175 West Broadway

Tribeca (), originally written as TriBeCa, is a neighborhood in Lower Manhattan in New York City. Its name is a syllabic abbreviation of "Triangle Below Canal Street". The "triangle" (more accurately a quadrilateral) is bounded by Canal Street, West Street, Broadway, and Chambers Street. By the 2010s, a common marketing tactic was being used to extend Tribeca's southern boundary to either Vesey or Murray streets to increase the appeal of property listings.The neighborhood began as farmland, then was a residential neighborhood in the early 19th century, before becoming a mercantile area centered on produce, dry goods, and textiles, and then transitioning to artists and then actors, models, entrepreneurs and other celebrities. The neighborhood is home to the Tribeca Film Festival, which was created in response to the September 11 attacks, to reinvigorate the neighborhood and downtown after the destruction caused by the terrorist attacks.Tribeca is part of Manhattan Community District 1, and its primary ZIP Codes are 10007 and 10013. It is patrolled by the 1st Precinct of the New York City Police Department.

56 Leonard Street (known colloquially as the Jenga Building or Jenga Tower ) is an 821-foot-tall (250 m), 57-story skyscraper on Leonard Street in the neighborhood of Tribeca in Manhattan, New York, United States. The building was designed by the Swiss architecture firm Herzog & de Meuron, which describes the building as "houses stacked in the sky." It is the tallest structure in Tribeca.The building has 145 condominium residences priced between US$3.5 million and US$50 million. Residences range in size from 1,418 to 6,400 square feet (131.7 to 594.6 m2) and include two to five bedrooms all with private outdoor spaces. As of May 2013, 70% of the building had sold. According to building developer Izak Senbahar, the building was 92% sold in seven months. In June 2013, a penthouse at 56 Leonard went into contract for US$47 million, making it the most expensive residential property ever sold below Midtown Manhattan. The building was completed in 2017.

New York Law School (NYLS) is a private law school in Tribeca, New York City. NYLS has a full-time day program and a part-time evening program. NYLS's faculty includes 54 full-time and 59 adjunct professors. Notable faculty members include Edward A. Purcell Jr., an authority on the history of the United States Supreme Court, and Nadine Strossen, constitutional law expert and president of the American Civil Liberties Union from 1991 to 2008. Prominent NYLS alumni include Maurice R. Greenberg, former Chairman and CEO of American International Group Inc. and current Chairman and CEO of C.V. Starr and Co. Inc.; Charles E. Phillips Jr., CEO of Infor and former President of Oracle; and Judith "Judge Judy" Sheindlin, New York family court judge, author, and television personality. Other past graduates include United States Supreme Court Justice John Marshall Harlan II and Wallace Stevens, the Pulitzer Prize-winning poet. According to ABA-required disclosures, 88.2% of the NYLS class of 2015 had obtained employment 10 months after graduation, and 69% of the 2015 class had obtained long-term, full-time JD-required or JD-Advantage employment.

The Odeon is a restaurant in New York City. The restaurant opened in 1980, in space previously occupied by Towers Cafeteria. The restaurant was founded by Lynn Wagenknecht, Keith McNally, and Brian McNally. Wagenknecht continues to run the restaurant. Wagenknecht has characterized the restaurant as a brasserie.

60 Hudson Street, formerly known as the Western Union Building, is a 24-story office tower in the Tribeca neighborhood of Manhattan in New York City. Built in 1928–1930, it was one of several Art Deco-style buildings designed by Ralph Thomas Walker of Voorhees, Gmelin and Walker for telecommunications in the early 20th century. 60 Hudson Street spans the entire block between Hudson Street, Thomas Street, Worth Street, and West Broadway. 60 Hudson Street is 371 feet (113 m) tall. Its design shows the influence of Dutch and German Expressionism, with Art Deco detailing. The building's shape features asymmetrical massing and numerous setbacks. The brick facade uses a gradient color scheme with nineteen distinct hues, moving from darker shades to lighter ones as the building rises, and several ornate entrances at ground level lead to a barrel-vaulted brick lobby. 60 Hudson Street was initially the headquarters of Western Union, and its construction was commissioned by Western Union president Newcomb Carlton. The building was described as the world's largest telegraph building upon its opening, and served as the combined headquarters for all of Western Union's divisions, which were scattered across New York City prior to the building's completion. Though Western Union relocated elsewhere in 1973, its former headquarters remains a communications center, and since the late 20th century, has housed a colocation center, making it one of the most important Internet hubs in the world. The exterior and lobby were designated as official New York City landmarks in 1991.

The Franklin Street station is a local station on the IRT Broadway–Seventh Avenue Line of the New York City Subway, located at the intersection of Franklin Street, Varick Street, and West Broadway. It is served by the 1 train at all times and by the 2 train during late nights. The station was built by the Interborough Rapid Transit Company (IRT) as part of the Dual Contracts with New York City, and opened on July 1, 1918. The station had its platforms extended in the 1960s, and was renovated in the early 1990s.

Franklin Street was a station on the demolished IRT Sixth Avenue Line in Manhattan, New York City. It was located at Franklin Street and West Broadway, and it had two tracks and two side platforms. There was space for two additional tracks in the station. South of the station there are two additional tracks that served to layup trains.

The New York Academy of Art is a private art school in Tribeca, New York City. The academy offers a Master of Fine Arts degree with a focus on technical training and critical discourse as well as a Post-baccalaureate Certificate of Fine Art. The school annually hosts two public events: the TriBeCa Ball and the fund-raising auction Take Home a Nude, both known to attract high profile guests.

Rosanjin was a Michelin-starred restaurant in New York City.

33 Thomas Street (formerly the AT&T Long Lines Building) is a 550-foot-tall (170 m) windowless skyscraper in Tribeca, Lower Manhattan, New York City. It stands on the east side of Church Street, between Thomas Street and Worth Street. The building is an example of the Brutalist architectural style. It is a telephone exchange or wire center building which contained three major 4ESS switches used for interexchange (long distance) telephony, as well as a number of other switches used for competitive local exchange carrier services. However, it is not used for incumbent local exchange carrier services, and is not a central office. The CLLI code for this facility is NYCMNYBW. The building has also been described as the likely location of a National Security Agency (NSA) mass surveillance hub codenamed TITANPOINTE.

The Textile Building is a 14-story building at 66 Leonard Street and 239–245 Church Street in the Tribeca neighborhood of Manhattan, New York City.

El Internacional Tapas Bar & Restaurant was conceived as an artistic project and social experiment, carried out between 1984 and 1986 by artist Antoni Miralda and chef Montse Guillén in the Tribeca neighborhood of Manhattan, New York City. It was an initiative which blended contemporary art and cuisine. The restaurant's became an iconic symbol of the New York scene of the 80s. The project engaged food, sensorial experiences and installation art as vehicles and rituals for transmitting and subverting traditions and blending social practices of the time. El Internacional was seen as a point of convergence for the artistic community, and, at the same time, as a real place that engaged neighbors and celebrities alike in its culinary inventions and exotic allure. El Internacional was an ongoing process of the almost 3-year day-by-day creation of a work of installation and performance art. El Internacional was a team project and a collective work of art. The space framed the experience and interactions around food as clients ended up being participants in a multi-layered experience few had imagined. The visit led to unexpected situations and stimulating relationships between art, design, architecture and the mass media.