Rue Royale, Paris

The Musée Bouilhet-Christofle was a private museum located in the 8th arrondissement at 9, rue Royale, Paris, France. The museum's main collection was located in a Parisian suburb at 112, rue Ambroise Croizat, Saint-Denis, France. The museum closed in 2008.The Maison Christofle was founded in 1845 by Charles Christofle (1805-1863), and became silversmith to Napoleon III and one of the major silversmiths in nineteenth-century France. The museum contained more than 2000 items of silver plate and cutlery reflecting the company's history from its founding to the present day. It contained examples of naturalism, Orientalism, Japonism, Art Nouveau, items produced for the universal expositions, Art Deco, etc., and documents a wide range of techniques including electroplating, enameling, and so forth. It also contained displays on the history of silver production, table settings, and table manners.

Porte Saint-Honoré was a city gate in Paris. It was the main entry point into the city from the west, towards Saint-Germain-en-Laye (with porte Saint-Denis to the north towards Saint-Denis, porte Saint-Antoine to the east towards Vincennes, and porte Saint-Jacques to the south towards Orléans). There were three gates that bore the name, demolished rebuilt further and further along rue Saint-Honoré as the city expanded - they dated to the early 13th, late 14th and early 17th centuries.

Maxim's is a restaurant in Paris, France, located at No. 3 rue Royale in the 8th arrondissement. It is known for its Art Nouveau interior decor. In the mid 20th century Maxim's was regarded as the most famous restaurant in the world.

Maxim's Art Nouveau "Collection 1900", also known as the Musée Art Nouveau - Maxim's, is a private collection of Art Nouveau objects and decor, located in the 8th arrondissement above Maxim's Paris restaurant at 3, Rue Royale, Paris, France. It is open for guided tours in afternoons except Monday and Tuesday; an admission fee is charged. Pierre Cardin (the owner since 1981 of Maxim's restaurant, a symbol for Art Nouveau) has collected for over 60 years objects from the Belle Epoque. There are more than 550 pieces from all over the world, signed by Louis Majorelle, Louis Comfort Tiffany, Émile Gallé, Henri de Toulouse-Lautrec and Clement Massier. These objects are displayed in a 12-room apartment building (three floors) which is now classified as a historic monument. Highlights of the collection include furniture by Majorelle, a sofa inspired by Antoni Gaudí and recreations of bedrooms from that time period.

The Ministry of the Navy (French: Ministère de la Marine) was a section of the French government – apart from the Ministry of War – that was in charge of the French navy and colonies. The ministry combined the administration of the navy, the colonies like New France and seaborne trade helping for example the French East India Company. A widely held view at the time was that for states to be powerful, wealthy and prestigious, colonies in the New World need to be maintained for their consequent trade. The maintenance of colonies through naval operations not only served to improve the stature of the state, but was also helpful in destroying their European rivals in North America.After the Second World War, the Ministry of the Navy was merged with the War Ministry, absorbing the role of the Minister of the Navy and Colonies, with a Minister of National Defence directing the entire military French forces.

The hôtel de la Marine (also known as the hôtel du Garde-Meuble) is an historic building located on place de la Concorde in Paris, to the east of rue Royale. It was designed and built between 1757 and 1774 by the architect Ange-Jacques Gabriel, on the newly created square first called Place Louis XV. The identical building to its west, constructed at the same time, now houses the hôtel de Crillon and the Automobile Club of France. The Hôtel de la Marine was originally the home of the royal Garde-Mobile, the office managing the furnishing of all royal properties. Following the French Revolution it became the Ministry of the French Navy, which occupied it until 2015. It was entirely renovated between 2015 and 2021. It now displays the restored 18th century apartments of Marc-Antoine Thierry de Ville-d'Avray, the King's Intendant of the Garde-Meuble, as well the salons and chambers later used by the French Navy. A separate part displays the Al Thani Collection presenting international and inter-cultural works of art from the collection of Sheik Hamad bin Abdullah Al Thani.

Hermès International S.A., or simply Hermès ( (listen) air-MEZ, French: [ɛʁmɛs] (listen)), is a French luxury design house established in 1837. It specializes in leather goods, lifestyle accessories, home furnishings, perfumery, jewelry, watches and ready-to-wear. Its logo, since the 1950s, is of a Duke carriage with horse. Nadège Vanhee-Cybulski is the current creative director.

