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7 July Memorial

Buildings and structures in Hyde Park, LondonBuildings and structures in the City of WestminsterCultural infrastructure completed in 2009Hyde Park, LondonJuly 2005 London bombings
Monuments and memorials in LondonTourist attractions in the City of WestminsterUse British English from March 2018Vandalized works of art in the United Kingdom
7 July Memorial Hyde Park
7 July Memorial Hyde Park

The 7 July Memorial is a permanent memorial to the 52 victims of the 7 July 2005 London bombings. It is located on the east side of Hyde Park, between Lover's Walk and Park Lane, close to Curzon Gate and about 150 metres (490 ft) north of the monumental statue of Achilles.

Excerpt from the Wikipedia article 7 July Memorial (License: CC BY-SA 3.0, Authors, Images).

7 July Memorial
Dorchester Ride, London Belgravia

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N 51.5059 ° E -0.1528 °
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7 July Memorial

Dorchester Ride
W1K 7AN London, Belgravia
England, United Kingdom
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7 July Memorial Hyde Park
7 July Memorial Hyde Park
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The Dorchester
The Dorchester

The Dorchester is a five-star luxury hotel on Park Lane and Deanery Street in London, to the east of Hyde Park. It is one of the world's most prestigious and expensive hotels. The Dorchester opened on 18 April 1931, and it still retains its 1930s furnishings and ambiance despite being modernised. Throughout its history, the hotel has been closely associated with the rich and famous. During the 1930s, it became known as a haunt of numerous writers and artists such as poet Cecil Day-Lewis, novelist Somerset Maugham, and the painter Sir Alfred Munnings. It has held prestigious literary gatherings, such as the "Foyles Literary Luncheons", an event the hotel still hosts today. During the Second World War, the strength of its construction gave the hotel the reputation of being one of London's safest buildings, and notable members of political parties and the military chose it as their London residence. Queen Elizabeth II attended the Dorchester when she was a princess on the day prior to the announcement of her engagement to Philip Mountbatten on 10 July 1947. The hotel has since become particularly popular with film actors, models and rock stars, and Elizabeth Taylor and Richard Burton frequently stayed at the hotel throughout the 1960s and 1970s. The hotel became a Grade II Listed Building in January 1981, and was subsequently purchased by the Sultan of Brunei in 1985. It belongs to the Dorchester Collection, which in turn is owned by the Brunei Investment Agency (BIA), an arm of the Ministry of Finance of Brunei. In the 1950s, the stage set designer Oliver Messel made a number of changes to the interior of the hotel. Between 1988 and 1990, the hotel was completely renovated at a cost of US$100 million by Bob Lush of the Richmond Design Group. Today The Dorchester has five restaurants: The Grill, Alain Ducasse, The Spatisserie, The Promenade, and China Tang. Alain Ducasse's restaurant is one of the UK's five 3-Michelin-starred restaurants. Afternoon tea, a tradition which has taken place at the hotel since its opening in 1931, is served every day of the week at five in the afternoon in The Promenade and the Spatisserie. Harry Craddock, a well-known barman in the 1930s, invented the "Dorchester of London" cocktail here at the Dorchester Bar. A well-lit plane tree stands at the edge of the hotel in the front garden, and was named one of the Great Trees of London by the London Tree Forum and Countryside Commission in 1997.

Wellington Monument, London
Wellington Monument, London

The Wellington Monument is a statue representing Achilles erected as a memorial to Arthur Wellesley, the first duke of Wellington, and his victories in the Peninsular War and the latter stages of the Napoleonic Wars. It is sited at the south-western end of Park Lane in London, and was inaugurated on 18 June 1822. Its total height, including the sculpture, base and the mound on which it stands, is 36 ft.The monument's colossal 18 feet (5.5 m) high statue is by the sculptor Richard Westmacott, produced from melted-down captured enemy cannon. Based on the poses of the Borghese Gladiator and more particularly the Quirinal Horse Tamers, it shows the Greek mythological hero as a muscular, nude young man, raising his shield with his left hand and his short sword in his right hand, with his armour standing by his right thigh and his cloak draped over his left shoulder. The monument was funded by donations from British women totalling £10,000. On being transported to its final site, the entrance gates into Hyde Park were too low for it to fit, so it proved necessary to knock a hole in the adjoining wall. The inscription on the statue's Dartmoor granite base reads: To Arthur Duke of Wellington and his brave companions in arms this statue of Achilles cast from cannon taken in the victories of Salamanca, Vittoria, Toulouse, and Waterloo is inscribed by their country women Placed on this spot on the XVIII day of June MDCCCXXII by command of His Majesty George IIII.This was London's first public nude sculpture since antiquity and, though the artist had already included a fig leaf over the figure's genitalia, much controversy still resulted, pitching the sculptor's supporters such as Benjamin Robert Haydon against fierce critics such as George Cruikshank in his Backside & front view of the ladies fancy-man, Paddy Carey O'Killus'.The controversy may also have been linked to Canova's nude colossus of Napoleon that had arrived just before this at Apsley House, and also treated on whether Achilles was a metaphor for military heroism in general, Wellington in particular or both.

