Empire Hotel, Bath

The Old Police Station is a Grade II listed building in Bath, Somerset, England. Completed in 1865, to a design by Charles Edward Davis, it stands in Orange Grove, adjacent (to the southwest) to Bath's Empire Hotel, although it pre-dates that building by around fifty years. The police station opened on 19 January 1866. A 19th-century archway connecting the building to the rear of the adjacent (to the southwest) Guildhall, in which the police station was formerly located, is also listed. The building, which contains a garage for one fire engine, is two storeys high and three bays wide. It became disused when the police station moved to Manvers Street in the 1970s. It became a restaurant in 1998. Today, the building is the home of Browns Bar & Brasserie.

Orange Grove is a park in Bath, Somerset, England. Situated on a roundabout, the park occupies the former churchyard of Bath Priory. Orange Grove became a public space on 1572 and was landscaped around 200 years later. Today, it is home to Alkmaar Garden, which was established after World War II to honour the link between the cities of Bath and Alkmaar in the Netherlands. In the centre of the park is an obelisk commemorating the Prince of Orange's visit to Bath in 1734. It was erected by Beau Nash. Orange Grove is also the name of the street bounding the park immediately to the north, on which stands the Old Police Station and the Empire Hotel.

Pulteney Bridge is a bridge over the River Avon in Bath, England. It was completed by 1774, and connected the city with the land of the Pulteney family which it wished to develop. Designed by Robert Adam in a Palladian style, it is highly unusual in that it has shops built across its full span on both sides. It has been designated as a Grade I listed building.Within 20 years of its construction, alterations were made that expanded the shops and changed the façades. By the end of the 18th century, it had been damaged by floods, but was rebuilt to a similar design. Over the next century alterations to the shops included cantilevered extensions on the bridge's north face. In the 20th century, several schemes were carried out to preserve the bridge and partially return it to its original appearance, enhancing its appeal as a tourist attraction. The bridge is now 45 metres (148 ft) long and 18 metres (58 ft) wide. Although there have been plans to pedestrianise the bridge, it is still used by buses and taxis. The much photographed bridge and weir below are close to the centre of the city, a World Heritage Site, renowned for its Georgian architecture.

The Victoria Art Gallery is a public art museum in Bath, Somerset, England. It was opened in 1900 to commemorate Queen Victoria's diamond jubilee. It is a Grade II* listed building and houses over 1,500 objects of art including a collection of oil paintings from British artists dating from 1700 onwards. The ground floor was at one time a public library.

Guildhall is an 18th-century municipal building in central Bath, Somerset, England. It is a Grade I listed building.

The buildings and architecture of Bath, a city in Somerset in the south west of England, reveal significant examples of the architecture of England, from the Roman Baths (including their significant Celtic presence), to the present day. The city became a World Heritage Site in 1987, largely because of its architectural history and the way in which the city landscape draws together public and private buildings and spaces. The many examples of Palladian architecture are purposefully integrated with the urban spaces to provide "picturesque aestheticism". In 2021, the city was added to a second World Heritage Site, a group of historic spa towns across Europe known as the "Great Spas of Europe". Bath is the only entire city in Britain to achieve World Heritage status, and is a popular tourist destination. Important buildings include the Roman Baths; neoclassical architect Robert Adam's Pulteney Bridge, based on an unused design for the Rialto Bridge in Venice; and Bath Abbey in the city centre, founded in 1499 on the site of an 8th-century church. Of equal importance are the residential buildings designed and built into boulevards and crescents by the Georgian architects John Wood, the Elder and his son John Wood, the Younger – well-known examples being the Royal Crescent, built around 1770, and The Circus, built around 1760, where each of the three curved segments faces one of the entrances, ensuring that there is always a classical facade facing the entering visitor. Most of Bath's buildings are made from the local, golden-coloured, Bath Stone. The dominant architectural style is Georgian, which evolved from the Palladian revival style that became popular in the early 18th century. The city became a fashionable and popular spa and social centre during the 18th century. Based initially around its hot springs, this led to a demand for substantial homes and guest houses. The key architects, John Wood and his son, laid out many of the city's present-day squares and crescents within a green valley and the surrounding hills. According to UNESCO this provided... "an integration of architecture, urban design, and landscape setting, and the deliberate creation of a beautiful city". Development during modern eras, including the development of the transport infrastructure and rebuilding after bomb damage during World War II, has mostly been in keeping with earlier styles to maintain the integrated cityscape.

