Palace Embankment

The Stone of Tmutarakan (Russian: Тмутараканский камень) is a marble slab engraved with the words "In the year 6576 [ A.M., 1068 A.D] the sixth of the Indiction, Prince Gleb measured across the sea on the ice from Tmutarakan to Kerch 14,000 sazhen" («В лето 6576 индикта 6 Глеб князь мерил море по леду от Тмутороканя до Корчева 14000 сажен»). A sazhen, an old Rus unit of length, was equal to seven feet (or corresponded roughly to a fathom); thus the Kerch Straits, according to the stone, were 88,000 feet or 18.5 miles across (that is, from Kerch to Tmutarakan — the straits themselves are only 4.5 miles wide at their narrowest point, but the distance from the site of Tmutarakan to modern-day Kerch is about 15 miles.) The tenth-century Byzantine Emperor Constantine Porphyrogenitus wrote that the straits were the equivalent of 18 miles across, and this might explain why that measurement appears on the stone, although it is unclear if an eleventh-century prince in Rus would have had access to that information; this uncertainty calls the stone's authenticity into question. The Prince Gleb referred to in the inscription was Gleb Svyatoslavich, then prince of Tmutarakan. Gleb was later Prince of Novgorod the Great, where he saved Bishop Fedor's life by chopping a sorcerer in half who led a pagan uprising against the bishop. Gleb was eventually killed fighting pagan Finnic tribes in the northern Novgorodian Lands ("the Zavoloch'e" or "Za Volokom", "the Land beyond the Portages") on May 30, 1079.The stone was discovered on the Taman Peninsula just east of Crimea in 1792 and the inscription was first published in 1794 by Aleksei Musin-Pushkin. The study of the inscription is said to be the first epigraphic study in Russian history. In spite of its importance in the history of Russian epigraphy, a number of scholars have called the stone's provenance into question and consider the stone an eighteenth-century forgery, perhaps done by Romanticists enamored of ancient culture or even as an effort to find precedent for Russian involvement in the Caucasus. The stone is currently housed in the State Hermitage Museum in Saint Petersburg.

The State Hermitage Museum (Russian: Государственный Эрмитаж, tr. Gosudárstvennyj Ermitáž, IPA: [ɡəsʊˈdarstvʲɪn(ː)ɨj ɪrmʲɪˈtaʂ]) is a museum of art and culture in Saint Petersburg, Russia. It is the largest art museum in the world by gallery space. It was founded in 1764 when Empress Catherine the Great acquired an impressive collection of paintings from the Berlin merchant Johann Ernst Gotzkowsky. The museum celebrates the anniversary of its founding each year on 7 December, Saint Catherine's Day. It has been open to the public since 1852. In 2021, the Art Newspaper ranked the museum 6th in their list of the most visited art museums in the world, with 1,649,443 visitors.Its collections, of which only a small part is on permanent display, comprise over three million items (the numismatic collection accounts for about one-third of them). The collections occupy a large complex of six historic buildings along Palace Embankment, including the Winter Palace, a former residence of Russian emperors. Apart from them, the Menshikov Palace, Museum of Porcelain, Storage Facility at Staraya Derevnya, and the eastern wing of the General Staff Building are also part of the museum. The museum has several exhibition centers abroad. The Hermitage is a federal state property. Since July 1992, the director of the museum has been Mikhail Piotrovsky.Of the six buildings in the main museum complex, five—namely the Winter Palace, Small Hermitage, Old Hermitage, New Hermitage, and Hermitage Theatre—are all open to the public. The entrance ticket for foreign tourists costs more than the fee paid by citizens of Russia and Belarus. However, entrance is free of charge the third Thursday of every month for all visitors, and free daily for students and children. The museum is closed on Mondays. The entrance for individual visitors is located in the Winter Palace, accessible from the Courtyard.

