Basilicas Park

Porta Ticinese (formerly known as Porta Cicca, and during Napoleonic rule as Porta Marengo) is a former city gate of Milan, Italy. The gate, facing south-west, was first created with the Spanish walls of the city, in the 16th century, but the original structure was later demolished and replaced in the early 19th century. The name "Porta Ticinese" is used both to refer to the gate proper and to the surrounding district, part of the Zone 6 administrative division. In the same district there is also a medieval gate with the same name, although in common speech the name "Porta Ticinese" is usually assumed to refer to the 19th century gate. The gate of Porta Ticinese is one of the landmark buildings of Milan and a popular tourist attraction.The name "Porta Ticinese" means "Gate to the Ticino", referred to the Ticino river, that traverses the Po Valley south-west of Milan. The name "Porta Cicca" came about during the Spanish rule of Milan in the 16th century, "Cicca" being a distortion of the Spanish word chica, i.e., "small". The name "Porta Marengo", which was used in the 19th century, refers to the village of Marengo located south-west of Milan, now called Spinetta Marengo, scene of the Battle of Marengo between the French army commanded by Napoleon and an Austrian army.

The Basilica of Sant'Eustorgio is a church in Milan in northern Italy, which is in the Basilicas Park city park. It was for many years an important stop for pilgrims on their journey to Rome or to the Holy Land, because it was said to contain the tomb of the Three Magi or Three Kings. Probably founded in the 4th century, its name refers to Eustorgius I, the bishop of Milan to whom is attributed the translation of the supposed relics of the Magi to the city from Constantinople in 344. In 1764, when an ancient pillar was removed, a Christian burial was discovered, housing coins of emperor Constans, the son of Constantine the Great.The church was later rebuilt in Romanesque style. In the 12th century, when Milan was sacked by Frederick Barbarossa, the relics of the Magi were appropriated and subsequently taken to Cologne. It was only in 1903/4 that fragments of the bones and garments were sent back to Sant'Eustorgio's. Nowadays they are in the Three Kings altar nearby the empty Three Kings sarcophagus. Still today, in memory of the Three Kings, the bell tower is surmounted by a star instead of the traditional cross. From the 13th century the church was the main Milanese seat of the Dominican Order, who promoted its rebuilding. The current façade is a 19th-century reconstruction. The interior has a nave and two aisles, covered with groin vaults. Of the Romanesque church only parts of the apse remain, while of the original Early Christian building, remains have been excavated also under the apse. To the right side of the nave, the church has chapels commissioned from the 14th century onwards by the main families of the city. The first from the entrance is of the 15th century and has a Renaissance sepulchre and a triptych by Ambrogio Bergognone. The three others are more ancient, having frescoes of the Giotto school and tombs of members of the Visconti family. The high altar is an imposing marble polyptych of the early 15th century, while a similar work is in the right transept, next to the Early Christian sarcophagus of the Magi. Also noteworthy are a Crucifixion on a table by a Venetian artist of the 13th century and St. Ambrose Defeating Arius by Ambrogio Figino of the late 16th century. Behind the apse is the most striking feature of the church, the Portinari Chapel (1462–1468), one of the most celebrated examples of Renaissance art in Lombardy. It has frescoes by Vincenzo Foppa and a marble sepulchre by Giovanni di Balduccio, a 14th-century pupil of Giovanni Pisano. The chapel also houses an important Dominican monument, the Ark (tomb) of Saint Peter of Verona, which is replete with marble bass-relief images by the sculptor, Giovanni di Balduccio.

The Portinari Chapel (Italian: Cappella Portinari) is a Renaissance chapel at the Basilica of Sant'Eustorgio, Milan, northern Italy. Commenced in 1460 and completed in 1468, it was commissioned by Pigello Portinari as a private sepulchre and to house a silver shrine given by Archbishop Giovanni Visconti in 1340 containing the relic head of St. Peter of Verona, to whom the chapel is consecrated. The architect is unknown, the traditional attribution to Michelozzo having been succeeded with equal uncertainty by attributions to either Filarete or Guiniforte Solari, architect of the apses of the Certosa di Pavia and the church of San Pietro in Gessate in Milan.

Cox 18 is a self-managed social centre in Milan, Italy. It was first squatted in 1976 and after being evicted in 1989 was quickly re-squatted. It houses the Calusca bookshop and the Primo Moroni archive.

The Diocesan Museum of Milan (Museo Diocesano di Milano in Italian) is an art museum in Milan housing a permanent collection of sacred artworks, especially from Milan and Lombardy. Originally conceived by Ildefonso Schuster in 1931 as a vehicle to protect and promote the art collection of the Archdiocese of Milan, the museum was eventually established in the former headquarters of the Dominican Order in the back of the Basilica of Sant'Eustorgio with the support of Pope Paul VI. In 2001 Carlo Maria Martini inaugurated the current venue located in Porta Ticinese.

The Nuova Accademia di Belle Arti, "New Academy of Fine Arts", also known as NABA, is a private academy of fine art in Milan, in Lombardy in northern Italy. It has approximately 3000 students, some of whom are from abroad; it participates in the Erasmus Programme.

Porta Lodovica was a city gate of the Spanish walls of Milan, Italy, named after Ludovico Sforza. Today, the name refers to the district (quartiere) of Milan where the gate used to be, which is part of the Zone 5 administrative division. The gate was demolished at the end of the 19th century. Plans were made to rebuild it inside the Parco di Monza city park in Monza, but they were not implemented.

Conca del Naviglio is a district ("quartiere") of Milan, Italy, part of the Zone 1 of Milan. It preserves the remains of the basin and some remains of the Milan amphitheatre. The urban fabric originated around the creation of the Conca di Viarenna in the 15th century.

Domus Academy is a private school of design in Milan, Italy. It offers post-graduate and professional courses in fashion, industrial design, and design management.: 132  It is not listed by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education, among the institutions authorised to award degrees in music, dance and the arts.Domus Academy was founded in 1982 by the Mazzocchi family, owners of Editoriale Domus, which publishes Domus and Quattroruote magazines. Maria Grazia Mazzocchi was president of the school. Gianfranco Ferré was on the staff from 1983 to 1989, and Andrea Branzi was cultural director for the first ten years. In 2009 the school was bought by Laureate Education of Baltimore, Maryland for an estimated ten million euros. In 2018 Laureate sold it to the British Galileo Global Education group.

The Istituto di Moda Burgo is a private Italian school of fashion. It is based in Milan, in Lombardy in northern Italy, and has main branch in Rome.

Casa Venegoni is a historic building situated in Milan, Italy.

Milano Tibaldi is a railway station in Milan, Italy.