Teatro Quirino

The Italian National Anti-Corruption Authority (Italian: Autorità Nazionale AntiCorruzione) is an Italian independent administrative authority tasked with combating corruption in the country.

Santa Rita da Cascia alle Vergini is a Roman Catholic church in Rome, sited at the corner of Via delle Vergini and Via dell’Umiltà. Diagonal from the church on Via delle Vergini is the Teatro Quirino.

The Via Salaria was an ancient Roman road in Italy. It eventually ran from Rome (from Porta Salaria of the Aurelian Walls) to Castrum Truentinum (Porto d'Ascoli) on the Adriatic coast, a distance of 242 km. The road also passed through Reate (Rieti) and Asculum (Ascoli Piceno). Strada statale 4 Via Salaria (SS4) is the modern state highway that maintains the old road's name and runs on the same path from Rome to the Adriatic sea.

The Oratorio del Santissimo Crocifisso or the Oratory of the Most Holy Crucifix is a building in central Rome, Italy. Located next to the church of San Marcello al Corso, it served as a prayer hall and meeting house for the Archconfraternity of the Most Holy Crucifix (Arciconfraternita del Santissimo Crocifisso in Urbe). It is best known, like the Oratorio del Gonfalone, which shares the same artists, for its Mannerist decorations. The structure was built by Giacomo Della Porta in 1568, near the church of San Marcello, for the Confraternity of Crucifix, founded to venerate the Crucifix (crocefisso) from the nearby church. The confraternity was composed of some of the richest men in Rome, including the cardinals Ranuccio and Alessandro Farnese, nephews of the Pope. The theme of the interior decoration is the Triumph of the Cross. It employed Giovanni de' Vecchi, Cesare Nebbia, Niccolò Circignani, and Cristoforo Roncalli. It was also host of musical concerts, starting in 1639, when the first performances of fifteen musical oratorios [oratories] by Giacomo Carissimi and Emilio de' Cavalieri occurred here.

The Casa Santa Maria (in full, Casa Santa Maria dell'Umiltà) is a residence in Rome, Italy that serves English-speaking priests who are sent by their dioceses for graduate level studies in the city. It is a part of the Pontifical North American College, and served as its main campus from its founding in 1859 until the construction of a new campus on the Janiculum Hill in 1953. It also houses the Bishops' Office for United States Visitors to the Vatican.

Pigna [ˈpiɲɲa] is the 9th rione of Rome, identified by the initials R. IX, and belongs to the Municipio I. The name means "pine cone" in Italian, and the symbol of the rione is the colossal bronze pine cone, that stand above the Pigna. The fountain, that was initially located in the Baths of Agrippa, now decorates a vast niche in the wall of the Vatican facing the Cortile della Pigna, located in Vatican City.

The Church of the Madonna dell'Archetto (English: Our Lady of the Little Arch) is a small oratory in Rome, Italy, in the Trevi rione. The official title of the church is Santa Maria Causa Nostrae Laetitiae (English: Holy Mary, Cause of Our Joy). It is often cited as being the smallest church in Rome.

The Trevi Fountain (Italian: Fontana di Trevi) is an 18th-century fountain in the Trevi district in Rome, Italy, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini and several others. Standing 26.3 metres (86 ft) high and 49.15 metres (161.3 ft) wide, it is the largest Baroque fountain in the city and one of the most famous fountains in the world. The fountain has appeared in several films, including Roman Holiday (1953), the eponymous Three Coins in the Fountain (1954), Federico Fellini's classic La Dolce Vita (1960), Sabrina Goes to Rome (1998), and The Lizzie McGuire Movie (2003).

Santa Maria in Trivio is a church in Rome. It is dedicated to Mary, mother of Jesus, and is located on Piazza dei Crociferi in rione Trevi. It is near the Fountain of Trevi. In Mariano Vasi's 19th-century guidebook, the church is referred to as Santa Maria a Trevi. According to tradition, the church was founded by the Byzantine general Belisarius in the 6th century. Allegedly, he found the church to expiate for deposing Pope Silverius in 537. Previously the church had been known as Santa Maria in Fornica. This was recorded in an 11th-century inscription on the wall of the church.In 1571 the church was given to the Order of the Crociferi. Between 1573 and 1575 the architect Giacomo del Duca rebuilt the church, designing e.g. the innovative pediment above the entrance door. The crucifix in the chapel was decorated by Giovanni Francesco Bolognese. The altarpiece of St Camillo de Lellis was painted by Gasparo Serenari. The main altarpiece was painted by Bartolommeo Morelli. Other altarpieces in side altars were by the studio of Palma il Giovane, Luigi Scaramuccia, and Pietro Perugino. The ceiling was painted by Antonio Gherardi.

The Palazzo Poli is a palace in Rome, Italy, that was altered to form the backdrop to the Trevi Fountain. The central portion of the palace was demolished to provide room for the large fountain in 1730. As a setting for the fountain, Luigi Vanvitelli gave the building a new monumental facade that contains the giant order of Corinthian pilasters linking the two main storeys of the palace.In the 1830s, Princess Zinaida Volkonskaya threw lavish parties in this palace. The Palazzo Poli houses a collection of copper engraving plates dated from the sixteenth century to the present. The Palazzo also houses the Istituto Nazionale per la Grafica.

The Istituto Nazionale per la Grafica (National Institute for the Graphic Design) is an Italian institute having the aim of preserving, protecting and promote a heritage of works providing documentary evidence of all types of graphic design: prints, drawings, photographs. The institute is located in Rome and is managed by the Directorate-General for Contemporary Landscape, Arts and Architecture of the Italian Ministry of Cultural Heritage and Activities. The institute is housed in the monumental complex of Trevi Fountain, consisting of Palazzo Poli and neighbouring Palazzo della Calcografia, built in 1837 by architect Giuseppe Valadier as headquarters of the Chamber Intaglio, directed by Valadier himself for decades. The historic Palazzo Poli was purchased in 1978 by the Italian State, with the very purpose of unifying the National Intaglio and the National Cabinet of Prints, which in 1975 were merged into the present institute.

The Palazzo Muti (officially the Palazzo Muti e Santuario della Madonna dell' Archetto) is a large townhouse in the Piazza dei Santi Apostoli, Rome, Italy, built in 1644. Together with the neighboring Palazzo Muti Papazzurri, it originally formed part of a complex of adjoining palazzi and other houses owned by the Muti Papazzurri family. During the 18th century this entire range of buildings was, by courtesy of the Pope, the residence of the exiled Stuart dynasty while in exile in Rome. They were recognised by the Catholic Church as the rightful kings of Great Britain and Ireland. The Palazzo Muti should not be confused with the Palazzo Muti Papazzurri in the Piazza della Pilotta which was designed by Mattia de' Rossi in 1660.