The principal or Jordan Staircase of the Winter Palace, St Petersburg is so called because on the Feast of the Epiphany the Tsar descended this imperial staircase in state for the ceremony of the "Blessing of the Waters" of the Neva River, a celebration of Christ's baptism in the Jordan River. The staircase is one of the few parts of the palace retaining the original 18th-century style. The massive grey granite columns, however, were added in the mid 19th century.The staircase was badly damaged by a fire that swept the palace in 1837, but Nicholas I ordered the architect in charge of reconstruction, Vasily Stasov, to restore the staircase using Francesco Bartolomeo Rastrelli's original plans. Stasov made two small changes: he replaced the original gilt bronze handrails with white marble and the original pink columns with gray granite.The stair hall, which has an 18th-century ceiling depicting the Gods at Olympus, is decorated with alabaster statues of Wisdom and Justice by Mikhail Terebenev (1795-1866); Grandeur and Opulence by Alexander Ustinov (1796-1868); Fidelity and Equity by Ivan Leppe; and Mercury and Mars by Apollon Manyulov. At the centre of the first landing is an anonymous 18th-century marble sculpture, Allegory of the State.During state receptions and functions the Jordan Staircase was a focal point for arriving guests. After entering the palace through the Ambassadors' entrance, in the central courtyard, they would pass through the colonnaded ground floor Jordan Hall before ascending the staircase to the state apartments. Following a ball at the Winter Palace in 1902, The Duchess of Sutherland wrote: "The stairs of the palace were guarded by cossacks, with hundreds of footmen in scarlet liveries, I have never in my life seen so brilliant a sight—the light, the uniforms, the enormous rooms, the crowd, the music, making a spectacle that was almost Barbaric."Today, as part of the State Hermitage Museum, this room retains its original decoration.

The Winter Palace (Russian: Зимний дворец, tr. Zimnij dvorets, IPA: [ˈzʲimnʲɪj dvɐˈrʲɛts]) is a palace in Saint Petersburg that served as the official residence of the Russian Emperor from 1732 to 1917. The palace and its precincts now house the Hermitage Museum. Situated between Palace Embankment and Palace Square, adjacent to the site of Peter the Great's original Winter Palace, the present and fourth Winter Palace was built and altered almost continuously between the late 1730s and 1837, when it was severely damaged by fire and immediately rebuilt. The storming of the palace in 1917, as depicted in Soviet art and in Sergei Eisenstein's 1928 film October, became an iconic symbol of the Russian Revolution. The emperors constructed their palaces on a monumental scale that aimed to reflect the might and power of Imperial Russia. From the palace, the tsars ruled over 22,800,000 square kilometers (8,800,000 sq mi) (almost 1/6 of the Earth's landmass) and 125 million subjects by the end of the 19th century. Several architects participated in designing the Winter Palace—most notably the Italian Bartolomeo Rastrelli (1700–1771)—in what became known as the Elizabethan Baroque style. The green-and-white palace has the overall shape of an elongated rectangle, and its principal façade is 215 metres (705 ft) long and 30 m (98 ft) high. The Winter Palace has been calculated to contain 1,886 doors, 1,945 windows, 1,500 rooms and 117 staircases. Following a serious fire, the palace's rebuilding of 1837 left the exterior unchanged, but large parts of the interior were redesigned in a variety of tastes and styles, leading the palace to be described as a "19th-century palace inspired by a model in Rococo style".In 1905 the Bloody Sunday massacre occurred when demonstrators marched toward the Winter Palace, but by this time the Imperial Family had chosen to live in the more secure and secluded Alexander Palace at Tsarskoe Selo (lit. "regal village"), and returned to the Winter Palace only for formal and state occasions. Following the February Revolution of 1917, the palace operated for a short time as the seat of the Russian Provisional Government, ultimately led by Alexander Kerensky. Later that same year a detachment of Red Guard soldiers and sailors stormed the palace—a defining moment in the birth of the Soviet state.

The fire in the Winter Palace of Saint Petersburg, then the official residence of the Russian emperors, occurred on December 17, 1837, and was caused by soot inflammation.The Palace burned for three days, and the glow was visible for 50–70 versts (50–75 km / 30–45 mi). Thirty guardsmen died in the fire, although nearly all the items were saved (notably the imperial throne, guards banners, portraits of Russian generals from the Field Marshals' Hall and Military Gallery and the utensils of the Grand Church).

The Neva Enfilade of the Winter Palace, St Petersburg, is a series of three large halls arranged in an enfilade along the palace's massive facade facing the River Neva. Originally designed as a series of five state rooms by the architect Francesco Rastrelli in 1753, they were transformed into an enfilade of three vast halls in 1790 by Giacomo Quarenghi. Following a fire in 1837 they were rebuilt under the direction of Vasily Stasov. Frequently used as the palace ballrooms, they formed a processional route, and were the focus of the imperial court. In 1915, the last Tsar, Nicholas II, had the enfilade transformed into a military hospital. Following the Russian Revolution of 1917, the enfilade, along with the remainder of the building, has been used as a series of exhibition halls of the State Hermitage Museum.

