Palazzo Clary

Campo San Trovaso is a city square in Venice, Italy.

Ognissanti (Italian: Chiesa di Ognissanti) is a 16th-century Roman Catholic church located in the Dorsoduro sestiere of the Italian city of Venice.

San Trovaso (dedicated to Saints Gervasius and Protasius) is a church in the sestiere or neighborhood of Dorsoduro in Venice, northern Italy. The church dates to at least the 1028. The present church was rebuilt by 1584. The architect was probably Francesco Smeraldi. The church was consecrated in 1637. In the chancel are two canvases, Adoration of the Magi and Expulsion of Joachim from the Temple (before 1587) by Domenico Tintoretto, brought here from the church of Santa Maria Maggiore. The left rear chapel, commissioned by Antonio Milledonne, has a Temptations of Saint Anthony Abbot by Jacopo Tintoretto. In addition the St. Chrysogonus on Horseback (c. 1444) was painted by Michele Giambono. The Cappella del Santissimo Sacramento has a Last Supper by the elder Tintoretto companied by a copy of Christ washing the feet of the disciples by the same painter. The original is now housed in the National Gallery in London. The Last Supper is shown on the Expo 2015, in the pavilion of the Vatican City. The second chapel to the right has a Madonna and child in Glory by Palma il Giovane.

Le Eremite is a small Catholic church in the Dorsoduro area of Venice, Italy. It was built at the end of the 17th century for Augustinian nuns. It formed part of a larger complex which included a convent and schools run by the nuns. The schools ran until the middle of the last century and taught children of all ages - from infants to high school. The church is dedicated to Jesus, Mary and Joseph. Construction was completed in 1694.

Dorsoduro is one of the six sestieri of Venice, in northern Italy. Dorsoduro includes the highest land areas of the city and also Giudecca island and Isola Sacca Fisola. Its name derives from the Italian for "hard ridge", due to its comparatively high, stable land.

Santa Maria del Rosario (St. Mary of the Rosary), commonly known as I Gesuati, is an 18th-century Dominican church in the Sestiere of Dorsoduro, on the Giudecca canal in Venice, northern Italy. The classical style building has a well-lit interior and is exceptional in preserving its original layout and Rococo decoration intact. The church and almost all its sculpture and paintings were created within a thirty-year period: construction began in 1725, the church was consecrated in 1743, and the last sculptural decoration was in place by 1755.

Ponte dei Pugni ("Bridge of Fists") is a bridge in Venice, Italy and considered one of the most famous "fighting bridges" in the city located near Campo San Barnaba in Dorsoduro.The top of the bridge has the impression of four footprints, marking the starting position of the fighters when rival clans would gather to fight and throw each other in to the canal. The rivalry between the Nicolotti and the Castellani clans at the bridge dates back to the 14th century. The tradition was ended in the early 18th century after a 1705 altercation led to "bloodbath" with knives and stones. One of the paintings of Joseph Heintz the Younger (Contest on the Fists Bridge in Venice by Joseph Hines, Jr., 1673) depicts the popular fun in Venice – battagliole sui ponti (battle on the bridge) – an annual competition between the inhabitants the eastern and western sestiere.

The Chiesa di San Barnaba is a small Neoclassical-style church in the sestiere (district) of Dorsoduro in Venice. It is dedicated to the Apostle Saint Barnabas.

Campo San Barnaba is a campo (square) in the Dorsoduro sestiere of Venice, Italy. The neighborhood's church is the San Barnaba. It has been featured in numerous films, including Indiana Jones and the Last Crusade where it served as the exterior to the library.

Sant'Eufemia (Italian: Chiesa di Sant'Eufemia) is a Roman Catholic church located in the island of Giudecca in Venice, Veneto, Italy and dedicated to saint Euphemia. It was initially built in the 9th century in the Venetian-Byzantine style. It was restored and rebuilt several times, finally in the 18th century, when the façade was altered, stucco applied to the central nave and the ceiling vaults of the interior and three altarpieces added - 'Jesus among the Doctors' in the Chapel of St Francis, a 1771 'Visitation of the Virgin' by Giambattista Canal and 'The Adoration of the Magi' by Jacopo Marieschi (the third of these has now been moved elsewhere). The ceiling painting is also by Canal in the style of Tiepolo and shows scenes relating to the church's patron saint - her baptism in the left aisle, the saint in glory in the central nave and episodes from her life in the right aisle. Its right side overlooks the Giudecca canal and has a portico with Doric style columns, taken from the nearby church and monastery of Santi Biagio e Cataldo during the latter's 1593 restoration. In a niche inside the porch is a Gothic-style image of the 'Holy Bishop' below a 14th-century crucifixion with donors in the Byzantine style, set in a three-faceted bezel. Its interior is a three-nave basilica, whose original columns and capitals survive. A chapel now houses the remains of Blessed Giuliana of Collalto, translated there in 1822, again from santi Biagio e Cataldo. The left aisle also houses an 18th-century marble sculpture of the Virgin Mary and Christ by Gianmaria Morlaiter in the left, whilst the firsts altarpiece in the right aisle houses the central part of a triptych of saint Roch and the angel under a lunette of the Virgin and Child, both by Bartolomeo Vivarini and dating to 1480. The presbytery also houses a painting of the Last Supper by Benfatto Alvise Dal Friso, from the Veronese school.

Santa Maria dei Carmini, also called Santa Maria del Carmelo and commonly known simply as the Carmini, is a large Roman Catholic church in the sestiere, or neighbourhood, of Dorsoduro in Venice, northern Italy. It nestles against the former Scuola Grande di Santa Maria del Carmelo, also known as the Scuola dei Carmini. This charitable confraternity was officially founded in 1597, and arose from a lay women's charitable association, the Pinzocchere dei Carmini. The members of this lay group were associated as tertiaries to the neighbouring Carmelite monastery. They were responsible for stitching the scapulars for the Carmelites.

Palazzo Foscari (also called Palazzetto Foscari) is a Gothic style palace in Venice, built in the 14th century; it is located at the civic number 795 in the island of Giudecca, near the Molino Stucky. Originally one of the palaces built for the 65th doge of Venice Francesco Foscari and his family, in the late 19th century Palazzo Foscari in Giudecca was also inhabited by Giovanni Stucky, the Swiss engineer who completely renovated and enlarged the flour mills of Venice, applying modern manufacturing concepts and techniques (source: mosaic in the staircase, datation 1898). From 1992 to 2006, the palace hosted the Archivio musicale Luigi Nono, the musical archive of the Venetian composer. Since 2006, the palazzo has hosted a modern and contemporary art gallery, named after the address Giudecca 795.