Place de Clichy (Paris Métro)

The Place de Clichy, also known as "Place Clichy", is situated in the northwestern quadrant of Paris. It is formed by the intersection of the Boulevard de Clichy, the Avenue Clichy, the Rue Clichy, the Boulevard des Batignolles, and the Rue d'Amsterdam. It lies at the former site of the barrière de Clichy, an ancient portal in the Wall of the Farmers-General, leading to the village of Clichy, outside the wall.

Café Guerbois, on Avenue de Clichy in Paris, was the site of late 19th-century discussions and planning amongst artists, writers and art lovers – the bohèmes (bohemians), in contrast to the bourgeois. Centered on Édouard Manet, the group gathered at the café usually on Sundays and Thursdays. Émile Zola, Frédéric Bazille, Louis Edmond Duranty, Henri Fantin-Latour, Emmanuel Chabrier, Edgar Degas, Claude Monet, Pierre-Auguste Renoir and Alfred Sisley regularly joined in the discussions. Sometimes Paul Cézanne and Camille Pissarro also joined them. The group is sometimes called the Batignolles Group and many of the members are associated with Impressionism. Conversations there were often heated. On one evening in February 1870, things became so heated that Manet, insulted by a review that Duranty wrote, wounded Duranty in a duel. The injury was not fatal, and the two remained friends.

Maison Souquet is a 5-star hotel, part of Maisons Particulieres Collection (hotel group), located at 10, rue de Bruxelles in Paris, on the outskirts of Montmartre. The hotel is inspired by the Parisian brothels from the Belle Époque period. Maison Souquet is decorated by the French designer Jacques Garcia.

The Lycée Jules-Ferry is a public secondary and higher education school located in the 9th arrondissement of Paris. It is famous especially since it was used in Diane Kurys's film, Peppermint Soda (Diabolo menthe, 1977). This public school of Paris is composed by a collège, a lycée and by CPGE. Since its creation, this high school had a tradition with literary studies. There are literary and humanities Classes préparatoires aux grandes écoles, for students that are preparing the very competitive national exams that lead to the prestigious École Normale Supérieure de Lyon academy.

The Théâtre de l'Œuvre is a Paris theatre on the Right Bank, located at 3, Cité Monthiers, entrance 55, rue de Clichy, in the 9° arrondissement. It is commonly conflated and confused with the late-nineteenth-century theater company named Théâtre de l'Œuvre (or simply, L'Œuvre), founded by actor-director-producer Aurélien Lugné-Poe, who would not take control of this performance space until 1919. His company is best known for its earlier phase of existence, before it acquired this theatre venue. From 1893 to 1899, in various Parisian theatres, Lugné-Poe premiered modernist plays by foreign dramatists (Ibsen, Strindberg, Hauptmann, Bjørnson, Wilde), as well as new work by French Symbolists, most notoriously Alfred Jarry’s nihilistic farce Ubu Roi, which opened in 1896 at Nouveau-Théâtre (today, Théâtre de Paris, 15, rue Blanche). It is best to discuss the surviving theater building and Lugné-Poe's several-phase theater production company separately, though they share much of their history.

La Fourche (French pronunciation: ​[la fuʁʃ]) is a station of the Paris Métro, serving Line 13.

The Sainte-Rita Chapel is a Roman Catholic chapel located at 65 Boulevard de Clichy in the 9th arrondissement of Paris opposite the Moulin Rouge. Dedicated to Saint Rita of Cascia, the patron saint of lost causes, the chapel was inaugurated in 1956 to serve the prostitutes of the Pigalle, then a busy red-light district. It is affiliated with the nearby Église de la Sainte-Trinité.

The Place de Dublin is a square in the 8th arrondissement of Paris. According to the book Dictionnaire historique des rues de Paris by French historian Jacques Hillairet it was named after Dublin, the capital of the Republic of Ireland. It was notably depicted in French artist Gustave Caillebotte's painting Paris Street; Rainy Day.

Liège (French pronunciation: [ljɛʒ] (listen)) is a station on Line 13 of the Paris Métro. Opened in 1911, it is located the border of the 8th and 9th arrondissements.

The Cemetery of Montmartre (French: Cimetière de Montmartre) is a cemetery in the 18th arrondissement of Paris, France, that dates to the early 19th century. Officially known as the Cimetière du Nord, it is the third largest necropolis in Paris, after the Père Lachaise Cemetery and the Montparnasse Cemetery.

Place Blanche in Paris, France is one of the small plazas along the Boulevard de Clichy, which runs between the 9th and 18th arrondissements (Parisian districts) and leads into Montmartre. It is near Pigalle. On 23 May 1871, during the Bloody Week at the end of the Paris Commune, when Versailles troops entered Paris to retake it for the French Third Republic, the Place Blanche was defended by 120 communard women. Among them were Béatrix Excoffon, Elisabeth Dmitrieff, Nathalie Lemel, Blanche Lefebvre, and Malvina Poulain. They held back General Clinchant's troops at a barricade before retreating, exhausted and out of ammunition, to Place Pigalle. Those who could not retreat were executed on the spot, among them Blanche Lefebvre.The famous cabaret Moulin Rouge stands on the Place Blanche. During the 1950s, the Place Blanche was a centre of Paris' transsexual community, documented in Christer Strömholm's book Les amies de Place Blanche.

Moulin Rouge (, French: [mulɛ̃ ʁuʒ]; lit. '"Red Mill"') is a cabaret in Paris, France. The original house, which burned down in 1915, was co-founded in 1889 by Charles Zidler and Joseph Oller, who also owned the Paris Olympia. Close to Montmartre in the Paris district of Pigalle on Boulevard de Clichy in the 18th arrondissement, it is marked by the red windmill on its roof. The closest métro station is Blanche. Moulin Rouge is best known as the birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today, the Moulin Rouge is a tourist attraction, offering musical dance entertainment for visitors from around the world. The club's decor still contains much of the romance of fin de siècle France.