Stadio Bruno Benelli

Ravenna Cathedral or Metropolitan Cathedral of the Resurrection of Our Lord Jesus Christ (Italian: Cattedrale metropolitana della Risurrezione di Nostro Signore Gesù Cristo; Duomo di Ravenna) is a Roman Catholic cathedral dedicated to the Resurrection of Jesus Christ in the city of Ravenna, Italy. Formerly the archiepiscopal seat of the Archdiocese of Ravenna, it is now the seat of the archbishops of Ravenna-Cervia.It was granted the status of a minor basilica by Pope John XXIII on 7 October 1960. It is the seat of the parish of San Giovanni in Fonte belonging to the Urban Vicariate of the archdiocese of Ravenna-Cervia.

The Baptistery of Neon (Italian: Battistero Neoniano) is a Roman religious building in Ravenna, northeastern Italy. The most ancient monument remaining in the city, it was partly erected on the site of a Roman bath. It is also called the Orthodox Baptistery to distinguish it from the Arian Baptistery constructed on behest of Ostrogothic King Theodoric some 50 years later.

The Archiepiscopal Museum (Italian: Museo Arcivescovile) is located in Ravenna, Italy, next to the Baptistry of Neon and behind the Duomo of Ravenna. In the museum relics of early Christian Ravenna are preserved, including fragments of mosaic from the first cathedral church, and the chapel of Sant'Andrea, dating from the Gothic kingdom. The main room, on entering, contains lapidary inscriptions as HIC REQUIESCIT IN PACE VIR SBL SEDA IGNUCUS ('Here lies in peace that eminent man Seda the Eunuch'), CUBICULARIUS or 'Bedchamberlain' to Theodoric the Great, buried 541 AD. Beneath this, by the window, a reliquary for the martyred saints Quiricus and Julietta, whose remains were carried from Tarsus, the birthplace of Saint Paul, to Auxerre and from thence to Ravenna. The depictions on its four facings are in keeping with the theme of donation: Galla Placidia placed it in the church of San Giovanni Battista (not to be confused with the church of the 'Evangelista'). They are: Christ giving the Tables of the Law to St. Peter, with Paul standing by him; Daniel in the lions' den, with the prophet Habakkuk offering him a loaf and fishes; The Three Wise Kings bringing their gifts to the infant Christ; The women sitting below at His empty tomb.The marble rosette on the facing wall is a Paschal calendar of the 6th century. Its purpose was to fix the movable feast of Easter in such a way that it might be celebrated everywhere in Christendom on the same day - no easy matter when East and West were using different calendars: the Eastern Church used the Hebrew lunar calendar, while the Western church followed the sun's cycle. Despite the decrees of the Council of Nicea in 325 AD and the tables of Theophilus, in this, as in all matters of faith, people followed their own loyalties. This calendar follows the eastern lunar cycle: LV on the outer rim, followed by AN indicates the phase of its 19-year cycle; the date then for Easter is written in each recurring phase from 532 AD to 626 AD. The mosaics are the few fragments left of what covered the apse of the first church: they are not Roman originals but of the early 12th century. The most beautiful and intact is that of the Madonna, praying in the eastern manner; other fragments give some idea of its composition - the life of Sant'Apollinare, the patron saint and evangeliser of Ravenna; scenes of the Resurrection; Saints Peter and Paul. On entering the room to the right, there is a little stele depicting Christ the Good Shepherd by a tree: it is the tombstone of Antiphon, who died aged 17 years, 5 months and 12 days, sometime at the end of the 2nd/beginning of the 3rd century, long before the Edict of Tolerance, and is thus the earliest Christian record in Ravenna. The red porphyrian man (drawing or sheathing his sword?), headless, handless, footless, may be the Emperor Theodosius. It recalls the statue of the Tetrarchs outside the Doge's Palace in Venice, gripping onto power. The jewel of the collection is the Ivory Cathedra, the bishop's seat of the Byzantine era (6th century), considered among the finest pieces of ivory carving in Western art. It is placed in what was the tower of Porta Salustra, the Roman gateway which commanded the southern entrance along the Cardis. It is the work of different hands and, even allowing for the missing panels, it still remains a visible masterpiece: the front bench, with the figures of Saint John the Baptist flanked by the Evangelists and a frieze work of peacocks, lions, goats and deer among vines, is especially fascinating; the backrest represents scenes from the birth of Christ, including Mary proving her virginity by immersion; on the other side, the miracles of Christ, his baptism and entry into Jerusalem; the armrests depict the Old Testament life of Joseph, reading from left to right (for the sitter).

