Museo Galileo

The Tribuna of the Uffizi is an octagonal room in the Uffizi gallery, Florence, Italy. Designed by Bernardo Buontalenti for Francesco I de' Medici in 1584, the most important antiquities and High Renaissance and Bolognese paintings from the Medici collection were and still are displayed here. The structure is octagonal because, according to Christian tradition, eight is the number which draws near Heaven. In 1737 the Grand Duchess Anna Maria Luisa de' Medici ceded the collection to the Tuscan government, and by the 1770s the Uffizi (and in particular the Tribuna) was the hub for Grand Tourists visiting Florence.

The Loggiato is the semi-enclosed courtyard (Italian: cortile) space between the two long galleries of the Uffizi Gallery located adjacent to the Piazza della Signoria in the historic center of Florence, capital of Tuscany, Italy. Because the facade of the arcaded corridor parallel to the Arno River also continues the sculptural display of the cortile, it can also be included in the description.

The Uffizi Gallery (UK: ; Italian: Galleria degli Uffizi, pronounced [ɡalleˈriːa deʎʎ ufˈfittsi]) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous Patto di famiglia negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865.

The Accademia dei Georgofili (Academy of Georgofili) is an educational institution in Florence, Italy. It was established in 1753. The academy has been a historic institution for over 250 years, and is best known for promoting, amongst scholars and landowners, the studying of agronomy, forestry, economy, geography and agriculture.

The Torre dei Pulci is a historical tower in Florence, Italy. The tower was the residence of the Pulci family in medieval and Renaissance times, including poet Luigi Pulci. It was in origin a purely defensive tower, which was enlarged until it became a sort of palazzetto or small residential palace. Since 1933 it has been the seat of the Accademia dei Georgofili. In 1993 it was severely damaged by a mafia bombing, which caused the death of five people (including one of the Academy's scholars) and also damaged the nearby Uffizi. The tower was rebuilt, but it was decided to use different materials for the remade part, as a sign of the tragic event. In front of the tower is now a symbolic peace olive tree.

The Giardino Botanico Tropicale dell'Istituto Agronomico per l'Oltremare is a botanical garden specializing in tropical plants. It is located at via Antonio Cocchi 4, Florence, Tuscany, Italy, and open without charge on Thursday mornings and by appointment. The garden was established in 1904 by tropical agriculture specialists as part of the Istituto Agricolo Coloniale Italiano with an eye towards improving agriculture in Eritrea, Somalia, Ethiopia, and Libya. Over the years the institute has evolved to become the Istituto Agronomico per l'Oltremare (IAO), a branch of the Italian Ministry of Foreign Affairs, and is now a technical-scientific body for studying, training, consulting, and providing technical assistance in agriculture and environmental protection. Today the garden contains about 300 species of useful tropical plants, primarily from Africa and the Americas. Plants are grouped according to use, with most in greenhouses but several dozen species growing outdoors. The collection includes sources of food (banana, cocoa, coconut, date, mango, papaya, pineapple, vanilla, and others), wood (mahogany, etc.), textiles (such as cotton), and dyes and perfumes. The institute also maintains an agriculture museum and entomological collection.

Hercules and Cacus is an Italian Renaissance sculpture in marble to the right of the entrance of the Palazzo Vecchio in the Piazza della Signoria, Florence, Italy. It has a complicated and highly political history, but the finished work is by the Florentine sculptor Baccio Bandinelli mostly from 1525 to completion in 1534. It was commissioned as a pendant to Michelangelo's David, which had been commissioned by the republican council of Florence, under Piero Soderini (gonfaloniere for life), to commemorate the victory over the Medici.

The Palazzo Tempi, also known as Palazzo Vettori or Bargagli Petrucci, is a palace located along the Arno river at the narrow Piazza Santa Maria Soprarno 1, corner with Via de' Bardi and Costa dei Magnoli in the Oltrarno section of Florence, Tuscany, Italy. The palace is across the river from the Galleria of the Uffizi, and a block east of the Ponte Vecchio. The Via de' Bardi originates in an arch under the building.

Perseus with the Head of Medusa is a bronze sculpture made by Benvenuto Cellini in the period 1545–1554. The sculpture stands on a square base which has bronze relief panels depicting the story of Perseus and Andromeda, similar to a predella on an altarpiece. It is located in the Loggia dei Lanzi in the Piazza della Signoria in Florence, Italy. The second Florentine duke, Duke Cosimo I de' Medici, commissioned the work with specific political connections to the other sculptural works in the piazza. When the piece was revealed to the public on 27 April 1554, Michelangelo's David, Bandinelli's Hercules and Cacus, and Donatello's Judith and Holofernes were already installed in the piazza.The subject matter of the work is the mythological story of Perseus beheading Medusa, a hideous woman-faced Gorgon whose hair had been turned to snakes; anyone who looked at her was turned to stone. Perseus stands naked except for a sash and winged sandals, triumphant on top of the body of Medusa with her head, crowned with writhing snakes, in his raised hand. Blood spews from Medusa's severed neck. The bronze sculpture, in which Medusa's head turns men to stone, is appropriately surrounded by three huge marble statues of men: Hercules, David, and later Neptune. Cellini's use of bronze in Perseus and the head of Medusa, and the motifs he used to respond to the previous sculpture in the piazza, were highly innovative. Examining the sculpture from the back, one can see a self-portrait of the sculptor Cellini on the back of Perseus' helmet. The sculpture is thought to be the first statue since the classical age where the base included a figurative sculpture forming an integral part of the work.

The Pasquino Group (also known as Menelaus Carrying the Body of Patroclus or Ajax Carrying the Body of Achilles) is a group of marble sculptures that copy a Hellenistic bronze original, dating to ca. 200–150 BCE. At least fifteen Roman marble copies of this sculpture are known. Many of these marble copies have complex artistic and social histories that illustrate the degree to which improvisatory "restorations" were made to fragments of ancient Roman sculpture during the 16th and 17th centuries, in which contemporary Italian sculptors made original and often arbitrary and destructive additions in an effort to replace lost fragments of the ancient sculptures.One of the most famous versions of the composition, though so dismembered and battered that the relationship is scarcely recognizable at first glance, is the so-called Pasquin, one of the talking statues of Rome. It was set up on a pedestal in 1501 and remains unrestored. A version of the group, probably intended to represent other Homeric figures, is part of the Sperlonga sculptures found in 1957.

The Crossing of the Red Sea, also known as The Crossing of the Red Sea and Moses Appointing Joshua, is a fresco painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished in 1542. It depicts the Nation of Israel crossing the Red Sea from the book of Exodus and Moses commissioning Joshua to lead the Israelites into the promised land from the book of Numbers. It is housed in the Palazzo Vecchio, Florence. In 1540, Cosimo I de' Medici and/or his wife, Eleanor of Toledo, commissioned this and other frescoes for Eleanor's private chapel. Three of the four walls of the small chapel found on the second floor of the palace are covered with works telling the story of Moses.

The Medici lions are a pair of marble sculptures of lions: one of which is Roman, dating to the 2nd century AD, and the other a 16th-century pendant. Both were by 1598 placed at the Villa Medici, Rome. Since 1789 they have been displayed at the Loggia dei Lanzi in Florence. The sculptures depict standing male lions with a sphere or ball under one paw, looking to the side. Copies of the Medici lions have been made and publicly installed in over 30 other locations, and smaller versions made in a variety of media; Medici lion has become the term for the type. A similar Roman lion sculpture, of the 1st century AD, is known as the Albani lion, and is now in the Louvre. Here, the stone used for the ball is different from the basalt body. Both may derive from a Hellenistic original.