Marshal Wade's House at 14 Abbey Church Yard, Bath, Somerset, England was built around 1700 and has been designated as a Grade I listed building.The building was originally attributed to Lord Burlington and thought to have been built in 1730, however it is now thought to have been an earlier construction, for George Wade who was a Field Marshal and served as a British military commander and Commander-in-Chief of the Forces, as well as Member of Parliament for Bath from 1722 to 1747. The Palladian nature of the architecture is emphasised by the 5 fluted Ionic pilasters on the first and second floors. Furthermore, the building uses standard Georgian period sash windows with multiple panes and a moulded cornice. The construction was inspired by Inigo Jones' house in Covent Garden, London.The shop on the ground floor was an early 19th-century development which is now occupied by the National Trust. The ground floor was converted to retail use and has a Regency era shopfront which includes an elaborate fascia and delicate Regency trimmings.The house was acquired by the Landmark Trust in 1975 who have carried out various renovation work and now let out the property. The ground floor is currently in retail use and is open to the public. However, the upper levels offer no public access.

Argyle Street (formerly Argyle Buildings) is a historic street in the centre of Bath, England located between Pulteney Bridge and Laura Place.

The Abbey Church of Saint Peter and Saint Paul, commonly known as Bath Abbey, is a parish church of the Church of England and former Benedictine monastery in Bath, Somerset, England. Founded in the 7th century, it was reorganised in the 10th century and rebuilt in the 12th and 16th centuries; major restoration work was carried out by Sir George Gilbert Scott in the 1860s. It is one of the largest examples of Perpendicular Gothic architecture in the West Country. The medieval abbey church served as a sometime cathedral of a bishop. After long contention between churchmen in Bath and Wells the seat of the Diocese of Bath and Wells was later consolidated at Wells Cathedral. The Benedictine community was dissolved in 1539 during the Dissolution of the Monasteries.The church architecture is cruciform in plan and can seat up to 1,200 patrons. An active place of worship, it also hosts civic ceremonies, concerts and lectures. There is a heritage museum in the cellars. The abbey is a Grade I listed building, particularly noted for its fan vaulting. It contains war memorials for the local population and monuments to several notable people, in the form of wall and floor plaques and commemorative stained glass. The church has two organs and a peal of ten bells. The west front includes sculptures of angels climbing to heaven on two stone ladders, representing Jacob's Ladder.

The Corridor is one of the world's earliest retail arcades, designed by architect Henry Goodridge and built in 1825, in Bath, Somerset, England. The fashion for arranging shops in arcades arose in Paris in the late 18th Century. The Corridor followed the trend set by London's Burlington Arcade. The Grade II listed arcade has a glass roof. The High Street end has a Doric colonnade. Each end has marble columns.A musicians gallery, with a wrought iron balustrade and gilt lions heads and garlands, is in the centre of the arcade.Number 7 was the photographic studio of William Friese-Greene.

The Parade Gardens is a grade II listed park in Bath, Somerset, England. The gardens are situated to the south of the Empire Hotel, Bath and 250 yards to the east of Bath Abbey.There is a small fee to enter Parade Gardens or residents with a Discovery Card have free access. There is also a cafe on site.

Ralph Allen's Town House is a grade I listed townhouse in Bath, Somerset, England. Ralph Allen commenced building it in or shortly after 1727, although it is unlikely he ever lived there. At the time Allen was living in Lilliput Alley, in a house of some 15 rooms, then known as "Lease 7 on the Kingston rental (Countess of Kingston on Hull)", which is now 1 and 2 North Parade Passage. In 1745, Allen moved to Prior Park. His brother Phillip took over the Kingston Lease and continued to run the Postal business.Opinion is divided as to whether John Wood the Elder designed the "Town House", however the ostentatious decoration is not a style he uses elsewhere in Bath. Richard Boyle, 3rd Earl of Burlington, has also been suggested as the architect. The enhanced decoration with rustication, Corinthian pillars and decorated pediment may have been incorporated purely to demonstrate the fine carving qualities of Bath Stone.John Wood the Elder, in his 1742 writing in his Essay towards the future of Bath he says: While Mr. Allen was making the Addition to the North Part of his House in Lilliput Alley he new fronted and raised the old Building a full Story higher; it consists of a Basement Story sustaining a double Story under the Crowning; and this is surmounted by an Attick, which created a sixth Rate House, and a Sample for the greatest Magnificence that was ever proposed by me for our City Houses. Because of the modern use of "magnificent" it is often thought that in this passage Wood is referring to the Town House. But elsewhere in his Essay, Wood explains that his use of magnificence refers to size. He refers to decoration as "ornament" or "dress". A closer examination of Wood's words and the number of floors in the Town House reveal that he was not referring to this building. A 6th rate house is the largest in Wood's list. The Town House does not comply with his description. Wood was talking about the House in Lilliput Alley where Allen was then living.