The Basilica of San Francesco is a major church in Ravenna. It was first built in 450 by Neo, bishop of Ravenna, and dedicated to saint Peter and Saint Paul. It was later also known as the Church of the Apostles (Chiesa degli Apostoli). In the second half of the 9th century and over the course of the 10th century, the earlier church was demolished to build a larger one and a tall bell tower, both of which survive. This new church was dedicated to Saint Peter and named San Pietro Maggiore. It was handed over to the Franciscans in 1261 and rededicated to Francis of Assisi.Dante Alighieri's funeral was held in the church in 1321 and his remains still rest next to the church in the Tomb of Dante. Between 1500 and 1700 the church was restored again and again and Baroque altars and decorations were added. The most important restoration was that under Pietro Zumaglini in 1793. Ravenna was occupied by the French soon afterwards and in 1810 the monastery was suppressed, with its buildings confiscated by the authorities but the church kept open as a parish church, which it still is. Between 1918 and 1921, in preparation for the 600th anniversary of Dante's death, the church was radically restored, removing all the Baroque additions and returning it to something like its original style. A competition was held during the anniversary for a new scheme inside the church based on Dante's best known work, the Divine Comedy. Adolfo De Carolis won the competition but his sudden death prevented his scheme from being realised. The crypt was restored between 1926 and 1970 and in 1949 the Franciscans took on the church once again. Instead of the old monastery buildings, they moved into a building opposite the church and continued to run it as a parish church.

The Bidente-Ronco is a river in the Emilia-Romagna region of Italy. The first portion of the river is called the Bidente. Once the river passes under the Ponte dei Veneziani (Bridge of the Venetians) in Meldola, the river is called the Ronco. The source of the river is near the border between the province of Forlì-Cesena, the province of Arezzo, and the province of Florence in the Foreste Casentinesi, Monte Falterona, Campigna National Park. The river flows northeast through the mountains in the province of Forlì-Cesena and flows near Santa Sofia, Galeata, Civitella di Romagna and Meldola. Beyond Meldola, the river flows north near Bertinoro, Forlimpopoli, and Forlì before crossing the border into the province of Ravenna. The river flows northeast until it joins the Montone south of Ravenna, and the resulting river is known as the Uniti. The Battle of Ronco took place here.

The Montone is a river in the historical region of Romagna, which is in the present-day region of Emilia-Romagna in northern Italy. It is the northernmost river on the east-facing slopes of the Apennines to flow directly into the Adriatic Sea rather than entering the Po. Its Latin name was Utis or Vitis.The source of the river is in the Foreste Casentinesi, Monte Falterona, Campigna National Park in the Tuscan-Emilian Apennine mountains in the Metropolitan City of Florence (which is in the Tuscany region of Italy). The river flows northeast and crosses the border into the province of Forlì-Cesena and passes through the localities of San Benedetto in Alpe, Portico di Romagna, Bocconi, Rocca San Casciano, Dovadola, Castrocaro, Terra del Sole and Forlì. Near Forlì, the river receives the waters of the Rabbi and curves northwest. It then flows northeast again and forms the border between the province of Forlì-Cesena and the province of Ravenna before flowing into the province of Ravenna. The river curves eastward and is joined by the Bidente-Ronco south of Ravenna. The combined rivers are known as the Uniti. The Battle of Ravenna was fought near the confluence with the Ronco in 1512. Also famous is the Acquacheta stream, mentioned by Dante Alighieri in his Divine Comedy.

The Battle of Ravenna, fought on 11 April 1512, was a major battle of the War of the League of Cambrai. It pitted forces of the Holy League against France and their Ferrarese allies. Although the French and Ferrarese eliminated the Papal–Spanish forces as a serious threat, their triumph was overshadowed by the loss of their young general Gaston of Foix. The victory therefore did not help them secure northern Italy. The French withdrew entirely from Italy in the summer of 1512, as Swiss mercenaries hired by Pope Julius II and Imperial troops under Emperor Maximilian I arrived in Lombardy. The Sforza were restored to power in Milan.

