Santa Maria Mater Domini

The Curti Valmarana is a Renaissance-style palace in located on the Grand Canal, between the Palazzo Querini Benzon and the Palazzo Corner Spinelli in the sestiere of San Marco of Venice, Italy. It stands across the canal from the Palazzo Querini Dubois.

The Palazzo Flangini is a Baroque style palace on the Grand Canal, located adjacent to Campo San Geremia in the sestiere of Cannaregio in Venice, Italy.

Ponte delle Tette is a small bridge on the rio di san Canciano in the parish of San Cassiano, Venice, Italy, in the sestieres of San Polo. It takes its name ("Bridge of the Tits") from the use of the bridge by prostitutes, who were encouraged to stand topless on the bridge and in nearby windows to entice and convert suspected homosexuals.

The Ca' Pesaro is a Baroque marble palace turned art museum, facing the Grand Canal of Venice, Italy. Today it is one of the 11 museums run by the Fondazione Musei Civici di Venezia system. The building was originally designed by Baldassarre Longhena in the mid-17th century, the construction was completed by Gian Antonio Gaspari in 1710. As at Longhena's Ca' Rezzonico, a double order of colossal columns and colonnettes flanking arch-headed windows, reinterpreting a motif of Jacopo Sansovino, Longhena creates the impression of double loggias extending across the main Grand Canal frontage, above a boldly rusticated basement.

The Teatro San Cassiano (or Teatro di San Cassiano and other variants) in Venice was the world’s first public opera theatre, inaugurated as such in 1637. The first mention of its construction dates back to 1581. The name with which it is best known comes from the parish in which it was located, San Cassiano (Saint Cassian), in the Santa Croce district (‘sestiere’) not far from the Rialto. The theatre was owned by the Venetian Tron family and was the first ‘public’ opera house in the sense that it was the first to open to a paying audience. Until then, public theatres (i.e., those operating on a commercial basis) had staged only recited theatrical performances (commedie) while opera had remained a private spectacle, reserved for the aristocracy and the courts. The Teatro San Cassiano was, therefore, the first public theatre to stage opera and in so doing opened opera for wider public consumption. In 2019 a project, conceived by the English entrepreneur and musicologist Paul Atkin, was announced to reconstruct in Venice the Teatro San Cassiano of 1637 as faithfully as academic research and traditional craftmanship will allow, complete with period stage machinery and moving stage sets. The project aims to establish the reconstructed Teatro San Cassiano as a world-renowned centre for the research, exploration and staging of historically-informed Baroque opera.

The Metropolitan City of Venice (Italian: Città Metropolitana di Venezia) is a metropolitan city in the Veneto region, Italy. Its capital is the city of Venice. It replaced the Province of Venice and includes the city of Venice and 43 other municipalities (comuni). It was first created by the reform of local authorities (Law 142/1990) and then established by the Law 56/2014. The Metropolitan City of Venice is headed by the Metropolitan Mayor (Sindaco metropolitano) and by the Metropolitan Council (Consiglio metropolitano). Since 15 June 2015, as new mayor of the capital city, Luigi Brugnaro is the first mayor of the Metropolitan City.

San Stae is a church in central Venice, in the sestiere of Santa Croce. San Stae, an abbreviation for Saint Eustachius, was founded at the beginning of the 11th century and reconstructed in the 17th century, and has a main facade (1709) on the Grand Canal of Venice, constructed by Domenico Rossi, and richly decorated with statuary by Giuseppe Torretto, Antonio Tarsia, Pietro Baratta, and Antonio Corradini. The interior has a tomb for the Mocenigo family. The right wall contains altars with works by Niccolò Bambini, Giuseppe Camerata, and Antonio Balestra. The three chapels on the left house works by Giuseppe Torretto, Pietro Baratta, Francesco Migliori, and Jacopo Amigoni. The roof of the presbytery has a ceiling decorated with a large canvas by Bartolomeo Letterini, while the walls have canvases by Giuseppe Angeli and small canvases dedicated to the Apostles, including a Martyrdom of St. Bartholemew (1721) (right lower) by a young Giambattista Tiepolo; The Martyrdom of Saint Thomas by Giambattista Pittoni, a Martyrdom of St. James the Greater by Giambattista Piazzetta; and a Liberation of St. Peter by Sebastiano Ricci (left lower). The sacristy contains a Death of Christ by Pietro della Vecchia and a Trajan orders Sant'Eustachio to pray to the idols by Giambattista Pittoni.