The Private Apartments of the Winter Palace are sited on the piano nobile of the western wing of the former imperial palace, the Winter Palace in St Petersburg. Access to the private rooms, for members of the Imperial Family, from the exterior was usually through the Saltykov Entrance (centre in the photograph to the right) which was reserved for use by only the Tsar, Tsaritsa and grand dukes and grand duchesses. A second access was through a discrete box-like porch, on the western end of the Palace's Neva façade. From the ground floor, it can be accessed from the October Staircase, formerly known as His Majesty's Own Staircase; this double-flighted imperial staircase was a secondary entrance to the private apartments, and provided a more convenient route to the palace's ground floor and private entrances than the more formal and ceremonial public route through the state apartments. During the October Revolution of 1917, this was the entrance by which the revolutionaries gained access to the palace in order to arrest the Provisional Government in the small private dining room. Since that date it has been known as the October Staircase and has a plaque commemorating the event. Despite its size and grandeur, the October Staircase was a secondary staircase, the Jordan Staircase being the principal.From the palace's more formal rooms, the private apartments are entered through the rotunda, a circular room which served as an ante and waiting room for those to be received by the Tsar. Another entrance is from the Malachite Drawing Room, which served as both a private and state room, and was often the assembly point for the beginning of imperial processions from the neighbouring Arabian Hall which led to the principal state apartments – particularly for imperial weddings, when the bride would be formally dressed in the Romanoff wedding regalia by the Tsaritsa in the Malachite Drawing Room. The private rooms overlook a lawned and wooded garden, created from a former parade ground by the last Empress of Russia, who wanted a private place for her children to play. Until 1917, this wing was rather like a private house within a palace; it was used by the Imperial Family whenever in residence. Following a severe fire in 1837 when most of the palace was destroyed, the private apartments were rebuilt in various styles according to the tastes of their intended, individual occupants, the immediate family of Tsar Nicholas I; thus they are an array of eclectic styles and loose interpretations of earlier 18th century tastes and fashions. During the reigns of the following three Tsars many changes were made in decoration and use, but the layout remained essentially unchanged. In 1904, the last Tsar Nicholas II and his family abandoned the Winter Palace in favour of the more private Alexander Palace at Tsarskoye Selo. From this date until the fall of the monarchy, the Winter Palace was used only for formal state occasions.It was in the Private wing of the Winter Palace, following the February Revolution of 1917, that the Russian Provisional Government established itself. A few months later during the October Revolution this was the area of the palace most damaged during the famous Storming of the Winter Palace, a defining moment in Russia's history. The plan used (right) is based on the arrangement of rooms prior to 1917; it has since been altered to accommodate the palace's use today as part of the complex of buildings which comprise the State Hermitage Museum. Many of the former private rooms are not regularly open to the public, or have been much changed.

The State Hermitage Youth Education Center (Russian: Молодёжный образовательный центр Государственного Эрмитажа), is a contemporary art education program in Saint Petersburg, Russia that is part of The Hermitage Museum. The program is offered for all students, whether from St. Petersburg, other Russian cities or from abroad. Activities include lectures on the history and theory of art, exhibitions of contemporary art, masterclasses, and access to Museum curators and collections. There are also special semester programs for students studying from abroad. State Hermitage Youth Education Center organizes a number of international festivals and cultural programs on the history and traditions of different countries and nations.

The Military Gallery (Russian: Военная галерея) is a gallery of the Winter Palace in Saint Petersburg, Russia. The gallery is a setting for 332 portraits of generals who took part in the Patriotic War of 1812. The portraits were painted by George Dawe and his Russian assistants Alexander Polyakov (1801–1835), a serf, and Wilhelm August Golicke. The top-lit, barrel-vaulted hall in which the gallery is accommodated was designed by architect Carlo Rossi and constructed from June to November 1826. It replaced several small rooms in the middle of the main block of the Winter Palace - between the White Throne Hall and the Greater Throne Hall, just a few steps from the palace church. The gallery was opened in a solemn ceremony on 25 December 1826. Less than ten years after its completion, it was destroyed by fire in 1837. The fire burned slowly and Dawe's portraits were saved from the flames. The architect Vasily Stasov recreated the hall exactly as it had been before. As a cadet of the Nicholas Cavalry School, Vladimir Littauer was posted in 1912 to stand night-time guard in the Military Gallery. He describes the experience as an eerie one, standing under the rows of portraits in the "huge hall" lit only by a single bulb over a cluster of banners. The isolation of the solitary sentry was emphasized by the two to three minutes that footsteps could be heard down halls and corridors before the replacement guard arrived in the gallery.During the Soviet era, the gallery collection was enhanced by four portraits of Palace Grenadiers, the special ceremonial unit created in 1827 from veterans of the Patriotic War of 1812 to guard the entire building. The portraits were also painted by George Dawe, in 1828. More recently, the gallery acquired two paintings by Peter von Hess from the 1840s. Today, as part of the Hermitage Museum, this room retains its original decoration. Monarchs Generals

