Santa Lucia dè Magnoli

The Palazzo Canigiani, initially built as Palazzo Bardi-Larioni, and later also known as Canigiani-Guigni is a Neoclassic-style palace located in Via de' Bardi 28 in the quartiere of Santo Spirito in central Florence, region of Tuscany, Italy.

Lungarno Torrigiani is the stretch of the south bank of the Arno river in Florence that goes from Via de 'Bardi to the Ponte alle Grazie. From the Lungarno, there's an extraordinary view of the Uffizi, the Vasari Corridor and Ponte Vecchio.

Palazzo Capponi alle Rovinate is a late-Gothic and early Renaissance-style residential palace located on Via de' Bardi in Florence, region of Tuscany, Italy. There are apparently three other palaces once associated with the Capponi family: Palazzo Capponi. Palazzo Capponi-Vettori. Palazzo Capponi-Covoni.

The Palazzo Nasi, also known as the Palazzo Torrigiani or Palazzo Scarlatti, is a palace located at Piazza de' Mozzi 4, down the street where the Ponte alle Grazie enters the Oltrarno, in Florence, Tuscany, Italy. Another Palazzo Torrigiani Del Nero, with a Mannerist or late-Renaissance-style facade stands closer to the river. Both palaces also once belonged to the Nasi. The palace is a few steps from the Palazzo Mozzi.

The Palazzo Torrigiani Del Nero is a Renaissance-style palace located at Piazza de' Mozzi 5, down the street where the Ponte alle Grazie enters the Oltrarno in Florence, Tuscany, Italy. Another Palazzo Torrigiani stands alongside, the smaller Palazzo Nasi. Both palaces also once belonged to the Nasi. The general area prior to the mid 14th-century, belonged to the Bardi, Benci, Banchi, and Nasi. The latter between 1460 and 1469 consolidated their holdings into one palace. Giorgio Vasari indicated that the palace was begun under the direction of the architect Baccio d'Agnolo, and completed by his son, Domenico. Older prints of the palace note that the upper floors were part of an open loggia overlooking the River. In 1552, the palace was sold to the Del Nero family. In 1816, the palace was inherited by the Torrigiani. The rusticated stone portals, window arches, and corner pilasters, as well as the brackets of the first floor windows are characteristic of the Mannerist architecture of Baccio. The aesthetics of the building were altered with the creation of fourth floor with smoothed stone blocks, and the sealing of the third floor loggia to make further rooms. The river facade has an awkward positioning of windows relative to the other sides. The former gardens extended east along the riverbank; they were mostly sold off, and now house an Evangelical Lutheran church on Via de'Bardi, built in 1901.

Palazzo Mozzi or Palazzo de' Mozzi is an early Renaissance palace, located at the end of the Piazza de' Mozzi that emerges from Ponte alle Grazie and leads straight to the palace where via San Niccolò becomes via de' Bardi in the Quartiere of Santo Spirito (San Niccolò) in the Oltrarno section of Florence, region of Tuscany, Italy. The 13th-century palace housed the gallery of the highly successful antiquarian Stefano Bardini, of which the remnants were left to the commune, where they assembled the Museo Bardini or Mozzi Bardini, displaying Florentine art and artifacts up to the early Renaissance. The gardens elaborated against the hillside behind the palace were added mainly by Bardini.

Ponte alle Grazie is a bridge, reconstructed after 1945, over the Arno River in Florence, region of Tuscany, Italy.

The Giardino Bardini is an Italian Renaissance garden of the Villa Bardini in the hilly part of Oltrarno, offering fine views of Florence, Italy. Opened only recently to the public, it is one of Florence's well kept secrets. The garden is composed of three separate areas, each created in a different time period, which adds to the architectural and agricultural diversity. The park's center contains the grand staircase that was constructed in the 17th century. On one side of the staircase you can find the Anglo-Chinese garden created in the 19th century. The other side of the staircase hosts the garden's agricultural park. The garden boasts many statues and panoramic views over the city. Wildlife in the garden includes rock pigeons, blackbirds and woodpigeons. Access is gained via the Via de' Bardi, just over the road from the Museo Bardini in the Oltrarno district of the city, although the gardens exit onto the Costa di San Giorgio, onto which the Forte di Belevedere and the Giardino di Boboli connect in turn.

The church of San Giorgio alla Costa, called in earlier times also dei Santi Giorgio e Massimiliano dello Spirito Santo (of Ss. George and Maximilian of the Holy Spirit) is a small historical church in the Oltrarno district of the centre of Florence, situated on the steep slope of via Costa San Giorgio which runs uphill from Ponte Vecchio to Forte di Belvedere.

The Palazzo Tempi, also known as Palazzo Vettori or Bargagli Petrucci, is a palace located along the Arno river at the narrow Piazza Santa Maria Soprarno 1, corner with Via de' Bardi and Costa dei Magnoli in the Oltrarno section of Florence, Tuscany, Italy. The palace is across the river from the Galleria of the Uffizi, and a block east of the Ponte Vecchio. The Via de' Bardi originates in an arch under the building.

The Monument of Piazza Mentana or Monument to those fallen at the Battle of Mentana (Monumento ai caduti della battaglia di Mentana) is an early-20th century outdoor bronze statue located the said square of Florence, Italy. The monument displays two patriotic fighters of Garibaldi's units, one wounded, the other fighting, in a dramatic scene. The commission was assigned in 1898 after a contest sponsored by the Società dei Reduci Garibaldini. The statuary group was sculpted by Oreste Calzolari, and it was inaugurated on April 27, 1902. It is meant to honor the 150 soldiers, who fighting with Garibaldi against the Franco-papal forces, died at the Battle of Mentana and the next day at Monterotondo. The plaque reads: "To the Brave who fell at Mentana, consecrating Rome to Free Italy".The bronze group depicts two soldiers: one holding aloft and aiming a revolver, while he holds a wounded companion who still raises a flag or standard. Critics noted the similarities of the subject to the Monument to the Cairoli Brothers (1883) by Ercole Rosa, a statue located near the Spanish Steps in Rome, which display a similar dramatic event with two soldiers. (Mazzanti). Both statues also seem to cite the well-known Hellenistic statue of Menelaus supporting the body of Patroclus, as interpreted in the Loggia dei Lanzi in Florence. On the base are two bronze bas-reliefs depicting the retreat from Monterotondo and the battle of Mentana. A plaque states these were donated by donors from Trieste and Trentino.

Museo Galileo, the former Istituto e Museo di Storia della Scienza (Institute and Museum of the History of Science) is located in Florence, Italy, in Piazza dei Giudici, along the River Arno and close to the Uffizi Gallery. The museum, dedicated to astronomer and scientist Galileo Galilei, is housed in Palazzo Castellani, an 11th-century building which was then known as the Castello d’Altafronte. Museo Galileo owns one of the world's major collection of scientific instruments, which bears evidence of the role that the Medici and Lorraine Grand Dukes attached to science and scientists. The Museo di Storia della Scienza has re-opened to the public under the new name Museo Galileo since June 10, 2010, after a two-year closure due to redesigning and renovation works. It has been inaugurated four hundred years after the publication in March 1610 of Galileo's Sidereus Nuncius (The Starry Messenger).