Ponte dei Tre Archi

The Church of St Job (Italian: Chiesa di San Giobbe) is a 15th-century Roman Catholic church located overlooking the campo of the same name, known as Sant'Agiopo in Venetian dialect, on the south bank of the Cannaregio canal near Ponte dei Tre Archi in the sestiere of Cannaregio of Venice, northern Italy,

The Cannaregio Canal is one of the main waterways of Venice, Italy.

The church of Santa Maria delle Penitenti, is part of a large complex: Pio Loco delle Penitenti, located on the canal Cannaregio, near its exit to the lagoon facing Mestre, in the Northwest edge of Venice, Italy. It gained its name as a charitable institution providing an alternative life to former prostitutes, akin to a Magdalene asylum.

Palazzo Testa is a small Gothic palace in Venice, Italy, located in the Cannaregio district and overlooking the Canale di Cannaregio.

Palazzo Bonfadini Vivante is a palace in Venice, Italy located in the Cannaregio district and overlooking the Cannaregio canal. The neighboring buildings are Palazzo Savorgnan and Palazzo Testa.

Palazzo Savorgnan is a palace in Venice, Italy, located in the Cannaregio district and overlooking Canale di Cannaregio, to the right of Palazzo Priuli Manfrin.

Palazzo Nani is a Renaissance palace in the Cannaregio district of Venice, Italy.

Santa Lucia was a church in Venice, northern Italy, which was demolished in 1861.

The Palazzo Manfrin Venier, once known as the Palazzo Priuli a Cannaregio or Palazzo Priuli Manfrin, is a Baroque-style palace located facing the Cannaregio Canal in the sestiere of Cannaregio of Venice, Italy. It stands to the left of the Palazzo Savorgnan.

Venezia Santa Lucia (Italian: Stazione di Venezia Santa Lucia) (IATA: XVQ) is the central station of Venice in the north-east of Italy. It is a terminus and located at the northern edge of Venice's historic city (Italian: Centro storico). The station is one of Venice's two most important railway stations; the other one is Venezia Mestre, a mainline junction station on Venice's mainland district of Mestre. Both Santa-Lucia and Mestre stations are managed by Grandi Stazioni and they are connected to each other by Ponte della Libertà (English: Liberty Bridge).

The Ponte degli Scalzi (or Ponte dei Scalsi, in Venetian; literally, "bridge of the barefoot [monks]"), is one of only four bridges in Venice to span the Grand Canal. The bridge connects the sestieri of Santa Croce and Cannaregio. On the north side, Cannaregio, are the Chiesa degli Scalzi (Church of the Barefoot or Discalced Monks) and the Santa Lucia (Ferrovia) railway station. The south side is the sestiere of Santa Croce. Designed by Eugenio Miozzi, it was completed in 1934, replacing an Austrian iron bridge. It is a stone arch bridge.Ponte degli Scalzi is located close to the site of construction of the fourth bridge over the Grand Canal, popularly known as Ponte di Calatrava although it was formally inaugurated as the Ponte della Costituzione. Construction was delayed in part due to controversy over its modern style, but the basic span was finally in place on August 11, 2007, and the bridge was opened for public use on September 11, 2008. This bridge is closer to the bus station than the Scalzi bridge.

Palazzo Labia is a baroque palace in Venice, Italy. Built in the 17th–18th century, it is one of the last great palazzi of Venice. Little known outside of Italy, it is most notable for the remarkable frescoed ballroom painted 1746–47 by Giovanni Battista Tiepolo, with decorative works in trompe-l'œil by Gerolamo Mengozzi-Colonna. In a city often likened to a cardboard film set, the Palazzo is unusual by having not only a formal front along the Grand Canal, but also a visible and formal facade at its rear, and decorated side as well, along the Cannaregio Canal. In Venice, such design is very rare. The palazzo was designed by the architect Andrea Cominelli (by Alessandro Tremignon according to others). The principal facade is on the Cannaregio Canal while a lesser three bayed facade faces the Grand Canal. A later facade probably designed by Giorgio Massari is approached from the Campo San Geremia.