Victoria Embankment

Embankment is a London Underground station in the City of Westminster, known by various names during its history. It is served by the Circle, District, Northern and Bakerloo lines. On the Bakerloo line and the Charing Cross branch of the Northern line, the station is between Waterloo and Charing Cross stations; on the Circle and District lines, it is between Westminster and Temple and is in Travelcard Zone 1. The station has two entrances, one on Victoria Embankment and the other on Villiers Street. The station is adjacent to Victoria Embankment Gardens and is close to Charing Cross station, Embankment Pier, Hungerford Bridge, Cleopatra's Needle, the Royal Air Force Memorial, the Savoy Chapel and Savoy Hotel and the Playhouse and New Players Theatres. The station is in two parts: sub-surface platforms opened on 30 May 1870 by the District Railway (DR) as part of the company's extension of the Inner Circle eastwards from Westminster to Blackfriars and deep-level platforms opened in 1906 by the Baker Street and Waterloo Railway (BS&WR) and 6 April 1914 by the Charing Cross, Euston and Hampstead Railway (CCE&HR). A variety of underground and main line services have operated over the sub-surface tracks and the CCE&HR part of the station was reconstructed in the 1920s.

Embankment Pier is a pier on the River Thames in City of Westminster, London. It is located on the north bank of the river, immediately next to the Hungerford Bridge and directly outside the river entrance to Embankment Underground station. It is also conveniently close to Charing Cross railway station.

The Sir Joseph Bazalgette Memorial is a memorial to the Victorian engineer Sir Joseph Bazalgette, by George Blackall Simonds. It is located on the Victoria Embankment, a few feet up river from the Hungerford Bridge and Golden Jubilee Bridges, opposite the junction with Northumberland Avenue.

The Victoria Embankment Gardens are a series of gardens on the north side of the River Thames between Blackfriars Bridge and Westminster Bridge in London.

The Imperial Camel Corps Memorial is an outdoor sculpture commemorating the Imperial Camel Corps, located in Victoria Embankment Gardens, on the Thames Embankment to the east of Charing Cross station, in London, England. The unit of mounted infantry was created in December 1916 from troops that had served in the Gallipoli campaign in the Dardanelles. The memorial was sculpted by Major Cecil Brown, who served in the Corps, with bronze elements cast by A.B. Burton at his Thames Ditton Foundry. It comprises (considerably smaller than life-size) a bronze statue of a man riding a camel, on a Portland stone pedestal with bronze panels on its four sides. Two bronze plaques list the names of all 346 men who died while serving with the Corps in Egypt, Sinai and Palestine between 1916 and 1918: 191 from Australia on the east plaque, and 106 from the UK, 41 from New Zealand, and 9 from India on the west plaque. The bronze plaque to the south depicts two soldiers running, and that to the north depicts two officers next to a camel. Below the bronze plaque, the north face of the stone plinth bears a dedication: To the Glorious and Immortal // Memory of the Officers, N.C.O.s and Men // of the Imperial Camel Corps – British, // Australian, New Zealand, Indian – who fell in action or died of wounds // and disease in Egypt, Sinai, and Palestine, 1916, 1917, 1918. The south face is inscribed with a list of the engagements of the Corps: 1916: Romani, Baharia, Mazar, Dakhla, Maghara, El. Arish, Maghdaba 1917: Rafa, Hassana, Gaza 1, Gaza 2, Sana Redoubt, Beersheba, Bir Khu Weilfe, Hill 265 1918: Amman, Jordan Valley, Mudawar (Hedjaz)Lieutenant-General Sir Philip Chetwode, who was the first commander of the Desert Mounted Corps, unveiled the memorial on 22 July 1921. The Bishop of London, Arthur Winnington-Ingram, delivered the dedication. The memorial received a Grade II listing in 1958. Westminster City Council restored the memorial in 1999.

Toole's Theatre, was a 19th-century West End building in William IV Street, near Charing Cross, in the City of Westminster. A succession of auditoria had occupied the site since 1832, serving a variety of functions, including religious and leisure activities. The theatre at its largest, after reconstruction in 1881–82, had a capacity of between 650 and 700. As the Charing Cross Theatre (1869–1876) the house became known for bills offering a mixture of drama, burlesque and operetta. Among the authors of its burlesques were W. S. Gilbert and H. B. Farnie. Its stars included Lydia Thompson, Lionel Brough and Willie Edouin. In 1876 Thompson and her husband, Alexander Henderson, became lessees of the theatre and renamed it the Folly Theatre. They continued the theatre's customary mix of operetta and burlesque. Their greatest successes were with English adaptations of French opéras bouffes and opéras comiques, most conspicuously Les cloches de Corneville, which began its record-breaking run (705 performances) at the Folly in 1878. In 1879 the comic actor J. L. Toole took over the lease. In 1881 he changed the name to Toole's Theatre and had the building substantially reconstructed. He continued the policy of staging burlesques, but introduced more non-musical comedies and farces. Among the authors who wrote for the theatre were John Maddison Morton, F. C. Burnand and Henry Pottinger Stephens; composers included George Grossmith and Edward Solomon. The theatre was important for beginning the professional careers of many actors, writers and actor-managers. Among the playwrights whose early works were presented at Toole's were Arthur Wing Pinero and J. M. Barrie. Future stars who were members of the company as beginners included Kate Cutler, Florence Farr, Seymour Hicks, Irene and Violet Vanbrugh and Lewis Waller. The lease of the theatre expired in 1895, and the lessor, the Charing Cross Hospital, did not renew it. The theatre was demolished in 1896.