Sofitel Paris Le Faubourg is a 5-star luxury hotel located in the Rue du Faubourg Saint-Honoré, 8th arrondissement of Paris, France, near the Place de la Concorde. Housed in property formerly owned by Accor hotel group (having been founded in 1997), in 2013 it was sold in a leaseback to New York City-based Mount Kellett Capital for €113 million, including €13 million as renovations. It counts with 147 rooms, a restaurant named Stay seating 60, a bar and a "pastry library" run by thrice Michelin star winner Yannick Alléno, two meeting rooms and a fitness center.Didier Gomez lead the renovations of the 18th century mansion housing the hotel, once the headquarters for Marie Claire.

The Café des Ambassadeurs, also known as Les Ambassadeurs or Les Ambass', was a café-concert located in the Champs-Élysées district, at 1 Avenue Gabriel, in the 8th arrondissement of Paris, which opened around 1830 and closed in 1929. Les Ambassadeurs had its heyday during the Belle Époque in Paris when the café-concert became a regular destination of some of the best known figures of art and the demi-monde in Paris. Painters such as Edgar Degas and Henri de Toulouse-Lautrec portrayed artists and visitors at the caf'conc and almost every vaudeville and music hall entertainer that mattered in those days performed in Les Ambass' . In the 1920s, the venue was transformed into an American-style music hall, which had American and African-American artists, singers, dancers and jazz orchestras performing to attract the growing number of American tourists in Paris.

Les Ambassadeurs was a restaurant in Paris, France, situated in the Hôtel de Crillon. It closed on March 31, 2013, when the hotel closed for renovations, and in 2017 the space reopened as a bar, with Les Ambassadeurs being replaced by a smaller restaurant.

Cartier International SNC, or simply Cartier (; French: [kaʁtje]), is a French luxury goods conglomerate which designs, manufactures, distributes, and sells jewellery, leather goods and watches. Founded by Louis-François Cartier in Paris in 1847, the company remained under family control until 1964. The company maintains its headquarters in Paris, although it is a wholly owned subsidiary of the Swiss Richemont Group. Cartier operates more than 200 stores in 125 countries, with three Temples (Historical Maisons) in London, New York, and Paris.Cartier is regarded as one of the most prestigious jewellery manufacturers in the world. As of 2021, the brand appears to be steadily on the rise and Forbes Most Valuable Brand List shows that Cartier has moved up three spaces, from 59th in 2018 to 56th in 2020. With a growth of 14% value over the previous year, a brand value of $12.2 B and revenue of $6.2 B.Cartier has a long history of sales to royalty. King Edward VII of Great Britain referred to Cartier as "the jeweller of kings and the king of jewellers." For his coronation in 1902, Edward VII ordered 27 tiaras and issued a royal warrant to Cartier in 1904. Similar warrants soon followed from the courts of Spain, Portugal, Serbia, Russia and the House of Orléans.

The Madeleine bombing was a bomb attack carried out on 15 March 1894 by the anarchist militant Désiré Pauwels at the Madeleine church, facing the French National Assembly in Paris. The attack occurred during the latter half of the Era of Attacks (1892–1894) and aimed to strike a symbol of the Catholic Church and one of the principal churches of the Parisian bourgeoisie. Pauwels arrived at the church but detonated his bomb prematurely at the entrance before he could position it. He died shortly afterward from a gunshot wound to the head, possibly self-inflicted as he would have attempted suicide to avoid capture by police. No other casualties or injuries were reported, though the church sustained damage and required restoration. This bombing, along with other attacks during the Era of Attacks, marked an early shift in terrorist strategy: instead of targeting specific individuals, it focused on symbolic locations—in this case, the Madeleine church as a stand-in for a precise human target. This shift became a hallmark of modern terrorism but was poorly understood by contemporary media, which dismissed the attack as a senseless act without grasping its ideological motivations. The French press reacted with disgust and scorn, ignoring Pauwels' courage or resolve. The incident also highlights the growing role of forensic science in criminal investigations. Pauwels’ body was so severely disfigured and mutilated by the explosion that it became unrecognizable, necessitating identification by forensic experts—who successfully confirmed his identity.