Pulteney Bridge

Argyle Street (formerly Argyle Buildings) is a historic street in the centre of Bath, England located between Pulteney Bridge and Laura Place.

The Empire Hotel in Bath, Somerset, England was built in 1901 and has been designated as a Grade II listed building. It is situated on Orange Grove close to both Bath Abbey and Pulteney Bridge. It was designed by the Bath City Architect Major Charles Edward Davis for the hotelier Alfred Holland and built from Bath Stone, on the site of the Athenaeum. It was described by Sir Nikolaus Pevsner as a ‘monstrosity and an unbelievable piece of pompous architecture’.The building occupies a large L-shaped block. It is six storeys high plus the octagonal corner tower. The front of the building onto Orange Grove has eight bays and the side overlooking the River Avon has nine bays.The architecture of the roof shows the three classes of people, a castle on the corner for upper class, a house for the middle classes and a cottage for the lower classes.During World War II it was used by the Admiralty as a postal sorting office and remained in their possession until the 1990s. In 1996 it was then refurbished and became apartments and a restaurant.

The Victoria Art Gallery is a public art museum in Bath, Somerset, England. It was opened in 1900 to commemorate Queen Victoria's diamond jubilee. It is a Grade II* listed building and houses over 1,500 objects of art including a collection of oil paintings from British artists dating from 1700 onwards. The ground floor was at one time a public library.

Guildhall is an 18th-century municipal building in central Bath, Somerset, England. It is a Grade I listed building.

The Corridor is one of the world's earliest retail arcades, designed by architect Henry Goodridge and built in 1825, in Bath, Somerset, England. The fashion for arranging shops in arcades arose in Paris in the late 18th Century. The Corridor followed the trend set by London's Burlington Arcade. The Grade II listed arcade has a glass roof. The High Street end has a Doric colonnade. Each end has marble columns.A musicians gallery, with a wrought iron balustrade and gilt lions heads and garlands, is in the centre of the arcade.Number 7 was the photographic studio of William Friese-Greene.

Johnstone Street in the Bathwick area of Bath, Somerset, England was designed in 1788 by Thomas Baldwin, with some of the buildings being completed around 1805-1810 by John Pinch the elder. Number 1 was built in 1794 with numbers 2 to 8 being completed around 1805, with numbers 9 to 15 being completed between 1794 and 1801.The terrace proves a consistent style of three storey houses, which complement the surrounding Georgian buildings and layout of Laura Place, Great Pulteney Street and Henrietta Street.William Pitt lived at number 15 in 1802.

Henrietta Street in the Bathwick area of Bath, Somerset, England was built around 1785 by Thomas Baldwin. Numbers 1 to 35 were built together in a terrace with a consistent style of 3 storey houses. They complement the surrounding Georgian buildings and layout of Laura Place, Great Pulteney Street and Johnstone Street.

The buildings and architecture of Bath, a city in Somerset in the south west of England, reveal significant examples of the architecture of England, from the Roman Baths (including their significant Celtic presence), to the present day. The city became a World Heritage Site in 1987, largely because of its architectural history and the way in which the city landscape draws together public and private buildings and spaces. The many examples of Palladian architecture are purposefully integrated with the urban spaces to provide "picturesque aestheticism". In 2021, the city was added to a second World Heritage Site, a group of historic spa towns across Europe known as the "Great Spas of Europe". Bath is the only entire city in Britain to achieve World Heritage status, and is a popular tourist destination. Important buildings include the Roman Baths; neoclassical architect Robert Adam's Pulteney Bridge, based on an unused design for the Rialto Bridge in Venice; and Bath Abbey in the city centre, founded in 1499 on the site of an 8th-century church. Of equal importance are the residential buildings designed and built into boulevards and crescents by the Georgian architects John Wood, the Elder and his son John Wood, the Younger – well-known examples being the Royal Crescent, built around 1770, and The Circus, built around 1760, where each of the three curved segments faces one of the entrances, ensuring that there is always a classical facade facing the entering visitor. Most of Bath's buildings are made from the local, golden-coloured, Bath Stone. The dominant architectural style is Georgian, which evolved from the Palladian revival style that became popular in the early 18th century. The city became a fashionable and popular spa and social centre during the 18th century. Based initially around its hot springs, this led to a demand for substantial homes and guest houses. The key architects, John Wood and his son, laid out many of the city's present-day squares and crescents within a green valley and the surrounding hills. According to UNESCO this provided... "an integration of architecture, urban design, and landscape setting, and the deliberate creation of a beautiful city". Development during modern eras, including the development of the transport infrastructure and rebuilding after bomb damage during World War II, has mostly been in keeping with earlier styles to maintain the integrated cityscape.

The Abbey Church of Saint Peter and Saint Paul, commonly known as Bath Abbey, is a parish church of the Church of England and former Benedictine monastery in Bath, Somerset, England. Founded in the 7th century, it was reorganised in the 10th century and rebuilt in the 12th and 16th centuries; major restoration work was carried out by Sir George Gilbert Scott in the 1860s. It is one of the largest examples of Perpendicular Gothic architecture in the West Country. The medieval abbey church served as a sometime cathedral of a bishop. After long contention between churchmen in Bath and Wells the seat of the Diocese of Bath and Wells was later consolidated at Wells Cathedral. The Benedictine community was dissolved in 1539 during the Dissolution of the Monasteries.The church architecture is cruciform in plan and can seat up to 1,200 patrons. An active place of worship, it also hosts civic ceremonies, concerts and lectures. There is a heritage museum in the cellars. The abbey is a Grade I listed building, particularly noted for its fan vaulting. It contains war memorials for the local population and monuments to several notable people, in the form of wall and floor plaques and commemorative stained glass. The church has two organs and a peal of ten bells. The west front includes sculptures of angels climbing to heaven on two stone ladders, representing Jacob's Ladder.

St Michael's Church is a Church of England parish church in Bath, Somerset.

Marshal Wade's House at 14 Abbey Church Yard, Bath, Somerset, England was built around 1700 and has been designated as a Grade I listed building.The building was originally attributed to Lord Burlington and thought to have been built in 1730, however it is now thought to have been an earlier construction, for George Wade who was a Field Marshal and served as a British military commander and Commander-in-Chief of the Forces, as well as Member of Parliament for Bath from 1722 to 1747. The Palladian nature of the architecture is emphasised by the 5 fluted Ionic pilasters on the first and second floors. Furthermore, the building uses standard Georgian period sash windows with multiple panes and a moulded cornice. The construction was inspired by Inigo Jones' house in Covent Garden, London.The shop on the ground floor was an early 19th-century development which is now occupied by the National Trust. The ground floor was converted to retail use and has a Regency era shopfront which includes an elaborate fascia and delicate Regency trimmings.The house was acquired by the Landmark Trust in 1975 who have carried out various renovation work and now let out the property. The ground floor is currently in retail use and is open to the public. However, the upper levels offer no public access.