Gallery Hyundai

The National Museum of Contemporary Art, Korea (Korean: 국립현대미술관; Hanja: 國立現代美術館; RR: Gungnipyeondaemisulgwan) (MMCA) is a contemporary art museum with four branches in Gwacheon, Deoksugung, Seoul and Cheongju. The museum was first established in 1969 as the only national art museum in the country accommodating modern and contemporary art of Korea and international art of different time periods.

The Embassy of Japan in Seoul (Korean: 주 대한민국 일본 대사관; Hanja: 駐 大韓民國 日本 大使館) is the diplomatic mission of Japan in South Korea. It is located in Seoul, South Korea's capital.

The Government-General Museum of Chōsen (Japanese: 朝鮮総督府博物館, Korean: 조선총독부박물관) was a museum in Seoul during the period of Japanese rule. Built in the grounds of Gyeongbokgung Palace for the 1915 Chōsen Industrial Exhibition,: 96  the museum opened on 1 December 1915. The museum did not operate as an independent agency, and the department under which it fell was subject to bureaucratic reorganization. The museum was disestablished in 1945 and its collections transferred to the National Museum of Korea,: 106  which opened on 3 December 1945. In 1998, the museum building was demolished, after it had come to be viewed as a "symbol of colonialism".

The Kumho Museum of Art is an art museum in Seoul, South Korea.

Sogyeok-dong is a dong, neighbourhood of Jongno-gu in Seoul, South Korea. It is a legal dong (법정동 法定洞) administered under its administrative dong (삼청동 行政洞), Samcheong-dong.

The Japanese General Government Building (Korean: 조선총독부 청사, Joseon-chongdokbu Cheongsa), also known as the Government-General Building and the Seoul Capitol, was a building located in Jongno District of Seoul, South Korea, from 1926 to 1996. The Government-General Building was constructed by the Empire of Japan on the site of the Gyeongbokgung complex, the royal palace of the Joseon, and was the largest government building in East Asia. The Government-General Building served as the chief administrative building of Chōsen and the seat of its Governor-General in Keijō from 1926 until 1945. The Government-General Building was the scene of numerous important events after South Korean independence in 1948, becoming the seat of the National Assembly of South Korea and housing offices of the Government of South Korea until 1950 when it was damaged during the Korean War and intentionally left derelict. President Park Chung-hee restored the Government-General Building from 1962 for government functions until the early 1980s and housed the National Museum of South Korea from 1986. The Government-General Building was controversially planned for demolition in 1993, long felt to be a symbol of Japanese imperialism and impeding reconstruction of Gyeongbokgung, and was demolished from 1995 to 1996.

Artsonje Center is a private art museum in Seoul, Korea, located in Samcheong-dong, a neighborhood adjacent to known for its numerous art galleries, cafes, restaurants and boutiques. Founded in 1998, the museum introduces current and experimental contemporary art to the art world and public with its international exhibitions and educational programs.The marble multiplex was designed by Jong-Sung Kim and consists of 4 annexes that include exhibition halls, lecture halls, a restaurant, café and artshop. The CineCode Sonje movie theater is a good place to catch offbeat independent films.

The Hall of Worthies, or Jiphyeonjeon (Korean pronunciation: [tɕi.pʰjʌn.dʑʌn]; Korean: 집현전; Hanja: 集賢殿), was a Korean royal research institute during the Joseon period. It was founded by King Sejong the Great in March 1420, and disbanded in June 1456. The Hall of Worthies is known for its role in compiling the Hunminjeongeum, the original treatise on Hangul.

Gyeongbokgung (Korean: 경복궁; Hanja: 景福宮), also known as Gyeongbokgung Palace or Gyeongbok Palace, was the main royal palace of the Joseon dynasty. Built in 1395, it is located in northern Seoul, South Korea. The largest of the Five Grand Palaces built by the Joseon dynasty, Gyeongbokgung served as the home of Kings of the Joseon dynasty, the Kings' households, as well as the government of Joseon. Gyeongbokgung continued to serve as the main palace of the Joseon dynasty until the premises were destroyed by fire during the Imjin War (1592–1598) and abandoned for two centuries. However, in the 19th century, all of the palace's 7,700 rooms were later restored under the leadership of Prince Regent Heungseon during the reign of King Gojong. Some 500 buildings were restored on a site of over 40 hectares. The architectural principles of ancient Korea were incorporated into the tradition and appearance of the Joseon royal court. In the early 20th century, much of the palace was systematically destroyed by Imperial Japan. On January 21, 1963, it was designated as a cultural property. Since the 1990s, the walled palace complex is gradually being restored to its original form. Today, the palace is arguably regarded as being the most beautiful and grandest of all five palaces. It also houses the National Palace Museum and the National Folk Museum within the premises of the complex.

Anti-appeasement steles were 19th century monuments built in Korea to ostracize Westerners. They were erected by Heungseon Daewongun at more than 200 major transportation hubs across the country, including the four streets of Jongno. They were built in 1871 (the 8th year of the reign of Emperor Gojong of the Joseon Dynasty). They were made of granite and were four cubits high, five cubits wide, and eight inches thick.

Gyeonggyojang (Hanja:京橋莊) is a Japanese home built in Korea under Japanese rule located Jongno-gu, Seoul. From November 4, 1945 to 1949, it was Kim Gu's private residence and official residence, the Provisional Government of the Republic of Korea, and the headquarters of Korea Independence Party. From 1949 to 1952, it was used as the embassy building of the Republic of China in Korea.

Gwanghwamun (Korean: 광화문; Hanja: 光化門) is the main and largest gate of Gyeongbokgung Palace, in Jongno-gu, Seoul, South Korea. It is located at a three-way intersection at the northern end of Sejongno. As a landmark and symbol of Seoul's long history as the capital city during the Joseon Dynasty, the gate has gone through multiple periods of destruction and disrepair. The most recent large-scale restoration work on the gate was finished and it was opened to the public on August 15, 2010.