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1201 Pacific

Buildings and structures in Tacoma, WashingtonOffice buildings completed in 1970Skidmore, Owings & Merrill buildingsSkyscraper office buildings in Washington (state)Skyscrapers in Washington (state)
Washington (state) building and structure stubsWells Fargo buildings
Wells Fargo Plaza from Commerce Street, Tacoma
Wells Fargo Plaza from Commerce Street, Tacoma

1201 Pacific, formerly the Wells Fargo Plaza, is the tallest building in Tacoma, Washington, and was completed in 1970. It was built with help from investors such as George Weyerhaeuser and Ben Cheney, and was designed by Skidmore, Owings and Merrill.The $14 million building was announced in 1968 and uses land that was cleared under Tacoma's urban renewal program. It was originally built for the National Bank of Washington, which was acquired in 1970 by Pacific National Bank (later First Interstate Bank of Washington), in turn acquired in 1996 by Wells Fargo. It was known as the Wells Fargo Center until 2016, when it lost its naming rights.The building, now owned by Unico Properties, was awarded LEED Silver certification in 2011.

Excerpt from the Wikipedia article 1201 Pacific (License: CC BY-SA 3.0, Authors, Images).

1201 Pacific
South 12th Street, Tacoma

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Latitude Longitude
N 47.252194 ° E -122.437429 °
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Address

Wells Fargo Tower

South 12th Street
98402 Tacoma
Washington, United States
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Wells Fargo Plaza from Commerce Street, Tacoma
Wells Fargo Plaza from Commerce Street, Tacoma
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Tollbooth Gallery
Tollbooth Gallery

The Tollbooth Gallery was a site-specific exhibition space and project of the nonprofit arts organization ArtRod launched in 2003 and located in Tacoma, Washington. The project featured contemporary art on view 24 hours a day and seven days a week. The aim of the Tollbooth was to offer dynamic and challenging installation and video art in an outdoor urban setting. Tollbooth Gallery was created and curated by Jared Pappas-Kelley and Michael Lent. For each exhibition an artist or artist team was commissioned and tasked with the realization of their project at the site, while taking advantage of the freestanding concrete structure. Art critic Regina Hackett characterized the project as “mind-expanding art packed into cramped quarters” and described the approach as: “Art that is eager to wrestle with reality.” Hackett noted: “What it lacks in space, it achieves in time,” and “on top of that, it's fabulous.”The Tollbooth commissioned eight exhibitions per year, focusing on varied approaches and engagement with the site and viewer, with an emphasis on video art, time-based work, photography, printmaking, and installation art. The gallery’s stated mission was to bring video and gallery work outside of the traditional museum setting, challenging artists and audience to approach site in different ways. Participant and curator Fionn Meade described the Tollbooth site as a “challenging space to work with but in a good way,” commenting that “the limitations of a format make you be more decisive.” This decisive approach to exhibiting contemporary art allowed the Tollbooth Gallery to program work that might be considered “edgier,” which was furthered by the temporary nature of the commissions. As the journal Public Art Review noted, the project benefited from the “dynamics” of its temporary exhibitions as they allowed for experimentation and “delivered on a short timeline.”Over the years the Tollbooth Gallery was selected by Museum of Contemporary Art, Los Angeles to be included as part of their curriculum, presented as part of the panel Conduit to Contemporary Art at Americans for the Arts National Conference, and Make Your Own: Art in and out of Cologne at Henry Art Gallery. A catalogue of the first year of exhibitions at Tollbooth Gallery was subsequently published as Toby Room 10.The Tollbooth Gallery was one of four major projects of the art organization ArtRod, which included Critical Line - an exhibition center, the publication Toby Room, and the film and video series Don’t Bite the Pavement.