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Café des Ambassadeurs

Cabarets in ParisChamps-ÉlyséesCommons category link is defined as the pagenameEntertainment venues in ParisFormer theatres in Paris
Music venues completed in 1860
Edgar Germain Hilaire Degas 038
Edgar Germain Hilaire Degas 038

The Café des Ambassadeurs, also known as Les Ambassadeurs or Les Ambass', was a café-concert located in the Champs-Élysées district, at 1 Avenue Gabriel, in the 8th arrondissement of Paris, which opened around 1830 and closed in 1929. Les Ambassadeurs had its heyday during the Belle Époque in Paris when the café-concert became a regular destination of some of the best known figures of art and the demi-monde in Paris. Painters such as Edgar Degas and Henri de Toulouse-Lautrec portrayed artists and visitors at the caf'conc and almost every vaudeville and music hall entertainer that mattered in those days performed in Les Ambass' . In the 1920s, the venue was transformed into an American-style music hall, which had American and African-American artists, singers, dancers and jazz orchestras performing to attract the growing number of American tourists in Paris.

Excerpt from the Wikipedia article Café des Ambassadeurs (License: CC BY-SA 3.0, Authors, Images).

Café des Ambassadeurs
Place de la Concorde, Paris 8th Arrondissement of Paris (Paris)

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Wikipedia: Café des AmbassadeursContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 48.86732 ° E 2.32155 °
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Hôtel de Plessis-Bellière (Hôtel Cartier)

Place de la Concorde
75008 Paris, 8th Arrondissement of Paris (Paris)
France
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Edgar Germain Hilaire Degas 038
Edgar Germain Hilaire Degas 038
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Hôtel Grimod de La Reynière

The Hôtel Grimod de La Reynière was an hôtel particulier in Paris, in the corner between Avenue Gabriel and Rue Boissy d'Anglas. It was built in 1775 in a Neo-Classical style by Jean-Benoît-Vincent Barré for the fermier général (tax-farmer) Laurent Grimod de La Reynière (1733–1793). It used a plot occupied by a store for ancient statues in the royal collection, on which Grimod de La Reynière had obtained a royal concession to construct a building similar to the hôtel de Saint-Florentin (which had been constructed in the northeastern corner of the new Place Louis XV, now Place de la Concorde, to plans by Ange-Jacques Gabriel). The layout of the rooms is known from a relief by the architect Johann Christian Kammsetzer, preserved at Cracow. The grand salon and the state rooms gave onto an English garden spread between the south facade and the gardens of the Champs-Élysées. The dining room was located in the west wing, between two courtyards and a small, oval internal garden, with heating. Two fountains were placed in a gallery between the kitchen and the buffet, a gallery reached through a billiards room and an octagonal hall. On the other side of the main courtyard was a picture gallery and a library, which gave onto Rue de la Bonne-Morue. In the interior, Charles-Louis Clérisseau and Étienne de La Vallée Poussin executed the first decorative scheme in Europe to be inspired by the new archaeological discoveries at Pompeii and Herculanum. A set of eight painted boiseries depicting sixteen scenes from the life of Achilles were sold in 1850 and are now in the collection of the Victoria and Albert Museum in London. Up until the 19th century, the Hôtel housed the imperial Cercle, then the Cercle de l'Union artistique - the latter held some exhibitions by the Society of Watercolourists here in 1914. Disfigured by successive additions, it was razed to the ground in 1932 and replaced by a neoclassical pastiche, built between 1931 and 1933 by the architects William Delano and Victor Laloux to house the US embassy.