Biblioteca Marciana

The Zecca (English: Mint) is a sixteenth-century building in Venice, Italy which once housed the mint of the Republic of Venice. Built between 1536 and 1548, the heavily rusticated stone structure, originally with only two floors, was designed by Jacopo Sansovino in place of an earlier mint specifically to ensure safety from fire and to provide adequate security for the silver and gold deposits. Giorgio Vasari considered it the finest, richest, and strongest of Sansovino's buildings ("...bellissimo, ricchissimo, e fortissimo edificio de' suoi è la Zecca di Venezia...").Coin production continued after the fall of the Republic of Venice in 1797 but ceased in 1852 during the second period of Austrian domination (1814–1866). The building was subsequently adapted and served as the seat for the Chamber of Commerce from 1872 until 1900. Since 1904, it has housed the main part of the Marciana Library whose historical building, next door is now largely a museum.

Lectionary 142, designated by siglum ℓ 142 (in the Gregory-Aland numbering) is a Greek manuscript of the New Testament, on parchment leaves. Paleographically it has been assigned to the 14th century.

The National Archaeological Museum (Italian: Museo Archeologico Nazionale di Venezia) is a museum located right on Piazza San Marco in Venice. The National Archaeological Museum was established in 1523 by Cardinal Domenico Grimani. This Museum has a great collection of Greek and Roman sculptures, ceramics, coins and stones dating back as far as the 1st Century B.C. Some of the archeological collections from the Correr Museum are also housed here. Visitors can also view the vases, ivories, portraits of ancient Roman emperors, marbles and busts, gems and jewelry in the museum. There are relics of Assyro-Babylonian, Greek, Tuscan, Roman and Egyptian origins from the Neolithic age. Visitors can also see the Armenian-Venetian collection, legal texts dating back to the 17th Century, and bilingual dictionaries.

Columns of San Marco and San Teodoro are two columns in Piazza San Marco, Venice, Italy. They comprise the Column of the Lion and the Column of San Todaro. The sculpture Lion of Venice surmounts Column of the Lion.

St Mark's Campanile (Italian: Campanile di San Marco, Venetian: Canpanièl de San Marco) is the bell tower of St Mark's Basilica in Venice, Italy. The current campanile is a reconstruction completed in 1912, the previous tower having collapsed in 1902. At 98.6 metres (323 ft) in height, it is the tallest structure in Venice and is colloquially termed "el paròn de casa" (the master of the house). It is one of the most recognizable symbols of the city.Located in Saint Mark's Square near the mouth of the Grand Canal, the campanile was initially intended as a watchtower to sight approaching ships and protect the entry to the city. It also served as a landmark to guide Venetian ships safely into harbour. Construction began in the early tenth century and continued sporadically over time as the tower was slowly raised in height. A belfry and a spire were first added in the twelfth century. In the fourteenth century the spire was gilded, making the tower visible to distant ships in the Adriatic. The campanile reached its full height in 1514 when the belfry and spire were completely rebuilt on the basis of an earlier Renaissance design by Giorgio Spavento. Historically, the bells served to regulate the civic and religious life of Venice, marking the beginning, pauses, and end of the work day; the convocation of government assemblies; and public executions. The campanile stands alone in the square, near the front of St Mark's Basilica. It has a simple form, recalling its early defensive function, the bulk of which is a square brick shaft with lesenes, 12 metres (39 ft) wide on each side and 50 metres (160 ft) tall. The belfry is topped by an attic with effigies of the Lion of St Mark and allegorical figures of Venice as Justice. The tower is capped by a pyramidal spire at the top of which there is a golden weather vane in the form of the archangel Gabriel.

