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Victoria Embankment Gardens

EngvarB from January 2014Gardens in LondonVictoria Embankment
Victoria Embankment Gardens
Victoria Embankment Gardens

The Victoria Embankment Gardens are a series of gardens on the north side of the River Thames between Blackfriars Bridge and Westminster Bridge in London.

Excerpt from the Wikipedia article Victoria Embankment Gardens (License: CC BY-SA 3.0, Authors, Images).

Victoria Embankment Gardens
Villiers Street, City of Westminster Covent Garden

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Latitude Longitude
N 51.508 ° E -0.1224 °
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Victoria Embankment Open Air Theatre

Villiers Street
WC2N 6NJ City of Westminster, Covent Garden
England, United Kingdom
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Victoria Embankment Gardens
Victoria Embankment Gardens
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Toole's Theatre
Toole's Theatre

Toole's Theatre, was a 19th-century West End building in William IV Street, near Charing Cross, in the City of Westminster. A succession of auditoria had occupied the site since 1832, serving a variety of functions, including religious and leisure activities. The theatre at its largest, after reconstruction in 1881–82, had a capacity of between 650 and 700. As the Charing Cross Theatre (1869–1876) the house became known for bills offering a mixture of drama, burlesque and operetta. Among the authors of its burlesques were W. S. Gilbert and H. B. Farnie. Its stars included Lydia Thompson, Lionel Brough and Willie Edouin. In 1876 Thompson and her husband, Alexander Henderson, became lessees of the theatre and renamed it the Folly Theatre. They continued the theatre's customary mix of operetta and burlesque. Their greatest successes were with English adaptations of French opéras bouffes and opéras comiques, most conspicuously Les cloches de Corneville, which began its record-breaking run (705 performances) at the Folly in 1878. In 1879 the comic actor J. L. Toole took over the lease. In 1881 he changed the name to Toole's Theatre and had the building substantially reconstructed. He continued the policy of staging burlesques, but introduced more non-musical comedies and farces. Among the authors who wrote for the theatre were John Maddison Morton, F. C. Burnand and Henry Pottinger Stephens; composers included George Grossmith and Edward Solomon. The theatre was important for beginning the professional careers of many actors, writers and actor-managers. Among the playwrights whose early works were presented at Toole's were Arthur Wing Pinero and J. M. Barrie. Future stars who were members of the company as beginners included Kate Cutler, Florence Farr, Seymour Hicks, Irene and Violet Vanbrugh and Lewis Waller. The lease of the theatre expired in 1895, and the lessor, the Charing Cross Hospital, did not renew it. The theatre was demolished in 1896.

Imperial Camel Corps Memorial
Imperial Camel Corps Memorial

The Imperial Camel Corps Memorial is an outdoor sculpture commemorating the Imperial Camel Corps, located in Victoria Embankment Gardens, on the Thames Embankment to the east of Charing Cross station, in London, England. The unit of mounted infantry was created in December 1916 from troops that had served in the Gallipoli campaign in the Dardanelles. The memorial was sculpted by Major Cecil Brown, who served in the Corps, with bronze elements cast by A.B. Burton at his Thames Ditton Foundry. It comprises (considerably smaller than life-size) a bronze statue of a man riding a camel, on a Portland stone pedestal with bronze panels on its four sides. Two bronze plaques list the names of all 346 men who died while serving with the Corps in Egypt, Sinai and Palestine between 1916 and 1918: 191 from Australia on the east plaque, and 106 from the UK, 41 from New Zealand, and 9 from India on the west plaque. The bronze plaque to the south depicts two soldiers running, and that to the north depicts two officers next to a camel. Below the bronze plaque, the north face of the stone plinth bears a dedication: To the Glorious and Immortal // Memory of the Officers, N.C.O.s and Men // of the Imperial Camel Corps – British, // Australian, New Zealand, Indian – who fell in action or died of wounds // and disease in Egypt, Sinai, and Palestine, 1916, 1917, 1918. The south face is inscribed with a list of the engagements of the Corps: 1916: Romani, Baharia, Mazar, Dakhla, Maghara, El. Arish, Maghdaba 1917: Rafa, Hassana, Gaza 1, Gaza 2, Sana Redoubt, Beersheba, Bir Khu Weilfe, Hill 265 1918: Amman, Jordan Valley, Mudawar (Hedjaz)Lieutenant-General Sir Philip Chetwode, who was the first commander of the Desert Mounted Corps, unveiled the memorial on 22 July 1921. The Bishop of London, Arthur Winnington-Ingram, delivered the dedication. The memorial received a Grade II listing in 1958. Westminster City Council restored the memorial in 1999.

Watergate Theatre, London

The Watergate Theatre in London existed in 1949-56, located on Buckingham Street, Westminster. In 1949 Elizabeth Denby, together with the theatre director and playwright Velona Pilcher, the writer Elizabeth Sprigge, and Jane Drew converted a site at 29 Buckingham Gate, originally a Chinese restaurant destroyed in World War II during the Blitz, to create a performing space for their theatre club. This consisted of two club rooms, and a 70-seat theatre. In 1950 plans were made to increase the seating to 100, and for the walls to display murals designed by Marc Chagall. In 1950 Chagall started work on two studies for the projected murals – 'The Dance and the Circus' and 'The Blue Circus'. After Pilcher's death in 1952, Chagall gave his murals to the Tate Gallery, and the theatre was taken over by the New Watergate Theatre Club.In September 1950 it staged the premiere of George Bernard Shaw's Farfetched Fables, the last work Shaw completed, and it also staged the English premiere of August Strindberg's The Great Highway, in a translation by Sprigge. That year also saw the staging and almost runaway success of Pablo Picasso's short play, Desire caught by the Tail in the translation by Roland Penrose. In 1951 it presented a production of Shakespeare's The Comedy of Errors performed by the Cambridge University Amateur Dramatic Club and directed by John Barton.Several revues were staged at the Watergate Theatre, including Sandy Wilson's See You Later (1951) featuring Dulcie Gray and with Donald Swann playing the piano, and John Cranko's Cranks (1955, featuring Anthony Newley and with music by John Addison) and setting by John Piper.Given notice that 29 Buckingham Gate was due to be demolished as part of the Strand Improvement Scheme, the New Watergate moved to the Comedy Theatre in Panton Street in 1956.