The Battle of Rimini was fought in 432 between the two strong men of the Western Roman Empire, the very recently deposed Magister Utriusque Militiae Flavius Aetius and the newly appointed Magister Utriusque Militiae Bonifatius (Bonifacius or Boniface). In 430, Aetius had the Magister Utriusque Militiae Flavius Constantius Felix executed by the army, as he was allegedly plotting against Aetius. According to Wijnendaele, Aetius was lured into confronting Bonifatius by being appointed Consul in 432, where he was deposed and Bonifatius appointed by Galla Placidia. Aetius and Bonifatius then departed the court of Ravenna, gathered their bucellarii, and met five Roman miles outside of Rimini. Aetius had brought his own troops from the West where he had intended to confront the Sueves, while Bonifatius had brought part of his troops from Africa, most likely being composed of his personal bucellarii and local Italian troops. Allegedly, Aetius had a longer lance and utilized it to spear Bonifatius in personal combat during the battle. Bonifatius, though victorious, was mortally wounded during the battle and died several months later. He was succeeded by his son-in-law, Sebastian, who tried to have the retired Aetius assassinated. Aetius fled to the Huns and returned possibly with a large army of Huns. Sebastian, who was unpopular with the army and the court, was exiled and Aetius quickly became the de facto manager of the Western Roman Empire.

The Battle of Ravenna in 729 was fought between the troops of the Eastern Roman (Byzantine) Exarchate of Ravenna and a force of Lombard Italians. This was in response to Emperor Leo III the Isaurian outlawing the veneration of holy icons, which Pope Gregory II was against. After a fierce battle, the Eastern Roman Army was overcome and thousands of Byzantines were killed.

The Battle of Ravenna, capital of the Western Roman Empire, between the Heruli under their King Odoacer and the remnants of the Western Roman army in Roman Italy occurred in early September 476, and represented a culminating event in the ongoing fall of the Western Roman Empire. The Western Roman Empire had been in relative decline since the beginning of the barbarian invasions and Rome, the symbolical heart and largest city of the Western Empire, was sacked in 410 by the Visigoths and in 455 by the Vandals. By 476 the Roman emperor was little more than a puppet, having very little de facto control of any territory outside of Italy. The last Roman emperor, Romulus Augustulus, was not recognized as a legitimate ruler outside of Italy; the Eastern Roman Empire recognized Julius Nepos as the true Western Roman Emperor. Herulians were foederati of the Western Roman Empire; they were mercenary troops of the Roman army of Italy. They envied the fortune of their brethren in Gaul, Spain, and Africa, whose victorious arms had acquired an independent and perpetual inheritance; and they insisted that a third part of the lands of Italy should be immediately divided among them. Orestes, the father of emperor Romulus Augustus, rejected their demand – causing their revolt. From all the camps and garrisons of Italy the confederates flocked to the standard of Odoacer, their leader; Orestes later retreated to Pavia. Pavia was subsequently pillaged and Orestes was executed.The decisive battle was fought on 2 September 476 near Ravenna, the capital of the Western Roman Empire: it saw the foederati defeat the largely depleted Roman garrison. The city, defended by Paulus (the brother of Orestes) was captured swiftly and easily. Two days later, the sixteen year old emperor Romulus Augustulus was forced to abdicate by Odoacer. Romulus was sent into retirement in Campania.

The Archdiocese of Ravenna-Cervia (Latin: Archidioecesis Ravennatensis-Cerviensis) is a Latin Church metropolitan archdiocese of the Catholic Church in the Emilia-Romagna region of Italy.The cathedral of the archdiocese is the Cathedral Basilica of the Resurrection of Our Lord in Ravenna; the Cathedral of Saint Peter in Cervia is the co-cathedral of the archdiocese.The current Metropolitan Archbishop of the Roman Catholic Archdiocese of Ravenna-Cervia, since his appointment by Pope Benedict XVI on Saturday, November 17, 2012, is Lorenzo Ghizzoni.

The Tomb of Dante (Italian: Sepolcro di Dante) is an Italian neoclassical national monument built over the tomb of the poet Dante Alighieri in 1781. It is sited next to the Basilica of San Francesco in central Ravenna.The monument is surrounded by a "zona dantesca", in which visitors have to remain silent and respectful. The small garden to the monument's right originated as the monastic cloister but now only has a colonnade on one side. The garden is traditionally named after the Quadrarco di Braccioforte, where two people invoked the "strong arm" of Christ to guarantee their contract and therefore had the image of that arm painted on the arch