almost all of its costs and is still the owner of the entire property. The building is a prominent example of early 20th-century Italian rationalist architecture, notable for its widespread use of innovative materials such as glass brick, clinker brick and linoleum, and is also the first Italian building with a welded metal structural frame. The building occupies a little more than two-thirds of a city block, consisting of a 9-storey low-rise section, and a 19-storey high-rise section reaching 87 metres at its roof, upon which rises an antenna tower, giving the building a total height of 109 metres; until 1940 it was the tallest continuously habitable building in Italy. During World War II its roof mounted one of the 58 air raid sirens in Turin, and the building sustained minor damage during the bombing of 13 July 1943. The height of the building, in proximity to the Royal Palace of Turin, was regarded as a statement of Fascist dominance over the Italian Royal House of Savoy, and over the years the building has been derided as "an eyesore", "the finger of Duce", "the mobile phone" and "the arrogant tower".