The Loggetta is a small, richly decorated building at the base of the bell tower in Saint Mark's Square, Venice, Italy. Built by Jacopo Sansovino between 1538 and 1546, it served at various times as a gathering place for nobles and for meetings of the procurators of Saint Mark, the officials of the Venetian Republic who were responsible principally for the administration of the treasury of the Church of Saint Mark and for the public buildings around Saint Mark's Square. Because of its location directly in front of the Porta della Carta, the most important entry to the Doge's Palace, the loggetta was also used from 1569 onward as a sentry post to provide security for the assembled nobles during the meetings of the Great Council: three procurators were to be present, assisted by an armed squadron of workers from the Arsenal, the government shipyard, in order to counter any popular assault and respond to any fire. Beginning in 1734, it was additionally the site for the extraction of winning tickets in the public lottery.The loggetta was largely destroyed in the collapse of the bell tower in 1902, but it was rebuilt using what original material could be salvaged, amounting to about half of the present building. At the same time the sides, which had originally been left in plain brick as other lean-to structures backed onto them, were rebuilt in the style of the main facade. The building serves as the entrance to the tower elevator.

Founded following the resolution passed by the Municipal Council Board of Venice on March 3, 2008, the Fondazione Musei Civici di Venezia (MUVE) manages and develops the cultural and artistic heritage of Venice and islands. Formed as a participatory foundation, it has only one founding member, the City of Venice.

The Royal Palace of Venice (Italian: Palazzo Reale di Venezia) is a complex of buildings located in the central St. Mark's Square of Venice, Italy, which served as the residence for Napoleonic viceroys, the kings of Lombardy-Venetia, Austrian viceroys, and finally, the monarchs of unified Italy. The use and successive modifications of the Royal Palace began in 1807 and ended in 1919 when King Victor Emmanuel III ceded the building to the Italian State. Currently, the complex is divided between the National Library of Venice, the Archaeological Museum, and the Correr Museum.

The Portrait of the Four Tetrarchs is a porphyry sculpture group of four Roman emperors dating from around 300 AD. The sculptural group has been fixed to a corner of the façade of St Mark's Basilica in Venice, Italy since the Middle Ages. It probably formed part of the decorations of the Philadelphion in Constantinople, and was removed to Venice in 1204 or soon after. Spolia from the Fourth Crusade, the statues were originally designed as two separate sculptures, each consisting of a pair of armoured late Roman emperors embracing one another. The paired statues stand on plinths supported by a console of the same stone, and their backs are engaged in the remains of large porphyry columns to which the statues were once attached, carved all of a piece. The columns no longer exist, and one emperor pair is missing part of the plinth and an emperor's foot, which has been found in Istanbul. One statue pair has been sliced vertically and is missing a large portion of the right-hand emperor's right side, while another vertical slice divides the two figures and has sawn through their embracing arms. The Portrait of the Four Tetrarchs probably depicts the four rulers of the Empire instituted by Emperor Diocletian – the first Tetrarchy. He appointed as co-augustus Maximian; they chose Galerius and Constantius I as their caesares; Constantius was father to Constantine the Great. There is disagreement as to the identity of these statues and their placement, but it is suggested that the Eastern rulers form a pair and the Western rulers form the other pair, each pair consisting of the senior augustus and the junior caesar. Another possibility is that the two augusti are depicted in one pair and the two caesares in the other. A third, older theory is that they represent a dynastic group of the Constantinian dynasty.

The Doge's Palace (Italian: Palazzo Ducale; Venetian: Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia.

Caffè Florian is a coffee house situated in the Procuratie Nuove of Piazza San Marco, Venice. It was established in 1720 and is the oldest coffee house in continuous operation in Italy, and one of the oldest in the world (the oldest being Café Procope founded in Paris in 1686).

The Horses of Saint Mark (Italian: Cavalli di San Marco), also known as the Triumphal Quadriga or Horses of the Hippodrome of Constantinople, is a set of bronze statues of four horses, originally part of a monument depicting a quadriga (a four-horse carriage used for chariot racing). The horses were placed on the facade, on the loggia above the porch, of St Mark's Basilica in Venice, northern Italy after the sack and looting of Constantinople in 1204. They remained there until looted by Napoleon in 1797 but were returned in 1815. The sculptures have been removed from the facade and placed in the interior of St Mark's for conservation purposes, with replicas in their position on the loggia.