San Clemente, Padua

Piazza dei Signori is a city square in Padua, region of Veneto, Italy. This piazza for centuries hosted official civic and government celebrations, while the larger squares of Piazza delle Erbe (herbs) and Piazza della Frutta (fruits) hosted commerce and public festive celebrations. The square is dominated by the famous Clock Tower.

Piazza dei Signori is a city square in Verona, Italy.

Piazza delle Erbe is one of the many squares in the historic center of Padua. For centuries, with Piazza della Frutta, it was the commercial center of the city. In the two squares is one of the largest markets in Italy. Unlike Piazza dei Signori, the civic theater of celebrations, Piazza delle Erbe was the site of the folk festivities. The square is dominated by the imposing Palazzo della Ragione.

The Palazzo della Ragione is a medieval market hall, town hall and palace of justice building in Padua, in the Veneto region of Italy. The upper floor was dedicated to the town and justice administration; while the ground floor still hosts the historical covered market of the city. The palace separates the two market squares of Piazza delle Erbe from Piazza dei Frutti. It is popularly called "il Salone" (the big Hall). It is part of the UNESCO World Heritage Site of Padua's 14th-century fresco cycles (since 2021).

Torre dell'Orologio is a clock tower located in the Piazza (Plaza) Dei Signori and positioned between the Palazzo (Palace) del Capitanio and the Palazzo dei Camerlenghi in Padua, or Padova, Italy. It is also referred to as the astronomical clock of Padua. The tower's construction began in 1426 and finished around 1430. The tower was a commission from Prince Ubertino de Carrara, who was part of the Carraresi clan of Padua, Italy, he was the Lord of Padua from 1338 to 1345. It would later be enlarged to accommodate the new clock that was created in 1427. The clock itself was completed in 1434. Later in 1436, ornamentation was added to the dial of the clock, and a year later the clock tower was inaugurated. At the base of the tower, the great triumphal arch, designed by Giovanni Maria Falconetto, was added in 1531.The design and construction of the clock was overseen by Giovanni Dondi dell'Orologio, also known as Giovanni de' Dondi, who was an Italian physician, astronomer and mechanical engineer from Italy. Dondi was assisted by Gian Petro Dalle Caldiere. The clock has references to the zodiac throughout its design. However, on the original clock, the Libra sign was not present, as with the pre-Roman system Scorpio and Libra were one Zodiac sign. Today, the clock is open to the public. A group of volunteers called the Salvalarte ensures that sites like this one are open to the public. This group is a branch of the nation-wide environmental association.

Santa Lucia, also called the Chiesa dell'Adorazione Perpetua is a Roman Catholic church located in the city of Padua, region of Veneto, Italy.

The Oratory of San Rocco (Oratory of St Roch) is a Renaissance style, Roman Catholic church located in the city center of Padua, region of Veneto, Italy. It arises adjacent to the church of Santa Lucia, and is notable for its collection of frescoes.

San Nicolò is a Romanesque and Gothic-style, Roman Catholic church in Padua, region of Veneto, Italy. It stands in front of a homonymous piazza, and is adjacent to the Palazzo Meschini and Palazzo Brunelli-Bonetti.

The Diocesan museum of Padua displays arts and artifacts belonging to the Roman Catholic Diocese of Padua; it is housed in the 15th-century former bishop's residence or Palazzo Vescovile. The building, adjacent to the Cathedral of Padua, faces the Piazza del Duomo, can in the historic center of Padua, region of Veneto, Italy. Many of the works in the museum derive from the cathedral or from other diocesan churches, some suppressed and no longer extant. The collections date from the 9th to the 19th centuries. They are displayed on two separate floors and are ordered chronologically and by type.

Piazza Duomo is a city square in Padua, Italy.

The Triumphal Arch of Vallaresso, or locally referred to as the Arco Vallaresso is a 17th-century monumental arch in the town center of Padua, region of Veneto, Italy. In 1632, the arch, designed by Giambattista della Scala, was meant to honor Alvise Vallaresso, Venetian captain of the town, for his diligence in attempting to stem the Bubonic plague in Padua.The arch is a marble facade with an open portal facing the Piazza of the Padua Cathedral, to the left of the church when exiting. It is adjacent to the former Monte de Pieta building. The counter facade is a plain wall with the central opening. The decorative facade is in a sober classical style: four doric columns on plinths. Each couple frame an empty sculpture niche. The columns has a slender architrave, but support an elegant frieze with shields separated by triglyphs. The attic has a central inscription describing the reasons for erecting the arch, flanked by two coat of arms. Historians recall that Vallaresso did not flinch at imposing measures to stop the spread of the disease, such as quarantine of the sick, burials outside of the wall, and utilizing the local lazzaretto to isolate some of the ill. While the mortality was high, the 1631 plague season in Padua was over in a few months.

The Italian Synagogue of Padua is the only synagogue still in use of the several that flourished in the university town of Padua from the Renaissance through World War II. The Italian Synagogue was built in 1584.The synagogue underwent renovation and/or restoration in 1581, 1631, 1830, and 1865. It was closed in 1892 when the community built a modern synagogue, but reopened after the war because in 1943 fascists burned the modern synagogue.The synagogue is located at 9 Via San Martino and Solferino in the historic ghetto. It is in the same building as the offices of the Jewish community of Padua. Students visiting the university are welcome to pray with the congregation. Visitors can see the synagogue by contacting the Jewish community.The baroque synagogue measures 18 by 7 meters. As is usual in Italian synagogues, the Bimah and Torah Ark are located at opposite sides of the room, with the space in between left vacant to accommodate the processional. What is unusual about the synagogue at Padua is that the Ark and Bimah are placed on the synagogues's long walls.The baroque, sixteenth century Torah Ark is made from the wood of a plane tree that was struck down by lightning in the University's famous botanical garden. It features gilded doors, four Corinthian columns made of black marble with white veining, and carved foliage. The balduchin is in the form of a broken pediment.The "majestic" Bimah is reached by a curved flight of eight steps on each side. It features an octagonal balduchin supported by four columns and four pilasters (two projecting form the wall.) The Corinthian capitals of the pillars and pilasters are gilded. Elaborate baroque carvings surmount the balduchin.The ceiling is coffered and painted. The area between the Torah Ark and Bimah is a coffered barrel vault, with large, heavily-carved baroque rosettes in each recess.The historic women's gallery is upstairs. Today, the synagogue has a women's section on the main floor.