Bardini Gardens

Palazzo Mozzi or Palazzo de' Mozzi is an early Renaissance palace, located at the end of the Piazza de' Mozzi that emerges from Ponte alle Grazie and leads straight to the palace where via San Niccolò becomes via de' Bardi in the Quartiere of Santo Spirito (San Niccolò) in the Oltrarno section of Florence, region of Tuscany, Italy. The 13th-century palace housed the gallery of the highly successful antiquarian Stefano Bardini, of which the remnants were left to the commune, where they assembled the Museo Bardini or Mozzi Bardini, displaying Florentine art and artifacts up to the early Renaissance. The gardens elaborated against the hillside behind the palace were added mainly by Bardini.

The Palazzo Nasi, also known as the Palazzo Torrigiani or Palazzo Scarlatti, is a palace located at Piazza de' Mozzi 4, down the street where the Ponte alle Grazie enters the Oltrarno, in Florence, Tuscany, Italy. Another Palazzo Torrigiani Del Nero, with a Mannerist or late-Renaissance-style facade stands closer to the river. Both palaces also once belonged to the Nasi. The palace is a few steps from the Palazzo Mozzi.

The Palazzo Torrigiani Del Nero is a Renaissance-style palace located at Piazza de' Mozzi 5, down the street where the Ponte alle Grazie enters the Oltrarno in Florence, Tuscany, Italy. Another Palazzo Torrigiani stands alongside, the smaller Palazzo Nasi. Both palaces also once belonged to the Nasi. The general area prior to the mid 14th-century, belonged to the Bardi, Benci, Banchi, and Nasi. The latter between 1460 and 1469 consolidated their holdings into one palace. Giorgio Vasari indicated that the palace was begun under the direction of the architect Baccio d'Agnolo, and completed by his son, Domenico. Older prints of the palace note that the upper floors were part of an open loggia overlooking the River. In 1552, the palace was sold to the Del Nero family. In 1816, the palace was inherited by the Torrigiani. The rusticated stone portals, window arches, and corner pilasters, as well as the brackets of the first floor windows are characteristic of the Mannerist architecture of Baccio. The aesthetics of the building were altered with the creation of fourth floor with smoothed stone blocks, and the sealing of the third floor loggia to make further rooms. The river facade has an awkward positioning of windows relative to the other sides. The former gardens extended east along the riverbank; they were mostly sold off, and now house an Evangelical Lutheran church on Via de'Bardi, built in 1901.

Santa Lucia or Santa Lucia dè Magnoli is a Roman Catholic church located on via de'Bardi in Oltrarno district of Florence, region of Tuscany, Italy.

The Palazzo Canigiani, initially built as Palazzo Bardi-Larioni, and later also known as Canigiani-Guigni is a Neoclassic-style palace located in Via de' Bardi 28 in the quartiere of Santo Spirito in central Florence, region of Tuscany, Italy.

The Porta San Giorgio is a medieval gateway located on the south-east end of the Oltrarno walls of Florence, Italy. Ramparts of the Belvedere fortress, begun in 1590, stand adjacent to the gate. The road away from Florence soon passes the church of San Leonardo in Arcetri.

Palazzo Capponi alle Rovinate is a late-Gothic and early Renaissance-style residential palace located on Via de' Bardi in Florence, region of Tuscany, Italy. There are apparently three other palaces once associated with the Capponi family: Palazzo Capponi. Palazzo Capponi-Vettori. Palazzo Capponi-Covoni.

Lungarno Torrigiani is the stretch of the south bank of the Arno river in Florence that goes from Via de 'Bardi to the Ponte alle Grazie. From the Lungarno, there's an extraordinary view of the Uffizi, the Vasari Corridor and Ponte Vecchio.

Ponte alle Grazie is a bridge, reconstructed after 1945, over the Arno River in Florence, region of Tuscany, Italy.

The church of San Giorgio alla Costa, called in earlier times also dei Santi Giorgio e Massimiliano dello Spirito Santo (of Ss. George and Maximilian of the Holy Spirit) is a small historical church in the Oltrarno district of the centre of Florence, situated on the steep slope of via Costa San Giorgio which runs uphill from Ponte Vecchio to Forte di Belvedere.

The Monument to Nicola Demidoff or Nikolai Demidov is a 19th-century outdoor sculptural monument located in "Piazza Demidoff" between Lungarno Serristori and Via dei Renai, along the southern bank of the Arno River, in the zone of San Niccolo in the Oltrarno section of the city of Florence, region of Tuscany, Italy.

The Monument of Piazza Mentana or Monument to those fallen at the Battle of Mentana (Monumento ai caduti della battaglia di Mentana) is an early-20th century outdoor bronze statue located the said square of Florence, Italy. The monument displays two patriotic fighters of Garibaldi's units, one wounded, the other fighting, in a dramatic scene. The commission was assigned in 1898 after a contest sponsored by the Società dei Reduci Garibaldini. The statuary group was sculpted by Oreste Calzolari, and it was inaugurated on April 27, 1902. It is meant to honor the 150 soldiers, who fighting with Garibaldi against the Franco-papal forces, died at the Battle of Mentana and the next day at Monterotondo. The plaque reads: "To the Brave who fell at Mentana, consecrating Rome to Free Italy".The bronze group depicts two soldiers: one holding aloft and aiming a revolver, while he holds a wounded companion who still raises a flag or standard. Critics noted the similarities of the subject to the Monument to the Cairoli Brothers (1883) by Ercole Rosa, a statue located near the Spanish Steps in Rome, which display a similar dramatic event with two soldiers. (Mazzanti). Both statues also seem to cite the well-known Hellenistic statue of Menelaus supporting the body of Patroclus, as interpreted in the Loggia dei Lanzi in Florence. On the base are two bronze bas-reliefs depicting the retreat from Monterotondo and the battle of Mentana. A plaque states these were donated by donors from Trieste and Trentino.