The gardens of the Winter Palace, St Petersburg, are little known, as the great imperial palace of the Romanovs was never intended to have gardens. As the Tsar's principal residence, situated in the capital, it was very much intended as a symbol of power rather than a place of relaxation and pleasure. Bordered by the River Neva on its northern side and Palace Square on its southern, the Winter Palace was devoid of space for gardens; however, the last two empresses of Russia each created gardens from previously paved areas. In 1885, Tsaritsa Maria Feodorovna, wife of Alexander III, had a garden created in the principal courtyard, an area which had previously been paved. This was designed in a formal rectangular shape, reflecting the shape of the courtyard which contained it. The lawned garden was planted with trees and shrubs, and surrounded by a cobbled carriage drive which led from the palace's principal arched entrance on Palace Square to the various doors giving access to the palace's interior from the courtyard. The second garden was created in 1896 for Tsaritsa Alexandra Feodorovna, wife of the last Tsar, Nicholas II, who lived briefly at the palace at the turn of the 20th century. She found the public access to all the exterior facades of the palace disconcerting, and disliked the way that the members of the public would stare at the windows of the private apartments in the western part of the palace. She also wished for an area where her children could play in privacy and seclusion, as a result she had a garden created on the parade ground beneath her windows. This was surrounded by a high wall topped with railings. The garden was created based on a project by landscape architect Georg Kuphaldt, the director of the Riga city gardens and parks.

St George's Hall (also referred to as the Great Throne Room) is one of the largest state rooms in the Winter Palace, St Petersburg. It is located on the eastern side of the palace, and connected to The Hermitage by the smaller Apollo Room. The colourful, neoclassical interior design of this great hall, executed by Giacomo Quarenghi between 1787 and 1795, was lost in the fire of 1837 which gutted much of the palace's interior. Following the fire, Russian architect Vasily Stasov was commissioned to oversee the restoration and rebuilding of the palace. While he retained the architectural features dictated by the exterior of the palace, he completely redesigned the interior in a more simple classical style. He replaced the columns of polychrome marble with those of white cararra marble. The original painted ceilings, depicting allegorical scenes, had been entirely lost in the fire, allowing Stasov to introduce a plain ceiling with gilded embellishments. St George's Hall, which served as the palace's principal throne room, was the scene of many of the most formal ceremonies of the Imperial court. Most historically, it was the setting of the opening of the First State Duma by Nicholas II, in 1906. The Tsar was forced to agree to the establishment of a Duma as a concession to his people in an attempt to avert revolution. However, the Imperial family saw it as "the end of Russian autocracy".It was the first time that ordinary Russians had been admitted to the palace in any number—a surreal experience for both the peasants and the Imperial family. The Tsar's sister, who stood with the Imperial family on the steps of the throne, recalled of the masses of ordinary Russians who packed the hall: "I went with my mother to the first Duma. I remember the large group of deputies from among peasants and factory people. The peasants looked sullen. But the workmen were worse: they looked as though they hated us. I remember the distress in Alicky's eyes." Minister of the Court Count Vladimir Frederiks commented, "The Deputies, they give one the impression of a gang of criminals who are only waiting for the signal to throw themselves upon the ministers and cut their throats. I will never again set foot among those people." The Dowager Empress noticed "incomprehensible hatred."Located behind the throne is the small Apollo Room. This anteroom is in fact the upper floor of a bridge linking the palace to the Hermitage. This room has a caisson ceiling adorned with stucco work. Today, as part of the State Hermitage Museum, this room retains the decorative scheme created by Stasov.

The Grand Church of the Winter Palace (Russian: Собор Спаса Нерукотворного Образа в Зимнем дворце) in Saint Petersburg, sometimes referred to as the Winter Palace's cathedral, was consecrated in 1763. It is located on the piano nobile in the eastern wing of the Winter Palace, and is the larger, and principal, of two churches within the Palace. A smaller, more private church was constructed in 1768, near the private apartment in the northwest part of the wing. The Grand Church was designed by Francesco Rastrelli, and has been described as "one of the most splendid rooms" in the Palace. Today, the church is an unconsecrated exhibition hall of the State Hermitage Museum.