Sant'Agnese, Padua

San Nicolò is a Romanesque and Gothic-style, Roman Catholic church in Padua, region of Veneto, Italy. It stands in front of a homonymous piazza, and is adjacent to the Palazzo Meschini and Palazzo Brunelli-Bonetti.

The Ponte Molino is a Roman bridge across the Bacchiglione in Padua, Italy. The span-to-rise ratio of the Late Republican bridge varies between 3.5–4.5 and 1, the ratio of clear span and pier thickness between 4–6.5 and 1.Apart from the Ponte Molino, there are other extant Roman bridges in Padua: Ponte San Lorenzo, Ponte Altinate and Ponte Corbo, all three also featuring segmented arches, as well as Ponte S. Matteo.

The Teatro Verdi is a theater and opera house in Padova, Italy named after composer Giuseppe Verdi. Constructed in 1749–1751, the theater was inaugurated in 1751. It was modernized in 1884.

Piazza dei Signori is a city square in Padua, region of Veneto, Italy. This piazza for centuries hosted official civic and government celebrations, while the larger squares of Piazza delle Erbe (herbs) and Piazza della Frutta (fruits) hosted commerce and public festive celebrations. The square is dominated by the famous Clock Tower.

Piazza dei Signori is a city square in Verona, Italy.

Santa Lucia, also called the Chiesa dell'Adorazione Perpetua is a Roman Catholic church located in the city of Padua, region of Veneto, Italy.

The Oratory of San Rocco (Oratory of St Roch) is a Renaissance style, Roman Catholic church located in the city center of Padua, region of Veneto, Italy. It arises adjacent to the church of Santa Lucia, and is notable for its collection of frescoes.

Torre dell'Orologio is a clock tower located in the Piazza (Plaza) Dei Signori and positioned between the Palazzo (Palace) del Capitanio and the Palazzo dei Camerlenghi in Padua, or Padova, Italy. It is also referred to as the astronomical clock of Padua. The tower's construction began in 1426 and finished around 1430. The tower was a commission from Prince Ubertino de Carrara, who was part of the Carraresi clan of Padua, Italy, he was the Lord of Padua from 1338 to 1345. It would later be enlarged to accommodate the new clock that was created in 1427. The clock itself was completed in 1434. Later in 1436, ornamentation was added to the dial of the clock, and a year later the clock tower was inaugurated. At the base of the tower, the great triumphal arch, designed by Giovanni Maria Falconetto, was added in 1531.The design and construction of the clock was overseen by Giovanni Dondi dell'Orologio, also known as Giovanni de' Dondi, who was an Italian physician, astronomer and mechanical engineer from Italy. Dondi was assisted by Gian Petro Dalle Caldiere. The clock has references to the zodiac throughout its design. However, on the original clock, the Libra sign was not present, as with the pre-Roman system Scorpio and Libra were one Zodiac sign. Today, the clock is open to the public. A group of volunteers called the Salvalarte ensures that sites like this one are open to the public. This group is a branch of the nation-wide environmental association.

San Clemente, or St Clement, is a Baroque-style Roman Catholic church that overlooks the Piazza dei Signori in Padua, Italy. It is currently a dependent of the Cathedral Basilica of Santa Maria Assunta.

The Bo Palace (Italian: Palazzo del Bo) is the historical seat of University of Padua since 1493, It is still home to the Rectorate and the School of Law. It is also home to the oldest anatomical theatre in the world.

The Basilica del Carmine is a 16th-century Roman Catholic church located on piazza Francesco Petrarca in Padua, region of Veneto, Italy. It was made a minor basilica in 1960 by pope John XXIII

The Diocesan museum of Padua displays arts and artifacts belonging to the Roman Catholic Diocese of Padua; it is housed in the 15th-century former bishop's residence or Palazzo Vescovile. The building, adjacent to the Cathedral of Padua, faces the Piazza del Duomo, can in the historic center of Padua, region of Veneto, Italy. Many of the works in the museum derive from the cathedral or from other diocesan churches, some suppressed and no longer extant. The collections date from the 9th to the 19th centuries. They are displayed on two separate floors and are ordered chronologically and by type.