25 Park Lane
25 Park Lane

25 Park Lane (later renumbered to 45) is a building on Park Lane, London. 25 Park Lane was the London residence of Sir Philip Sassoon who also owned Port Lympne Mansion and Trent Park. His Park Lane home was previously owned by his parents Edward Sassoon and Aline Caroline de Rothschild was by all accounts a great town house and a great venue for entertaining. Built in 1895-6 by T. H.Smith and C. E. Sayer for Barney Barnato, a South African, the house was 13,000 square feet. Peter Stansky author describes the house as having had a four-story-high marble staircase, a conservatory, a winter garden and a ballroom. Previously decorated by his mother Lady Sassoon after the First World War he undertook extensive changes filling the house with French Furniture, tapestries and his most important paintings. Sassoon employed Philip Tilden, who later worked for him at both Port Lympne and Trent Park, to reconstruct the interior. Tilden's memoirs record his efforts; "I built a recessed gallery, mirrored with glass the colour of oyster. I can assure you that deep red roses in porphyry vases reflected in black glass give an effect that is not without uniqueness". The ballroom was painted by Jose Maria Sert who also painted a room at Port Lympne Mansion. In 1920 Peter Stanksky notes that Sassoon commissioned him to do the room, despite the distress the Port Lympne Mansion rooms had bought on. The work was entitled Caravans of the East which covered the walls with Greek temples of camels, palm trees, elephants and exotic figures on their way through a desert. The work extended to the ceiling, on which he painted clouds and an opening for the sky. The panels, except for the ceiling, were saved and were eventually purchased by Barcelona City Council and are now in the Museum of Modern Art in Barcelona. It was renumbered 45 in 1934, and is now a hotel.

Queen Elizabeth Gate
Queen Elizabeth Gate

Queen Elizabeth Gate, also known as the Queen Mother's Gate, is an entrance consisting of two pairs and two single gates of forged stainless steel and bronze situated in Hyde Park, London, behind Apsley House at Hyde Park Corner. There is also a centre feature made of painted cast iron. It was opened by Queen Elizabeth II in 1993 to celebrate the 90th birthday of her mother, Queen Elizabeth The Queen Mother. It cost £1.5 million to construct, raised by private individuals and public funding, under the patronage of Prince Michael of Kent.The stainless steel and bronze gates, railings and lights were designed and made by Giusseppe Lund. The centre piece, featuring a red lion (England) and a white unicorn (Scotland), was designed by sculptor David Wynne. The organic nature of the forged steel reflects the Queen Mother's love of flowers, particularly those from a cottage garden. Her life spanned most of the century and this is represented by a flow from formal symmetry at the base of the gates upwards to an increasing freedom of line at the top. Many of the elements are free to move when touched and the whole structure vibrates when moved. This is in direct contrast to the heavier rectilinear gates found in other entrances to the park. Although much admired, it was described as "hideous" by architect Zaha Hadid. Another architect, Richard Rogers, described it as "romantic candyfloss", and Viscount Linley, a grandson of the Queen Mother's, was reported as saying that he "absolutely loathed" the work. The then arts minister, Lord St John of Fawsley, said they were "full of joy, strength and courage, like the personage in whose honour they have been created".There were also initial concerns that the metal was rusting due to a misunderstanding of the nature of the gate's colouring which was in fact a deliberate creation of chromium oxides with the application of heat. This treatment has since proved to be extremely durable thanks to the initial intensifying of the chromium content on the surface by the use of electro-polishing

Poets' Fountain
Poets' Fountain

The Poets' Fountain was a public fountain with sculptures that was installed on a traffic island in Park Lane, London, in 1875. It was removed in 1948 and it is thought to have been destroyed. One sculpture, an allegorical figure of Fame, is known to have survived and is displayed in the gardens at Renishaw Hall in Derbyshire. The sculpture cost £5,000, the gift of Mrs Maria Mangini (sometime Mangin) Brown of Hertford Street, Mayfair. She was born in London in 1777, of Italian descent, and married Aquila Brown, a merchant from Baltimore, in 1792. Their daughter Harriet Mangin Brown married a Portuguese nobleman, the Comte d'Orta (later Viscount D'Alte), but died before her mother and was buried in Kensal Green Cemetery. Maria Mangini Brown died intestate in December 1871, aged 94, leaving an estate of over £250,000, but she had established a competition in 1871, shortly before her death, to design a sculpture to celebrate the glories of English poetry, to be installed near her house. The competition was won by the artist Thomas Thornycroft, and the sculpture was done by Thomas, assisted by his wife Mary Thornycroft and their son Hamo Thornycroft, with other members of the Thornycroft family as models. The fountain included a basin, with seated bronze statues representing the muses of Comedy, Tragedy and History (respectively, Thalia, Melpomene and Clio). Above and between them were standing marble statues of Shakespeare (facing towards Hyde Park), Chaucer (facing towards Piccadilly) and Milton (facing down Park Lane). The statue of Shakespeare was between the figures of Tragedy and Comedy, Milton between Tragedy and History, and Chaucer between Comedy and History. The structure was topped by a gilded statue above representing a winged Fame, holding a laurel and blowing a trumpet (also oriented to point towards Hyde Park). In all, it was about 26 feet (7.9 m) high. Thomas worked on Milton, and designed the bronze seated muse of Tragedy. The statues of Chaucer, the muse of Comedy and Fame were all done by Hamo. Hamo considered that the sculpture of Fame was his best public work. The fountain was inaugurated on 9 July 1875, at the junction of Hamilton Place and (old) Park Lane. It suffered bomb damage during the Blitz and was removed in 1948, possibly as part of the proposals to widen Park Lane. Most parts are lost, believed to have been destroyed, but the statue of Fame was rescued by Osbert Sitwell. It is displayed in the garden at Renishaw Hall in Derbyshire, where it is known as the Angel of Fame; it was regilded in 2002.