San Cassiano (English: Church of Saint Cassian) is a 14th-century Roman Catholic church located in the San Polo sestiere of the Italian city of Venice. A church has stood on the site since 726 with the present building dedicated to Saint Cassian of Imola being consecrated in 1376 and re-modelled during the 17th century. It has a plain exterior with several adjacent buildings overlapping it. Its interior however is richly decorated in a Baroque style. The church is located on the Campo San Cassiano, site of the world's first public opera house, west of the Rialto Bridge and is open to visitors Tuesday-Saturday mornings.The church houses three paintings by the Italian artist Tintoretto, including The Crucifixion of Christ painted in 1568 which the art critic John Ruskin described as, "the finest [example of a Crucifixion painting] in Europe". However, the most famous painting associated with the church is paradoxically one which is no longer there. The San Cassiano altarpiece, painted for this church by Antonello da Messina, was the first major example of oil painting in the city. It disappeared from the church in the 17th century and was cut into sections; the remaining known pieces are re-united in Vienna.

The Palazzo Soranzo is composed of two adjacent Gothic palaces or palazzi, located facing Campo San Polo, in the sestiere San Polo of Venice, Italy. There is a distinct Palazzo Soranzo Piovene on the Grand Canal of Venice. Originally the facade of the palaces faced a canal, the Rio Sant'Antonio, which was paved over in 1761. Originally, small bridges provided access to the campo. The campo had been paved by 1493. The oldest part of the complex dates to the mid-1300s. The newer building, with the broad 8 adjacent windows in piano nobile, was erected in the 15th century. It was once decorated with frescoes by Giorgione. The Soranzo family was a prominent Venetian noble family. One of the members, Giovanni Soranzo, was elected Doge in 1312 and served till 1328. He had been an admiral who defeated the Genoese at Kaffa in the Crimea. Most of the original paintings and removable decoration were sold over the centuries. The palace is now privately owned, and subdivided into apartments and offices.

Ca’ Sanudo Turloni is a Gothic-style palace located with a façade on Rio de Sant'Antonio, and located in Calle Pezzana #2162, in the Sestiere San Polo in Venice, Italy.

Palazzo Duodo is a Gothic-style palace on the Canal Grande, located between the Ca' Tron and the Palazzo Priuli Bon, in the sestiere of Santa Croce, in Venice, Italy. There is a second Palazzo Duodo a Campo Sant'Angelo. The palace was built in the 15th century. In 1712 it was let to Marchese Orazio Lancilotti, and in 1740 there were several tenants. In 1808 it belonged to Carlo Duodo of S. Maria Zobenigo

Ca' Tron is a palace in Venice, northern Italy, facing the Canal Grande. Part of the sestiere (quarter) of Santa Croce, it is situated between the Palazzo Belloni Battagia and Palazzo Duodo, near the church of San Stae. It is owned by the Università Iuav di Venezia and houses the Department of Design and Planning in Complex Environments. The palace was rebuilt in the late 16th century to the design of an unknown architect influenced by Jacopo Sansovino as the residence of the Tron family, who lived here until their extinction in the 19th century. The Tron had lived in this parish from the time of the start of the Patriciate. The family produced one Doge, Niccolo Tron in 1471, and nearly a half dozen procurators, and many other Venetian statesmen and generals. Maximilian, Elector of Bavaria, stayed here in 1684; and in 1775 Andrea Tron entertained the Emperor Joseph II with a magnificent ball. Senator Francesco Tron, grandson of Andrea, died here in 1793. In the 19th century the palace nearly fell into ruin.It has been owned by the Università Iuav di Venezia since 1972.