Fondazione Musei Civici di Venezia

The Royal Palace of Venice (Italian: Palazzo Reale di Venezia) is a complex of buildings located in the central St. Mark's Square of Venice, Italy, which served as the residence for Napoleonic viceroys, the kings of Lombardy-Venetia, Austrian viceroys, and finally, the monarchs of unified Italy. The use and successive modifications of the Royal Palace began in 1807 and ended in 1919 when King Victor Emmanuel III ceded the building to the Italian State. Currently, the complex is divided between the National Library of Venice, the Archaeological Museum, and the Correr Museum.

Caffè Florian is a coffee house situated in the Procuratie Nuove of Piazza San Marco, Venice. It was established in 1720 and is the oldest coffee house in continuous operation in Italy, and one of the oldest in the world (the oldest being Café Procope founded in Paris in 1686).

Piazza San Marco (Italian pronunciation: [ˈpjattsa sam ˈmarko]; Venetian: Piasa San Marco), often known in English as St Mark's Square, is the principal public square of Venice, Italy, where it is generally known just as la Piazza ("the Square"). All other urban spaces in the city (except the Piazzetta and the Piazzale Roma) are called campi ("fields"). The Piazzetta ("little Piazza/Square") is an extension of the Piazza towards San Marco basin in its southeast corner (see plan). The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of them. A remark usually attributed (though without proof) to Napoleon calls the Piazza San Marco "the drawing room of Europe".

St Mark's Campanile (Italian: Campanile di San Marco, Venetian: Canpanièl de San Marco) is the bell tower of St Mark's Basilica in Venice, Italy. The current campanile is a reconstruction completed in 1912, the previous tower having collapsed in 1902. At 98.6 metres (323 ft) in height, it is the tallest structure in Venice and is colloquially termed "el paròn de casa" (the master of the house). It is one of the most recognizable symbols of the city.Located in Saint Mark's Square near the mouth of the Grand Canal, the campanile was initially intended as a watchtower to sight approaching ships and protect the entry to the city. It also served as a landmark to guide Venetian ships safely into harbour. Construction began in the early tenth century and continued sporadically over time as the tower was slowly raised in height. A belfry and a spire were first added in the twelfth century. In the fourteenth century the spire was gilded, making the tower visible to distant ships in the Adriatic. The campanile reached its full height in 1514 when the belfry and spire were completely rebuilt on the basis of an earlier Renaissance design by Giorgio Spavento. Historically, the bells served to regulate the civic and religious life of Venice, marking the beginning, pauses, and end of the work day; the convocation of government assemblies; and public executions. The campanile stands alone in the square, near the front of St Mark's Basilica. It has a simple form, recalling its early defensive function, the bulk of which is a square brick shaft with lesenes, 12 metres (39 ft) wide on each side and 50 metres (160 ft) tall. The belfry is topped by an attic with effigies of the Lion of St Mark and allegorical figures of Venice as Justice. The tower is capped by a pyramidal spire at the top of which there is a golden weather vane in the form of the archangel Gabriel.

The Loggetta is a small, richly decorated building at the base of the bell tower in Saint Mark's Square, Venice, Italy. Built by Jacopo Sansovino between 1538 and 1546, it served at various times as a gathering place for nobles and for meetings of the procurators of Saint Mark, the officials of the Venetian Republic who were responsible principally for the administration of the treasury of the Church of Saint Mark and for the public buildings around Saint Mark's Square. Because of its location directly in front of the Porta della Carta, the most important entry to the Doge's Palace, the loggetta was also used from 1569 onward as a sentry post to provide security for the assembled nobles during the meetings of the Great Council: three procurators were to be present, assisted by an armed squadron of workers from the Arsenal, the government shipyard, in order to counter any popular assault and respond to any fire. Beginning in 1734, it was additionally the site for the extraction of winning tickets in the public lottery.The loggetta was largely destroyed in the collapse of the bell tower in 1902, but it was rebuilt using what original material could be salvaged, amounting to about half of the present building. At the same time the sides, which had originally been left in plain brick as other lean-to structures backed onto them, were rebuilt in the style of the main facade. The building serves as the entrance to the tower elevator.

