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Victoria Embankment

Buildings and structures on the River ThamesEngvarB from June 2015Parks and open spaces in the City of WestminsterStreets in the City of LondonStreets in the City of Westminster
Victoria EmbankmentWaterfronts
Victoria Embankment, London geograph.org.uk 1598692
Victoria Embankment, London geograph.org.uk 1598692

Victoria Embankment is part of the Thames Embankment, a road and river-walk along the north bank of the River Thames in London. It runs from the Palace of Westminster to Blackfriars Bridge in the City of London, and acts as a major thoroughfare for road traffic between the City of Westminster and the City of London It is noted for several memorials, such as the Battle of Britain Monument, permanently berthed retired vessels, such as HMS President, and public gardens, including Victoria Embankment Gardens.

Excerpt from the Wikipedia article Victoria Embankment (License: CC BY-SA 3.0, Authors, Images).

Victoria Embankment
Victoria Embankment, London Covent Garden

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Latitude Longitude
N 51.507222222222 ° E -0.12166666666667 °
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Embankment Pier

Victoria Embankment
WC2N 6NU London, Covent Garden
England, United Kingdom
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Victoria Embankment, London geograph.org.uk 1598692
Victoria Embankment, London geograph.org.uk 1598692
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Imperial Camel Corps Memorial
Imperial Camel Corps Memorial

The Imperial Camel Corps Memorial is an outdoor sculpture commemorating the Imperial Camel Corps, located in Victoria Embankment Gardens, on the Thames Embankment to the east of Charing Cross station, in London, England. The unit of mounted infantry was created in December 1916 from troops that had served in the Gallipoli campaign in the Dardanelles. The memorial was sculpted by Major Cecil Brown, who served in the Corps, with bronze elements cast by A.B. Burton at his Thames Ditton Foundry. It comprises (considerably smaller than life-size) a bronze statue of a man riding a camel, on a Portland stone pedestal with bronze panels on its four sides. Two bronze plaques list the names of all 346 men who died while serving with the Corps in Egypt, Sinai and Palestine between 1916 and 1918: 191 from Australia on the east plaque, and 106 from the UK, 41 from New Zealand, and 9 from India on the west plaque. The bronze plaque to the south depicts two soldiers running, and that to the north depicts two officers next to a camel. Below the bronze plaque, the north face of the stone plinth bears a dedication: To the Glorious and Immortal // Memory of the Officers, N.C.O.s and Men // of the Imperial Camel Corps – British, // Australian, New Zealand, Indian – who fell in action or died of wounds // and disease in Egypt, Sinai, and Palestine, 1916, 1917, 1918. The south face is inscribed with a list of the engagements of the Corps: 1916: Romani, Baharia, Mazar, Dakhla, Maghara, El. Arish, Maghdaba 1917: Rafa, Hassana, Gaza 1, Gaza 2, Sana Redoubt, Beersheba, Bir Khu Weilfe, Hill 265 1918: Amman, Jordan Valley, Mudawar (Hedjaz)Lieutenant-General Sir Philip Chetwode, who was the first commander of the Desert Mounted Corps, unveiled the memorial on 22 July 1921. The Bishop of London, Arthur Winnington-Ingram, delivered the dedication. The memorial received a Grade II listing in 1958. Westminster City Council restored the memorial in 1999.

Toole's Theatre
Toole's Theatre

Toole's Theatre, was a 19th-century West End building in William IV Street, near Charing Cross, in the City of Westminster. A succession of auditoria had occupied the site since 1832, serving a variety of functions, including religious and leisure activities. The theatre at its largest, after reconstruction in 1881–82, had a capacity of between 650 and 700. As the Charing Cross Theatre (1869–1876) the house became known for bills offering a mixture of drama, burlesque and operetta. Among the authors of its burlesques were W. S. Gilbert and H. B. Farnie. Its stars included Lydia Thompson, Lionel Brough and Willie Edouin. In 1876 Thompson and her husband, Alexander Henderson, became lessees of the theatre and renamed it the Folly Theatre. They continued the theatre's customary mix of operetta and burlesque. Their greatest successes were with English adaptations of French opéras bouffes and opéras comiques, most conspicuously Les cloches de Corneville, which began its record-breaking run (705 performances) at the Folly in 1878. In 1879 the comic actor J. L. Toole took over the lease. In 1881 he changed the name to Toole's Theatre and had the building substantially reconstructed. He continued the policy of staging burlesques, but introduced more non-musical comedies and farces. Among the authors who wrote for the theatre were John Maddison Morton, F. C. Burnand and Henry Pottinger Stephens; composers included George Grossmith and Edward Solomon. The theatre was important for beginning the professional careers of many actors, writers and actor-managers. Among the playwrights whose early works were presented at Toole's were Arthur Wing Pinero and J. M. Barrie. Future stars who were members of the company as beginners included Kate Cutler, Florence Farr, Seymour Hicks, Irene and Violet Vanbrugh and Lewis Waller. The lease of the theatre expired in 1895, and the lessor, the Charing Cross Hospital, did not renew it. The theatre was demolished in 1896.

Anglo-Belgian Memorial, London
Anglo-Belgian Memorial, London

The Anglo-Belgian Memorial, also known as the Belgian Gratitude Memorial or the Belgian Refugees Memorial, is a war memorial on Victoria Embankment in London, opposite Cleopatra's Needle. It was a gift from Belgium, as a mark of thanks for assistance given by the UK during the First World War, and in particular for sheltering thousands of Belgian refugees who fled from the war. It is a Grade II* listed building. Plans for a Belgian war memorial in London were proposed by a group of Belgians in 1916, to be funded by public subscription. The memorial was designed by Sir Reginald Blomfield. Its main feature is a central bronze sculpture by Belgian sculptor Victor Rousseau, who himself spent time as a refugee in London during the war. The sculpture was cast by A.B. Burton at the Thames Ditton Foundry. It depicts a Belgian woman, accompanied by a boy and a girl carrying garlands of flowers. The bronze stands on a stone plinth which bears the inscription, "To the British nation from the grateful people of Belgium, 1914–1918". The central group is sheltered by a curved screen wall of Portland stone, which bears two further relief sculptures (now quite worn) representing "Justice" (left) and "Honour" (right). The wall also bears carved wreaths and nine heraldic shields, representing the provinces of Belgium: Brabant, Antwerp, Liège, Hainault, Namur, Limburg, Luxembourg, East Flanders and West Flanders. Vandals damaged the memorial in July 1920, while it was under construction, and for a time it was guarded by a nightwatchman. It was unveiled by Princess Clémentine of Belgium at a ceremony on 12 October 1920, the fifth anniversary of the execution of British nurse Edith Cavell in Brussels. The ceremony was attended by the Prime Minister of Belgium Leon Delacroix, and the gift was formally accepted on behalf of the British nation by Lord Curzon. In response, an Anglo-Belgian Memorial was erected in Brussels in 1923, designed by British sculptor Charles Sargeant Jagger. The memorial became a Grade II listed building in 1970, and was upgraded to Grade II* in 2014.