The Charing Cross Music Hall was established beneath the arches of Charing Cross railway station in London in 1866 by brothers Giovanni and Carlo Gatti, to replace the former Hungerford Hall. The site had been acquired, together with Hungerford Market, by the South Eastern Railway in 1862, and incorporated into the railway station, which opened on 11 January 1864, resulting in the demolition of the hall.

The York Buildings Waterworks' Water Tower was a water tower on the north bank of the River Thames and a dominant feature of the 18th century London skyline. The water tower was a wooden structure, 70 feet high (21 metres) and with an octagonal cross-section. It was erected in the late 17th century on a site at the end of Villiers Street, by the York Watergate, now part of the Victoria Embankment Gardens. The Survey of London includes a drawing (plate 31 in volume 18) showing the building. The prominent position and height of the water tower meant it appeared in many paintings and drawings of London's north bank at the time. These include:

The statue of James Outram, a work by Matthew Noble, stands in Whitehall Gardens in London, south of Hungerford Bridge. It is a Grade II listed structure. Unusually, the plan to erect the statue began in Outram's own lifetime, at a public meeting held in Willis's Rooms, London, on 5 March 1861. The general had recently returned to Britain from India, the stage on which his military career had been played out, due to poor health. It was decided to erect an equestrian monument in Calcutta, with J. H. Foley as the sculptor, and a standing design by Matthew Noble in London, "near [the statue] of his illustrious comrade, Sir Henry Havelock", on Trafalgar Square. Permission for this site was refused by the First Commissioner of Works, who subsequently offered a site in the yet-to-be-created Embankment Gardens. The statue was unveiled by Lord Halifax, a former Secretary of State for India, on 17 August 1871.The bronze statue rests on a granite pedestal.

The PS Tattershall Castle is a floating pub and restaurant moored on the River Thames at Victoria Embankment. It served as a passenger ferry across the Humber estuary from 1934 to 1973, before being towed to London in 1976.

The Cheylesmore Memorial is a Grade II listed outdoor stone memorial dedicated to British Army officer Herbert Eaton, 3rd Baron Cheylesmore, located in the Victoria Embankment Gardens in Westminster, London, England. The memorial was designed by Edwin Lutyens and unveiled in 1930.At the dedication ceremony on 17 July 1930, the memorial was unveiled by Prince Arthur, Duke of Connaught and Strathearn, the third son of Queen Victoria. Those attending included John Jellicoe, 1st Earl Jellicoe and Paul Methuen, 3rd Baron Methuen.The memorial is made of Portland stone and has seats backing on to a decorative screen facing a small pond. An inscription at the centre of the screen reads: Major-General Lord Cheylesmore, GBE, KCMG, KCMO, Grenadier Guards. Born 1848. Died 1925. Soldier, administrator, philanthropist and steadfast friend.

The Anglo-Belgian Memorial, also known as the Belgian Gratitude Memorial or the Belgian Refugees Memorial, is a war memorial on Victoria Embankment in London, opposite Cleopatra's Needle. It was a gift from Belgium, as a mark of thanks for assistance given by the UK during the First World War, and in particular for sheltering thousands of Belgian refugees who fled from the war. It is a Grade II* listed building. Plans for a Belgian war memorial in London were proposed by a group of Belgians in 1916, to be funded by public subscription. The memorial was designed by Sir Reginald Blomfield. Its main feature is a central bronze sculpture by Belgian sculptor Victor Rousseau, who himself spent time as a refugee in London during the war. The sculpture was cast by A.B. Burton at the Thames Ditton Foundry. It depicts a Belgian woman, accompanied by a boy and a girl carrying garlands of flowers. The bronze stands on a stone plinth which bears the inscription, "To the British nation from the grateful people of Belgium, 1914–1918". The central group is sheltered by a curved screen wall of Portland stone, which bears two further relief sculptures (now quite worn) representing "Justice" (left) and "Honour" (right). The wall also bears carved wreaths and nine heraldic shields, representing the provinces of Belgium: Brabant, Antwerp, Liège, Hainault, Namur, Limburg, Luxembourg, East Flanders and West Flanders. Vandals damaged the memorial in July 1920, while it was under construction, and for a time it was guarded by a nightwatchman. It was unveiled by Princess Clémentine of Belgium at a ceremony on 12 October 1920, the fifth anniversary of the execution of British nurse Edith Cavell in Brussels. The ceremony was attended by the Prime Minister of Belgium Leon Delacroix, and the gift was formally accepted on behalf of the British nation by Lord Curzon. In response, an Anglo-Belgian Memorial was erected in Brussels in 1923, designed by British sculptor Charles Sargeant Jagger. The memorial became a Grade II listed building in 1970, and was upgraded to Grade II* in 2014.