The Zecca (English: Mint) is a sixteenth-century building in Venice, Italy which once housed the mint of the Republic of Venice. Built between 1536 and 1548, the heavily rusticated stone structure, originally with only two floors, was designed by Jacopo Sansovino in place of an earlier mint specifically to ensure safety from fire and to provide adequate security for the silver and gold deposits. Giorgio Vasari considered it the finest, richest, and strongest of Sansovino's buildings ("...bellissimo, ricchissimo, e fortissimo edificio de' suoi è la Zecca di Venezia...").Coin production continued after the fall of the Republic of Venice in 1797 but ceased in 1852 during the second period of Austrian domination (1814–1866). The building was subsequently adapted and served as the seat for the Chamber of Commerce from 1872 until 1900. Since 1904, it has housed the main part of the Marciana Library whose historical building, next door is now largely a museum.

The Marciana Library or Library of Saint Mark (Italian: Biblioteca Marciana, but in historical documents commonly referred to as Libreria pubblica di san Marco) is a public library in Venice, Italy. It is one of the earliest surviving public libraries and repositories for manuscripts in Italy and holds one of the world's most significant collections of classical texts. It is named after St Mark, the patron saint of the city. The library was founded in 1468 when the humanist scholar Cardinal Bessarion, bishop of Tusculum and titular Latin patriarch of Constantinople, donated his collection of Greek and Latin manuscripts to the Republic of Venice, with the stipulation that a library of public utility be established. The collection was the result of Bessarion's persistent efforts to locate rare manuscripts throughout Greece and Italy and then acquire or copy them as a means of preserving the writings of the classical Greek authors and the literature of Byzantium after the fall of Constantinople in 1453. His choice of Venice was primarily due to the city's large community of Greek refugees and its historical ties to the Byzantine Empire. The Venetian government was slow, however, to honour its commitment to suitably house the manuscripts with decades of discussion and indecision, owing to a series of military conflicts in the late-fifteenth and early-sixteenth centuries and the resulting climate of political uncertainty. The library was ultimately built during the period of recovery as part of a vast programme of urban renewal aimed at glorifying the republic through architecture and affirming its international prestige as a centre of wisdom and learning. The original library building is located in Saint Mark's Square, Venice's former governmental centre, with its long façade facing the Doge's Palace. Constructed between 1537 and 1588, it is considered the masterpiece of the architect Jacopo Sansovino and a key work in Venetian Renaissance architecture. The Renaissance architect Andrea Palladio described it as "perhaps the richest and most ornate building that there has been since ancient times up until now" ("il più ricco ed ornato edificio che forse sia stato da gli Antichi in qua"). The art historian Jacob Burckhardt regarded it as "the most magnificent secular Italian building" ("das prächtigste profane Gebäude Italiens"), and Frederick Hartt called it "one of the most satisfying structures in Italian architectural history". Also significant for its art, the library holds many works by the great painters of sixteenth-century Venice, making it a comprehensive monument to Venetian Mannerism.Today, the building is customarily referred to as the 'Libreria sansoviniana' and is largely a museum. Since 1904, the library offices, the reading rooms, and most of the collection have been housed in the adjoining Zecca, the former mint of the Republic of Venice. The library is now formally known as the Biblioteca nazionale Marciana. It is the only official institution established by the Venetian Republican government that survives and continues to function.

The National Archaeological Museum (Italian: Museo Archeologico Nazionale di Venezia) is a museum located right on Piazza San Marco in Venice. The National Archaeological Museum was established in 1523 by Cardinal Domenico Grimani. This Museum has a great collection of Greek and Roman sculptures, ceramics, coins and stones dating back as far as the 1st Century B.C. Some of the archeological collections from the Correr Museum are also housed here. Visitors can also view the vases, ivories, portraits of ancient Roman emperors, marbles and busts, gems and jewelry in the museum. There are relics of Assyro-Babylonian, Greek, Tuscan, Roman and Egyptian origins from the Neolithic age. Visitors can also see the Armenian-Venetian collection, legal texts dating back to the 17th Century, and bilingual dictionaries.

