Father and Son (Bourgeois)

Eye Benches I, II and III is a 1996–1997 series of outdoor sculptures by Louise Bourgeois, installed at Olympic Sculpture Park in Seattle, Washington. The installation includes three sets of two functional benches. The sets are individually known as Eye Benches I, Eye Benches II, and Eye Benches III.

The Real World: Seattle is the seventh season of MTV's reality television series The Real World, which focuses on a group of diverse strangers living together for several months in a different city each season, as cameras follow their lives and interpersonal relationships. It is the third season of The Real World to be filmed in the Pacific States region, specifically in Washington and is also the first season to be filmed in the Pacific Northwest. The season featured seven people who lived on Pier 70 of Seattle, Washington's Elliott Bay. The season premiered on June 16, 1998, and consisted of 20 episodes. It is the first of two seasons to be filmed in Seattle. Eighteen years later, the show returned to the city in its thirty-second season. It is notable for an incident in which cast member Stephen Williams slapped Irene McGee as she moved out of the house, which is cited as one of the series' memorable moments by Time magazine.

Echo is a sculpture by Jaume Plensa, created in 2011, and installed at Seattle's Olympic Sculpture Park, in the U.S. state of Washington.

Stinger is an outdoor 1967–1968/1999 painted steel sculpture by Tony Smith, installed at Olympic Sculpture Park in the neighborhood of Belltown in Seattle, Washington. It was installed there after being donated by his family.It is attributed to Tony Smith although it was made 19 years after his death. This is because the original sculpture was finished in 1968 and was made of plywood, but Smith wanted it to be made of steel.It was originally called One Gate, but renamed as Stinger after the cocktail that was trending at the time of its creation.

Seattle Cloud Cover is an outdoor glass bridge and sculpture by American artist Teresita Fernández, installed in Olympic Sculpture Park in Seattle, Washington, in the United States. The bridge, which displays images of the "changing sky discovered in nature and art", was approved in 2004 and completed in 2006. The project marks Fernandez's first permanent publicly sited work. Seattle Cloud Cover is made of laminated glass with a "photographic design interlayer". It measures approximately 9 feet (2.7 m), 6 inches (15 cm) x 200 feet (61 m) x 6 feet (1.8 m), 3 inches (7.6 cm). The work was financed by the Olympic Sculpture Park Art Acquisition Fund in honor of the Seattle Art Museum's 75th anniversary.

Neukom Vivarium is a 2006 mixed media installation by American artist Mark Dion, located at Olympic Sculpture Park in Seattle, Washington, United States. The work features a 60-foot (18 m) Western hemlock that fell outside of Seattle in 1996, acting as a nurse log within an 80-foot (24 m) greenhouse. According to the Seattle Art Museum, which operates the park, the tree "inhabits an art system" consisting of bacteria, fungi, insects, lichen and plants. The installation supplies magnifying glasses to visitors wanting a closer inspection; they are provided field guides in the form of tiles. The installation was donated by Bill and Sally Neukom, American Express Company, Seattle Garden Club, Mark Torrance Foundation and Committee of 33, in honor of the Seattle Art Museum's 75th anniversary. It was Dion's first permanent public work of art in the United States. The architect for the structure was Owen Richards Architects.

The Olympic Sculpture Park, created and operated by the Seattle Art Museum (SAM), is a public park with modern and contemporary sculpture in downtown Seattle, Washington. The park, which opened January 20, 2007, consists of a 9-acre (36,000 m2) outdoor sculpture museum, and indoor pavilion, and a beach on Puget Sound. It is situated in Belltown at the northern end of the Central Waterfront and the southern end of Myrtle Edwards Park. The Olympic Sculpture Park is a free-admission outdoor sculpture park with both permanent outdoor sculpture, temporary works, and site-specific installations. The Seattle Art Museum regularly rotates a major artwork at the Olympic Sculpture Park, including installations by Victoria Haven from 2016 - 2017, Spencer Finch from 2017 - 2019, and Regina Silveira from 2019 - 2020.

Untitled, also known as Bench, is an outdoor 2004–2007 Roy McMakin sculpture by Roy McMakin, installed at Olympic Sculpture Park in Seattle, Washington.

Split is an outdoor 2003 stainless steel sculpture by Roxy Paine, installed at Olympic Sculpture Park in the neighborhood of Belltown in Seattle, Washington.

The Port of Seattle is a government agency overseeing the seaport and airport of Seattle, Washington, United States. With a portfolio of properties ranging from parks and waterfront real estate, to one of the largest airports and container terminals on the West Coast, the Port of Seattle is one of the Pacific Northwest's leading economic engines.Its creation was approved by the voters of King County on September 5, 1911, and authorized by the Port District Act. The Port of Seattle is managed by a five-member Port Commission who are elected by the voters of King County and serve four-year terms. The Commissioners govern the Port, lead all inter-governmental functions, and oversee the Executive Director.

Eagle is an abstract sculpture by Alexander Calder. It is located at the Olympic Sculpture Park, Seattle.

Two Plane Vertical Horizontal Variation III is a 1973 sculpture by George Rickey, installed at Seattle's Olympic Sculpture Park, in the U.S. state of Washington.