Caffè Quadri (Italian pronunciation: [kafˌfɛ kˈkwaːdri]) is a coffeehouse located in the Procuratie Vecchie of Piazza San Marco, Venice. It was established in 1775. The restaurant underwent a first important renovation in 1830, under the management of the Vaerini brothers, who expanded both the spaces and the activities, purchasing the upper floor that was used as a restaurant. The ground floor was decorated with pastel stuccos, with a prevalence of green and yellow colors, and completed with views and scenes of Venetian life, the work of the painter Giuseppe Ponga, inspired by the style of Pietro Longhi.The property together with some other shops here are owned by Russian conductor Valery Gergiev as a part of the vast real estate inheritance of the philanthropist Yoko Nagae Ceschina who has died in 2015.

Caffé Lavena is a café in the city of Venice, Italy. It was established in 1750, and was originally called Regina d'Ungheria (the Queen of Hungary) under the Austro-Hungarian empire. The café has its origins in the popular Venice of the 17th century, it became later Orso Coronato (Crowned Bear) because of the picturesque sign showing a bear standing on his hind legs with a crown on its head. In 1860, Carlo Lavena bought the cafè and it has remained in his family ever since.

The Procuratie (English: Procuracies) are three connected buildings along the perimeter of Saint Mark's Square in Venice, Italy. Two of the buildings, the Procuratie Vecchie (Old Procuracies) and the Procuratie Nuove (New Procuracies), were constructed by the procurators of Saint Mark, the second-highest dignitaries in the government of the Republic of Venice, who were charged with administering the treasury of the Church of Saint Mark as well as the financial affairs of state wards and trust funds established on behalf of religious and charitable institutions. The Procuratie Vecchie on the northern side of the square was built during the War of the League of Cambrai in the early sixteenth century to replace an earlier structure, damaged by fire. Although the war imposed financial constraints and limited innovation, it was nevertheless the first major public building in Venice to be erected in a purely classical style. It always contained apartments that were rented by the procurators as a source of revenue to finance building projects and repairs. Rental income was significant, given the prestige of the location. But the apartments were eventually sold to raise immediate money for the government, and several of them were subsequently transformed into clubhouses. The Procuratie Nuove on the southern side housed the official residences of the procurators. Built between the late-sixteenth and mid-seventeenth centuries to replace a series of dilapidated medieval structures, it represented the culmination of an extensive programme of urban renewal that lasted over a hundred years and profoundly transformed Venice's city centre, giving it the appearance of a great classical forum. Both the official residences in the Procuratie Nuove and the rental apartments in the Procuratie Vecchie were built above arcades with space on the ground floor that was rented out for stores, workshops, and later coffeehouses, including the historic Caffè Florian, Caffè Quadri, and Caffè Lavena. The Procuratie Nuovissime (Newest Procuracies, also known as the Napoleonic Wing) was built during the second period of French occupation (1805–1815) when after the fall of the Republic of Venice, the Procuratie Nuove was transformed into the residence of the viceroy of the Kingdom of Italy. Today, much of the Procuratie Nuove and the Napoleonic Wing house the Correr Museum.

St Mark's Clock is housed in the Clock Tower on the Piazza San Marco (Saint Mark's Square) in Venice, Italy, adjoining the Procuratie Vecchie. The first clock housed in the tower was built and installed by Gian Paolo and Gian Carlo Rainieri, father and son, between 1496 and 1499, and was one of a number of large public astronomical clocks erected throughout Europe during the 14th and 15th centuries. The clock has had an eventful horological history, and been the subject of many restorations, some controversial. After restorations in 1551 by Giuseppe Mazzoleni, and in 1615, by Giovanni Battista Santi, the clock mechanism was almost completely replaced in the 1750s, by Bartolomeo Ferracina. In 1858 the clock was restored by Luigi De Lucia. In 1996, a major restoration, undertaken by Giuseppe Brusa and Alberto Gorla, was the subject of controversy, amid claims of unsympathetic restoration and poor workmanship.